In 1943, in the Russian front, the decorated leader Rolf Steiner is promoted to Sergeant after another successful mission. Meanwhile the upper-class and arrogant Prussian Captain Hauptmann ... See full summary »
Double-crossed and left without water in the desert, Cable Hogue is saved when he finds a spring. It is in just the right spot for a much needed rest stop on the local stagecoach line, and Hogue uses this to his advantage. He builds a house and makes money off the stagecoach passengers. Hildy, a whore from the nearest town, moves in with him. Hogue has everything going his way until the advent of the automobile ends the era of the stagecoach. Written by
John Oswalt <email@example.com>
This film fell weeks behind schedule due to bad weather. When they could not film, director Sam Peckinpah and his cast and crew would drink. When the film did wrap production, the bar bill came to over $70,000. See more »
In the opening scene, Hogue confronts a Gila monster. In the first shot, the lizard is on a large rock with its front left paw slipping over the side of the rock. After cutting to a shot of Hogue, the view returns to the gila monster who is now standing in the middle of the same rock with no time or ability to have moved. See more »
Listen. I was robbed and left to die without a drop. Well, do I look dead? No, sir! Climbed up on my hind feet and walked straight to water. W-A-T-L-E. That sorta grabs you by the sort hairs, don't it?
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Turn-of-the-Century Saga Lives Up to Legendary Title
Jason Robards plays the hard-bitten and oft-bemused title character, Cable Hogue who somehow survives the ordeal of being left to die in the desert with no water by his partners, perfectly portrayed by the incomparable L.Q.(A Boy and His Dog) Jones and Strother Martin.
He travels from town to town with unscrupulous preacher David Warner, met in turn by some of Hollywood's classic Western supporting actors, such as R. G. Armstrong, Slim Pickens, Kathleen Freeman, and Gene Evans. Stella Stevens does a good job with the thankless obligatory role as the prostitute-with-the-heart-of-gold. All this helps lighten the mostly bemused, occasionally amused, but always revenge-dream-filled and heavy presence of Jason Robards. Eventually, Cable gets his chance at what he's been waiting for, and...
Now, you have even more incentive to go see the film - Peckinpaugh's most underrated western. 10/10
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