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Beyond the Valley of the Dolls (1970)

X  |   |  Comedy, Music  |  17 June 1970 (USA)
6.2
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Ratings: 6.2/10 from 7,134 users  
Reviews: 135 user | 80 critic

Three girls come to Hollywood to make it big, but find only sex, drugs and sleaze.

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(screenplay), (story), 1 more credit »
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Title: Beyond the Valley of the Dolls (1970)

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Cast

Cast overview, first billed only:
...
Cynthia Myers ...
...
...
Ronnie 'Z-Man' Barzell (as John LaZar)
...
David Gurian ...
...
...
...
...
Duncan McLeod ...
James Iglehart ...
Randy Black (as Jim Iglehart)
...
Henry Rowland ...
Princess Livingston ...
Matron
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Storyline

This film is a sequel in name only to Valley of the Dolls (1967). An all-girl rock band goes to Hollywood to make it big. There they find success, but luckily for us, they sink into a cesspool of decadence. This film has a sleeping woman performing on a gun which is in her mouth. It has women posing as men. It has lesbian sex scenes. It is also written by Roger Ebert, who had become friends with Russ Meyer after writing favorable reviews of several of his films. Written by Mark Logan <marklo@west.sun.com>

Plot Summary | Plot Synopsis

Taglines:

This time... they've really gone See more »

Genres:

Comedy | Music

Certificate:

X | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

17 June 1970 (USA)  »

Also Known As:

Más allá del valle de las muñecas  »

Filming Locations:

 »

Box Office

Budget:

$900,000 (estimated)

Gross:

$9,000,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Budgeted at a modest $900,000 (approximately $4.5 million in 2005 dollars), the film grossed ten times the amount in the US market, qualifying it as a hit for the beleaguered 20th Century-Fox. Though tame by modern standards, "Dolls" was slapped with an "X" rating, and there was much negative publicity generated by the fact a major studio had allowed a "pornographer", Russ Meyer (labeled "King Leer" by the mainstream press at the time) to make a Hollywood film under its aegis. Grace Kelly, who was a member of the board of directors of Fox, was outraged and lobbied to have the studio's contract with Meyer terminated. After his next Fox film, The Seven Minutes (1971) flopped at the box office (possibly due to its LACK of nudity and titillation), the studio terminated its relationship with Meyer. He never made another film for a studio. See more »

Goofs

Ronnie picks up an extension phone when Kelly is in the middle of dialing her friends for help. The phones used are 500 series Western Electric business phones. Because of the way rotary dial phones work, picking up an extension would prevent any phone on the same circuit from being able to dial. See more »

Quotes

Petronella Danforth: C'mon, Casey. The principal's supposed to hit me with a coupla caps of acid.
See more »

Crazy Credits

Disclaimer: THE FILM YOU ARE ABOUT TO SEE IS NOT A SEQUEL TO "VALLEY OF THE DOLLS." IT IS WHOLLY ORIGINAL AND BEARS NO RELATIONSHIP TO REAL PERSONS, LIVING OR DEAD. IT DOES, LIKE "VALLEY OF THE DOLLS" DEAL WITH THE OFT-TIMES NIGHTMARE WORLD OF SHOW BUSINESS BUT IN A DIFFERENT TIME AND CONTEXT. See more »

Connections

Referenced in Serial Mom (1994) See more »

Soundtracks

Once I Had You
Written by Lynn Carey and Stu Phillips
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Russ Meyer's first studio film is his most easily accessible
5 November 2000 | by (DVD Drive-In) – See all my reviews

After the huge success of director Russ Meyer's VIXEN!, 20th Century-Fox knew that he was a talent to reckon with and hired him for a two-picture deal in 1970. His first film (his only good studio film) was written by Roger Ebert and was titled as a sequel to Fox's VALLEY OF THE DOLLS, an embarrassment to the studio. When this was released, it was almost as big an embarrassment. But it's an awesome film with something to please everyone. While not as sex-filled as Meyer's earlier and later works, it still works as a spoof, a drama, and an adults film.

Dolly Read, Cynthia Meyers, and Marcia McBroom play Kelly, Casey, and Pet, an all-female rock group called The Kelly Affair that start out small and make it big in Hollywood as The Carrie Nations. The story is filled with soap opera contrivances, such as various love affairs, lesbianism, drug addiction, suicide attempts, and money scandals. While some of these instances can be seen as serious drama (these girls can act, believe it or not), most of them are played to be campy, complete with cheesy soap-opera organ music in the background.

BVD is filled with little surprises: FASTER PUSSYCAT's Haji makes a cameo in two scenes; women-in-prison movie regular Phyllis Davis plays nice Aunt Susan, Kelly's rich relative; Meyer regular Charles Napier plays Aunt Susan's fiancee; VIXEN! star Erica Gavin plays the lesbian dress designer Roxanne; John Lazar (later in SUPERVIXENS) steals the show as Z-Man, the psychotic gay manager who speaks in Shakespearean prose and goes crazy at the end, pretending he's Superwoman!; VIXEN! co-stars Michael Blodgett and Harrison Page play Lance, the money-hungry hunk, and Emerson, the black law student; sex starlet Edy Williams is luscious as Ashley St. Ives, famed pornographic movie star; and recurring character Martin Bormann makes another appearance. Pam Grier's supposed to be here, too, but I couldn't ID her in the big crowded party scenes. But I think my favorite thing about BVD is the musical soundtrack. Fabulous performances by The Carrie Nations make me wish a soundtrack CD was readily available! While there were 2 good songs in VALLEY OF THE DOLLS, BVD has around 9! The Strawberry Alarm Clock appears performing "Incense and Peppermints" and a non-hit at a Hollywood party, too.

While BVD is not as unintentionally hilarious as the original VALLEY OF THE DOLLS, I liked it a lot better. The performances are great by all (how does Meyer get such great-looking women who can act to boot?!), the music fabulous, and the pace of the film is brisk and doesn't sag. The one sequence that went on forever was the lesbian sequence between Erica Gavin and Cynthia Meyers, which was unerotic and just dumb. I don't know how this got an NC-17 rating (there isn't very much sex). BVD is highly recommended to anyone making their first dive into the cinema of Russ Meyer or anyone who was ever in a rock band that wanted to make it. Pure fun, all 112 minutes of it!


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