Believe it or not even in Smalltown USA there are still people who are unfulfilled and unrelieved in the midst of plenty. Levonna & Lamar could have the perfect relationship if it were not ... See full summary »
Harry (a corrupt sheriff) and his Chicano deputy hunt an Apache who is about to go to the authorities with the news Harry is smuggling marijuana. Harry makes love to Raquel (a prostitute) ... See full summary »
Three strippers holding a young girl hostage come across a crippled old man living with his two sons in the desert. After learning he's hiding a sum of cash around, the strippers start scheming on him.
Clint Ramsey has to leave his job working at Martin Bormann's gas station and flee after his wife is murdered by psycho cop Harry Sledge, who tries to pin the murder on Clint. Crossing ... See full summary »
Three bad boy motorcyclists get kicks raping other people's women and generally being a nuisance. When they rape a veterinarian's wife, he takes exception and pursues them, teaming up with ... See full summary »
It's 1933, in the midst of the Depression and Prohibition. Calif, a stranger with a past walks into Spooner, Missouri on his way from Michigan to California. He hires on with Lute Wade to ... See full summary »
Lorna has been married to Jim for a year, but still hasn't been satisfied sexually. While Jim is working at the salt mine, she is raped by an escaped convict, but falls in lust with him. ... See full summary »
Tales of eleven losers are told and interwoven. Burt can't satisfy Angel, so she seeks the arms of another man, who is caught by Angel in the arms of another woman. Angel ends up with ... See full summary »
Mr. Teas is a door to door salesman for dentists' appliances. Everywhere he goes he encounters beautiful "well-developed" nude women, which of course stir his interest. The only sound in ... See full summary »
Eve is dressed in a long raincoat and follows the handyman around as he makes his appointed rounds. She watches as he has humorous run-ins while cleaning toilets, taking scrap metal to the ... See full summary »
This film is a sequel in name only to Valley of the Dolls (1967). An all-girl rock band goes to Hollywood to make it big. There they find success, but luckily for us, they sink into a cesspool of decadence. This film has a sleeping woman performing on a gun which is in her mouth. It has women posing as men. It has lesbian sex scenes. It is also written by Roger Ebert, who had become friends with Russ Meyer after writing favorable reviews of several of his films. Written by
Mark Logan <email@example.com>
Casey's Robin costume was actually one of the costumes worn by Burt Ward on the "Batman" TV series. See more »
During "The Carrie Nation" performances horns can be heard in the music. There is no horn section in the band. See more »
She was living in a single room with three other individuals. One of them was a male, and the other two, well the other two were females. God only knows what they were up to in there... and furthermore, Susan, I wouldn't be the least bit surprised to learn that all four of them habitually smoked marijuana cigarettes... reefers.
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Disclaimer: THE FILM YOU ARE ABOUT TO SEE IS NOT A SEQUEL TO "VALLEY OF THE DOLLS." IT IS WHOLLY ORIGINAL AND BEARS NO RELATIONSHIP TO REAL PERSONS, LIVING OR DEAD. IT DOES, LIKE "VALLEY OF THE DOLLS" DEAL WITH THE OFT-TIMES NIGHTMARE WORLD OF SHOW BUSINESS BUT IN A DIFFERENT TIME AND CONTEXT. See more »
I don't know why I feel so compelled to write about this movie. I had seen "BVD" a couple of years back and recently rented it again. In one weekend, I watched it three times. I love the color, the music, the whiz-bang editing, the campy dramatics...it would be a true classic if not for one thing: the distasteful, disastrous ending. "Beyond the Valley of the Dolls" is soft-core auteur Russ Meyer's drug-drenched, sex-soaked parody of "Valley of the Dolls," the film based on Jacqueline Susann's best-selling novel of the same name. Whereas "Valley of the Dolls" is unintentional camp, "BVD" is intentional camp. It lampoons the southern Californian "scene" in the late '60's by relating the adventures of the three members of a girl band who find fame and fortune in Hollywood. "Sex, drugs, and rock 'n' roll" is the main theme here; the secondary theme is "voluptuous, scantily-clad starlets displaying miles of cleavage." (This is, after all, a Russ Meyer film!) Those discriminating viewers seeking insightful social commentary, three-dimensional characters, and plot twists that actually make sense had better look elsewhere. The plot concerns the previously mentioned trio of female rockers and their escapades in La-La Land. Pet, Kelly, Casey, and Harris, the band's manager (and Kelly's boyfriend) make it to Los Angeles after a two-minute montage of them groovily singing their way across the country. Kelly is reunited with her long-lost aunt who takes the girls to a wild, swingin' party at the home of Ronnie Barzell, a rock promoter; Barzell enthusiastically signs the band to a contract after they do an impromptu performance for his guests. All of this miraculously occurs within six hours of their arrival in L.A. (Screw schlepping around town submitting demo tapes; this is the way to become a rock star.) Having achieved overnight fame, our busty, lusty heroines then confront the Dark Side Of Success, finding themselves quickly entangled in various soap opera-ish sub-plots.
The Suff I Liked: The acting: good, not great, but great acting would only detract from a movie like this. As the three female leads, Dolly Read (Kelly), Cynthia Myers (Casey), and Marcia McBroom (Pet), are, if nothing else, energetic and certainly gorgeous to look at. No, they're not accomplished thespians, but then Russ Meyer chose his actresses more for their cup sizes than their emoting skills. The performances I particularly like are those of John LaZar as flamboyant Ronnie "Z-Man" Barzell, Phyllis Davis as Kelly's kindly Aunt Susan, and Edy Williams as, hilariously, oversexed porn star Ashley St. Ives. The music: some great, late-'60's style rock songs. Does anybody out there know if there is a soundtrack available? Meyer's visual flair: This is one of the most colorful, most visually frenetic films that I have ever seen. Meyer will perhaps be remembered more for his abilities as cinematographer and editor than as director. Almost every frame is jammed with vibrant, sharp color and the whole show zooms along at such a feverish pace that you're left breathless.
The Stuff I Didn't Like: As I said before, my problem with this movie is the ending. I won't give it away, except to say that it is repellent, gratuitously violent, and so dark and brutal as to be completely out of sync with the gaudy, campy scenes that precede it.
My suggestion - skip the last 15 minutes or so, and just enjoy the long, riotous bacchanal that comes before.
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