| Photos (See all 26 | slideshow) |
| Dolly Read | ... | Kelly Mac Namara | |
| Cynthia Myers | ... | Casey Anderson | |
| Marcia McBroom | ... | Petronella Danforth | |
| John Lazar | ... | Ronnie 'Z-Man' Barzell (as John LaZar) | |
| Michael Blodgett | ... | Lance Rocke | |
| David Gurian | ... | Harris Allsworth | |
| Edy Williams | ... | Ashley St. Ives | |
| Erica Gavin | ... | Roxanne | |
| Phyllis Elizabeth Davis | ... | Susan Lake (as Phyllis Davis) | |
| Harrison Page | ... | Emerson Thorne | |
| Duncan McLeod | ... | Porter Hall | |
| James Iglehart | ... | Randy Black (as Jim Iglehart) | |
| Charles Napier | ... | Baxter Wolfe | |
| Henry Rowland | ... | Otto | |
| Princess Livingston | ... | Matron | |
| Stan Ross | ... | Disciple | |
| Lavelle Roby | ... | Vanessa | |
| Angel Ray | ... | Girl-in-Tub | |
| Veronica Ericson | ... | Blonde Date (as Veronica Erickson) | |
| Haji | ... | Cat Woman | |
| Karen Smith | ... | Red Head | |
| Sebastian Brook | ... | Art Director | |
| Bruce McBroom | ... | Photographer (as Bruce V. McBroom) | |
| Ian Sander | ... | Boy-in-Tub | |
| Koko Tani | ... | Assistant | |
| Samantha Scott | ... | Cynthia | |
| Tea Crawford | ... | Kathy Page | |
| Heath Jobes | ... | Makeup Man | |
| John Logan | ... | Escort | |
| Susan Reed | ... | Fashion Model | |
| Robin Bach | ... | Gay Boy | |
| Ceil Cabot | ... | Mother | |
| Mary Carroll | ... | Middle Aged Woman | |
| Joseph Cellini | ... | Man - Flowered Pants | |
| Jackie Cole | ... | First Woman | |
| Frank Corsentino | ... | Hippie Boy | |
| Mibb Curry | ... | White Haired Gentleman | |
| Coleman Francis | ... | Rotund Drunk | |
| Pam Grier | ... | Fourth Woman (as Pamela Grier) | |
| T.J. Halligan | ... | Science Teacher | |
| Rick Holmes | ... | Man with Glasses | |
| Marshall Kent | ... | Dr. Downs | |
| Michael Kriss | ... | Young Actor | |
| Tim Laurie | ... | Second Gay Man | |
| Bebe Louie | ... | Hippie Girl | |
| Lillian Barb | ... | Nurse (as Lillian Martin) | |
| Ashley Phillips | ... | Fashion Model | |
| 'Big Jack' Provan | ... | Father | |
| Joyce Rees | ... | Marion Harrisburg | |
| Christopher Riordan | ... | Gay Boy (as Chris Riordian) | |
| Bert Santos | ... | Taxi Driver | |
| George Stratton | ... | Third Gay Man | |
| The Strawberry Alarm Clock | ... | Themselves | |
| rest of cast listed alphabetically: | |||
| Russ Meyer | ... | TV Cameraman (uncredited) | |
| Garth Pillsbury | ... | Man with Newspaper (uncredited) | |
| Gordon Wescourt | ... | Gordon - TV Interviewer (uncredited) | |
| Dan White | ... | Dr. Scholl (uncredited) | |
Directed by | |||
| Russ Meyer | |||
Writing credits | ||
| Roger Ebert | (screenplay) | |
| Roger Ebert | (story) and | |
| Russ Meyer | (story) | |
Produced by | |||
| Red Hershon | .... | associate producer | |
| Eve Meyer | .... | associate producer | |
| Russ Meyer | .... | producer | |
| Charles Napier | .... | associate producer (uncredited) | |
Original Music by | |||
| Stu Phillips | |||
Cinematography by | |||
| Fred J. Koenekamp | (director of photography) | ||
Film Editing by | |||
| Dann Cahn | |||
| Dick Wormell | |||
Art Direction by | |||
| Arthur Lonergan | |||
| Jack Martin Smith | |||
Set Decoration by | |||
| Stuart A. Reiss | |||
| Walter M. Scott | |||
Costume Design by | |||
| David Hayes | |||
Makeup Department | |||
| William Buell | .... | makeup artist (as Bill Buell) | |
| Edith Lindon | .... | hair stylist | |
| Daniel C. Striepeke | .... | makeup supervisor (as Dan Striepeke) | |
| John Chambers | .... | special makeup effects artist (uncredited) | |
Production Management | |||
| Norman A. Cook | .... | unit production manager (as Norman Cook) | |
Second Unit Director or Assistant Director | |||
| C.E. Dismukes | .... | assistant director | |
| David Hall | .... | assistant director | |
Art Department | |||
| Sidney H. Greenwood | .... | property master (as Syd Greenwood) | |
Sound Department | |||
| Don Minkler | .... | sound | |
| Richard Overton | .... | sound | |
Special Effects by | |||
| Jack Harmon | .... | special photographic effects | |
| Greg C. Jensen | .... | special effects (uncredited) | |
Stunts | |||
| Larry Holt | .... | stunts (uncredited) | |
| Bob Minor | .... | stunts (uncredited) | |
| Paul Stader | .... | stunt coordinator (uncredited) | |
Music Department | |||
| Lynn Carey | .... | vocal coordinator | |
| Igo Kantor | .... | music supervisor | |
| William Loose | .... | composer: additional music | |
| Robert Simard | .... | music editor | |
Transportation Department | |||
| Chris Haynes | .... | driver (uncredited) | |
Other crew | |||
| Manny Diez | .... | assistant to producer | |
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| Across the Universe | Love Actually | Sweet Movie | Nowhere | Fellini Satyricon |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
One of the all-time great cult films, BVD is an energetic, imaginative parody of Valley of the Dolls and other such dippy Hollywood melodramas. Our three lusty, busty heroines are the members of an all-girl pop group. From one trailer: "Dolly Read is Kelly, the singer. Cynthia Myers is Casey, the swinger. Marcia McBroom is Pet, the soul sister." Whoa! Anyway, our trio of sexy supervixens move out to Hollywood, get discovered immediately, and are thrown into a whirlpool of pill addiction, alcoholism, lesbianism, abortions, depression, double crosses, crippling injuries, lots of violence, and lots of sex. All of this is played with a deceptively straight face, with the wild comedy arising from the ludicrousness of the soap-opera situations. One particularly sudsy moment is even accompanied by swelling daytime-TV organ music! There are obvious jokes, which are spirited and very funny, and even some sly references to Valley of the Dolls (a character named Miriam, the Warwick Court Apartments). The ending has to be seen to be believed, and even then....
The acting is very good (though Dolly Read's natural British and fake American accents are openly battling throughout), with top prizes taken by John LaZar as freaked-out record mogul Z-Man and Edy Williams as voracious porno queen Ashley St. Ives. The women, sporting big hair and thick false eyelashes, are all incredibly beautiful, and Russ Meyer lovingly captures them in neon-bright color. The editing and camerawork are fast-paced and super-stylish, as usual with Meyer. The soundtrack is excellent.
A groovy, sexy, X-rated look at L.A. back when it was cool!
Trivia: The reason this X seems so mild is because it was intended for an R! Meyer did prepare a more explicit version, but when this tamer cut was X'd, Fox elected to distribute it instead of the racier print. The video box says NC-17 because Fox has a policy against never releasing an X-rated tape. Of course, an X in 1970 did mean 17 and over, whereas it now means 18 and over. HUGE chasm there!