In 1864, due to frequent Apache raids from Mexico into the U.S., a Union officer decides to illegally cross the border and destroy the Apache, using a mixed army of Union troops, Confederate POWs, civilian mercenaries, and scouts.
In this adaptation of the 'Robert Ludlum' (q.v) novel, the host of an investigative news programme has been convinced by the C.I.A. that the friends and associates he's invited to weekend ... See full summary »
Double-crossed and left without water in the desert, Cable Hogue is saved when he finds a spring. It is in just the right spot for a much needed rest stop on the local stagecoach line, and Hogue uses this to his advantage. He builds a house and makes money off the stagecoach passengers. Hildy, a sex worker from the nearest town, moves in with him. Hogue has everything going his way until the advent of the automobile ends the era of the stagecoach. Written by
John Oswalt <firstname.lastname@example.org>
According to David Weddle, author of "If They Move, Kill 'Em: The Life And Times Of Sam Peckinpah", in August 1969 Warner Brothers showed its distributors a two and a half hour rough cut of the film without the knowledge of either Peckinpah or producer Phil Feldman. The director had urged the studio to hold off on their judgment (which was generally negative towards this rough cut) until he could cut another half hour from it. The studio allowed him to do so, but much more out of apathy than for any respect for his talent. Despite positive audience reactions of seventy percent at its previews in January and February 1970, the film was dumped onto the market in the spring with hardly any promotion behind it. According to Stella Stevens, "Warner Brothers didn't release it, they flushed it." See more »
Before Hildy kicks a hole in the door the the shape of the weakened section can me made out from the outside. See more »
Josh, it's about time you earned your keep. Preach me a funeral sermon.
Oh, for heaven's sake!
A good one. Don't make me out no saint but don't put me down to deep.
Reverend Joshua Sloan:
You mean now?
Yeah. It's not knowing what they're going to say about you, that's all. Now all my life, I've been scared of this living. Now... got to do the other. Now come on now! I can't wait all day. I ain't got any time.
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Tremendous movie reflecting heavy theological message
The beginning of this movie is very much like the 40 years in the wilderness experienced by the Jewish People and recorded in the Old Testament. A vicious cycle of dependence, repentance, and rebellion. The movie carries a heavy theme about the attitude of religion of the times and today. The most godly people of the film are Cable and Hilde. The scene between Cable and the Banker is one of most powerful scenes in the movie. The music and songs are very appropriate and memorable. I have been singing "Butterfly Morning" for over 30 years. My children love the movie and watch it all them time. I used it in a class I taught on the History of Religion at the college level. The movie examines religious values, hypocrisy and piety in a very interesting way. This is by far one of the best films ever made. A timeless classic. Everyone should see this movie.
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