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Beneath the Planet of the Apes (1970)

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Ratings: 6.1/10 from 26,938 users  
Reviews: 138 user | 76 critic

The sole survivor of an interplanetary rescue mission searches for the only survivor of the previous expedition. He discovers a planet ruled by apes and an underground city run by telepathic humans.

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Title: Beneath the Planet of the Apes (1970)

Beneath the Planet of the Apes (1970) on IMDb 6.1/10

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This is not an original made-for-TV movie, but two episodes of the 1974 TV series "Planet of the Apes" edited together.

Directors: Arnold Laven, Don Weis
Stars: Roddy McDowall, Ron Harper, James Naughton
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Cast

Cast overview, first billed only:
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David Watson ...
Don Pedro Colley ...
Ongaro
Tod Andrews ...
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Eldon Burke ...
Gorilla Sgt.
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Storyline

Astronaut Brent is sent to rescue Taylor but crash lands on the Planet of the Apes, just like Taylor did in the original film. Taylor has disappeared into the Forbidden Zone so Brent and Nova try to follow and find him. He discovers a cult of humans that fear the Apes' latest military movements and finds himself in the middle. Tension mounts to a climactic battle between ape and man deep in the bowels of the planet. Sequel to "Planet of the Apes." Film 2 of the series of 5 Written by Tim Kretschmann <Tim.K@VirComm.com>

Plot Summary | Plot Synopsis

Taglines:

An army of civilized apes...A fortress of radiation-crazed super humans...Earth's final battle is about to begin - Beneath the atomic rubble of what was once the city of New York! See more »


Certificate:

G | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

26 May 1970 (USA)  »

Also Known As:

Planet of the Apes Revisited  »

Box Office

Budget:

$3,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

An early draft of the script, called "Planet of the Men", and written by Pierre Boulle in his native French, featured a messianic Taylor 14 years after the events of Planet of the Apes (1968). It involved an uprising against the apes, following which they revert back to their primal states. See more »

Goofs

(At around 16 minutes) As Brent and Nova start to ride away from the wrecked spaceship, a white paper cup blows from the camera position. It blows along the ground into the center of the frame and then around behind the horse. See more »

Quotes

Mendez: [praying] The heavens declare the glory of the Bomb, and the firmament showeth His handiwork.
See more »

Crazy Credits

The 20th Century Fox logo does not appear on this film. See more »

Connections

Followed by Escape from the Planet of the Apes (1971) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
"We were following Taylor's trajectory, so whatever happened to us must have happened to him."
21 April 2001 | by (England) – See all my reviews

Beneath was the best Planet of the Apes film bar none. Everything was bigger and better this time around: bigger sets, more gorillas, the whole of New York instead of a mere Statue of Liberty, and, best of all, faceless, telepathic mutants than can kill with the mind. Yes, I was once ten years old.

Watched again with many years of hindsight, it's clear that, while entertaining, Beneath was produced without anything approaching artistry. The ultimate in sequels, it tries to tell the same story twice as big, but with only half the success. Until Battle came along and picked the flesh off Apes' rotting carcass this was the worst sequel because it did nothing new with the format. Even the working title - Planet of the Apes Revisited - betrays the lack of thought and the desire for finance that went into this one.

A virtually identical plotline rattles along at a fair pace, meaning all subtlety is jettisoned. The allegories are also confused by not really being allegories at all. Look at the metaphor for anti-war protestors by casting chimps as ... er, anti-war protestors. A look at how man often judges another man on the colour of his skin is alluded to ... er, by having an ape judging a man on the colour of his skin. (On this note, perversely for a film that purports liberal satire, the only one of the mutants to demonstrate real cruelty was Don Pedro Colley, the sole black character in the film. And despite its worthiness, I don't think I've ever seen another film where a man's credit is given as "Negro"). However, I did have to smile at the chimp that punningly complains about "gorilla brutality".

The decreased budget (a sensible studio idea to cut the finance of the sequels to a hit movie) shows with some of the ape extras having decidedly ropy masks in the crowd scenes. The opening of the picture also recaps the first, cannily highlighting the glaring difference between Roddy McDowall's and David Watson's performances as Cornelius. Watson, standing in for an absent McDowall, does reasonably well but really doesn't look anything like him, even under latex. Note too how all the ape masks give the actors lisps, something I never noticed before. Never mind apes, anyone would think James Franciscus had landed on the planet of the Pertwees. There's also some abysmal back projection work when Franciscus is wrestling on top of the horsedrawn carriage. The mutants are pretty good, though their prayers to "The Holy Fallout" are a little silly. Why do they wear human masks anyway? Where do they make them? I dunno, I don't make the rules up, do I?

Of course, the main problem is the pointless game of one-upmanship it plays with its source. There's no longer any element of surprise that this is Earth, so the ruined monuments, nice as they are, no longer have any great effect. It misses the point, also: the Statue of Liberty is not just a relic, but a symbol. New York Subway is just where people caught trains. And as impressive as the effects are, if not directed well – which they aren't, particularly – then it becomes fatuous.

It's weird how all four sequels were made within a year of each other, yet at least two of them tried something new. Beneath came two years after the original yet has a rehashed "in it for the money" feel all the way through, right down to its abrupt, slightly unsatisfactory climax. Yet despite the many, many faults I've levelled at it, Beneath the Planet of the Apes is still a very enjoyable film. Not in the sense of the first, which genuinely had something to say, but in the guise of pulp SF then this sequel is well worth seeing. In fact, despite the slating I've given it, I still awarded it 6/10.


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