In 1943, in the Russian front, the decorated leader Rolf Steiner is promoted to Sergeant after another successful mission. Meanwhile the upper-class and arrogant Prussian Captain Hauptmann ... See full summary »
Double-crossed and left without water in the desert, Cable Hogue is saved when he finds a spring. It is in just the right spot for a much needed rest stop on the local stagecoach line, and Hogue uses this to his advantage. He builds a house and makes money off the stagecoach passengers. Hildy, a whore from the nearest town, moves in with him. Hogue has everything going his way until the advent of the automobile ends the era of the stagecoach. Written by
John Oswalt <firstname.lastname@example.org>
This film fell weeks behind schedule due to bad weather. When they could not film, director Sam Peckinpah and his cast and crew would drink. When the film did wrap production, the bar bill came to over $70,000. See more »
When Hildy is giving Hogue a bath and he gets out. as he is wrapping the towel around him, you can see his underwear on both sides of the towel. See more »
[Talking about going to San Francisco]
When I do, I'm gonna be the ladyest damn lady you saw.
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Turn-of-the-Century Saga Lives Up to Legendary Title
Jason Robards plays the hard-bitten and oft-bemused title character, Cable Hogue who somehow survives the ordeal of being left to die in the desert with no water by his partners, perfectly portrayed by the incomparable L.Q.(A Boy and His Dog) Jones and Strother Martin.
He travels from town to town with unscrupulous preacher David Warner, met in turn by some of Hollywood's classic Western supporting actors, such as R. G. Armstrong, Slim Pickens, Kathleen Freeman, and Gene Evans. Stella Stevens does a good job with the thankless obligatory role as the prostitute-with-the-heart-of-gold. All this helps lighten the mostly bemused, occasionally amused, but always revenge-dream-filled and heavy presence of Jason Robards. Eventually, Cable gets his chance at what he's been waiting for, and...
Now, you have even more incentive to go see the film - Peckinpaugh's most underrated western. 10/10
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