In 1943, in the Russian front, the decorated leader Rolf Steiner is promoted to Sergeant after another successful mission. Meanwhile the upper-class and arrogant Prussian Captain Hauptmann ... See full summary »
After the death of his sister Mariano is invited to take part in an emergency schooling program. Like everything that's born out of the institution the juvenile orchestra of victim's ... See full summary »
Juan Castro Olivera,
Double-crossed and left without water in the desert, Cable Hogue is saved when he finds a spring. It is in just the right spot for a much needed rest stop on the local stagecoach line, and Hogue uses this to his advantage. He builds a house and makes money off the stagecoach passengers. Hildy, a whore from the nearest town, moves in with him. Hogue has everything going his way until the advent of the automobile ends the era of the stagecoach. Written by
John Oswalt <firstname.lastname@example.org>
When people mention Sam Peckinpah, the film most mentioned is The Wild Bunch. While I'm a big fan of that very violent film, I find out that most people don't even know about The Ballad Of Cable Houge, which I feel is his finest film.
The film is about a would be prospector named Cable Houge (Jason Robards in his best performance and that's saying a lot), who is left to die out in the desert with no water by his too partners (Strother Martin and L.Q. Jones). After almost dying out in the desert Cable actually finds water. He then buys the land and makes it a stop in the desert for stagecoaches to stop and refresh the horses. He becomes friends to a traveling and lecherous preacher (well played by David Warner) and a sweet prostitute, Hilly (played by the sweet faced Stella Stevens). But what Cable is mainly doing is lying in wait for the time that he runs into his former partners again.
It's a simple fable told with very little violence, and it's well told. It's definitely not the film that you would expect from the man who made the Wild Bunch. Warner Bros. who released it didn't know what to do with it and just threw out at the public with very little publicity, and the film never go the attention that it should have. Hopefully future film scholars with rediscover this gem and lift it from obscurity.
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