In a futuristic world that has embraced ape slavery, Caesar, the son of the late simians Cornelius and Zira, surfaces after almost twenty years of hiding out from the authorities, and prepares for a slave revolt against humanity.
J. Lee Thompson
Ten years after conquering the Earth, ape leader Caesar wants the ruling apes and enslaved humans to live in peace. But warring factions of apes led by a militant gorilla general as well as various human groups threaten the stability.
J. Lee Thompson
In 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.
A futuristic prison movie. Protagonist and wife are nabbed at a future US emigration point with an illegal baby during population control. The resulting prison experience is the subject of ... See full summary »
Astronaut Brent is sent to rescue Taylor but crash lands on the Planet of the Apes, just like Taylor did in the original film. Taylor has disappeared into the Forbidden Zone so Brent and Nova try to follow and find him. He discovers a cult of humans that fear the Apes' latest military movements and finds himself in the middle. Tension mounts to a climactic battle between ape and man deep in the bowels of the planet. Sequel to "Planet of the Apes." Film 2 of the series of 5 Written by
Tim Kretschmann <Tim.K@VirComm.com>
Despite the original being a significant success, the budget was slashed for this sequel. It went from $5 million to $2.5 million in one fell swoop. This was mainly due to 20th Century Fox teetering on the brink of bankruptcy following some majorly expensive failures, such as Hello, Dolly! (1969), Star! (1968) and Tora! Tora! Tora! (1970) The recruiting of Ted Post as director was instrumental here as he was used to minimal budgets and shortened schedules from his work on television. See more »
When Brent tries to get the reins from the runaway horses you can see an extra set of reins going into the paddy wagon through the holes in the wall, to a hidden driver. After Brent stops and dismounts, the reins disappear. See more »
[as Nova slowly dies, gunned down by a gorilla]
Well, that tears it. Maybe we should just let the world blow up. The gorillas, every damned... what it comes to.
[with a dry little man-sob of despair]
[Intense, full of fury]
Taylor, come on. Come on!
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The 20th Century Fox logo does not appear on this film. See more »
"Beneath" is a film that epitomizes the best and worst that a sequel to a masterpiece, as "Planet Of The Apes" was, could be. For me, it is the most watchable of the sequels only because it's the only one that stays in the familiar territory established by the first film. But oh that ending....
I really can not understand why the heck Richard Zanuck allowed Charlton Heston to talk him into going with that downer ending that has already been referred to by others. The only reason why Heston pushed it wasn't because it made for good cinema but because he wanted to singlehandedly see to it that he never have to do another Apes sequel again. It's a pity that Heston never realized that the best sequel story one could have explored was what happened to Taylor and Nova afterwards, and could have made for some equally compelling drama as the first film did. To me, the main appeal of the first film wasn't the Ape society, it was the character of Taylor and his fascinating odyssey from misanthrope to defender of the species, only to see his earlier feelings borne out in the shock ending. The question that should have been addressed next in a sequel was, what would Taylor do now that he realized he was on Earth? What other things were there to discover on the planet? (Heck, you could have easily made a sequel movie without the apes returning, as far as I'm concerned!) Alas, because of the plot device imposed by this film (and Heston's inability to realize what a good thing he might have had going for himself), the rest of the series had to veer off into what was for me, a more uninteresting story line focusing on the Apes and their inevitable rise to power.
Plot holes and depressing ending notwithstanding, "Beneath" is still worth watching to see the traces of what could have been a great film that are there. The mutant storyline and their dwellings underneath the remains of New York still has an irresistible viewing quality to it. I do not recommend watching it in tandem with its magnificent predecessor though, because that's only going to make you more angry about the ending of this film.
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