Up 14,515 this week

Baal (1970)

TV Movie  |   |  7 January 1970 (West Germany)
Your rating:
    1 2 3 4 5 6 7 8 9 10 -/10 X  
Ratings: 6.5/10 from 150 users  
Reviews: 2 user | 8 critic

Add a Plot


(play), (teleplay)
0Check in

The 25 Most Immersive Worlds in Cinema

Highly immersive cinematic worlds can carry a movie, and we've rounded up the best of the best.

See the full list

User Lists

Related lists from IMDb users

list image
a list of 56 titles
created 25 Mar 2014
a list of 115 titles
created 20 Jul 2014
a list of 41 titles
created 11 months ago
a list of 32 titles
created 11 months ago
a list of 34 titles
created 10 months ago

Related Items

Search for "Baal" on

Connect with IMDb

Share this Rating

Title: Baal (TV Movie 1970)

Baal (TV Movie 1970) on IMDb 6.5/10

Want to share IMDb's rating on your own site? Use the HTML below.

Take The Quiz!

Test your knowledge of Baal.
Learn more

People who liked this also liked... 

The Ear (1970)
Drama | Thriller
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

Husband (senior ministry official) and wife find their house is riddled with listening devices put there by his own ministry. A harrowing night follows (reminiscent of 'Who's Afraid Of ... See full summary »

Director: Karel Kachyna
Stars: Jirina Bohdalová, Radoslav Brzobohatý, Gustav Opocenský
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

An almost accidental romance is kindled between a German woman in her mid-sixties and a Moroccan migrant worker around twenty-five years younger. They abruptly decide to marry, appalling everyone around them.

Director: Rainer Werner Fassbinder
Stars: Brigitte Mira, El Hedi ben Salem, Barbara Valentin
Diplomatie (2014)
    1 2 3 4 5 6 7 8 9 10 7/10 X  

A historical drama that depicts the relationship between Dietrich von Choltitz, the German military governor of occupied Paris, and Swedish consul-general Raoul Nordling.

Director: Volker Schlöndorff
Stars: André Dussollier, Niels Arestrup, Burghart Klaußner
A Free Woman (1972)
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

A divorced woman in her thirties fights a losing battle in Munich to attain belated self-fulfillment. The die is cast in a briskly impersonal society geared to male dominance and early training for career women.

Director: Volker Schlöndorff
Stars: Maria Brunner, Wolfgang Bächler, Ute Ellin
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

Fourteen-year-old Maria is a fundamentalist Catholic, living her life in a modern fashion, yet her heart belongs to Jesus. She wants to be a saint and go to heaven. No one, not even a nice boy she meets, can stop her in this goal.

Director: Dietrich Brüggemann
Stars: Lucie Aron, Anna Brüggemann, Michael Kamp
Drama | War
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

Laschen, a German journalist, travels to the city of Beirut during the fights between Christians and Palestinians to produce an essay about the situation. Together with his photographer, he... See full summary »

Director: Volker Schlöndorff
Stars: Bruno Ganz, Hanna Schygulla, Jean Carmet
Short | Drama
    1 2 3 4 5 6 7 8 9 10 6.2/10 X  

A tramp finds a gun lying in the street.

Director: Rainer Werner Fassbinder
Stars: Christoph Roser, Susanne Schimkus, Michael Fengler
    1 2 3 4 5 6 7 8 9 10 6.9/10 X  
Director: Christian Braad Thomsen
Stars: Rainer Werner Fassbinder, Irm Hermann, Harry Baer
Short | Comedy | Crime
    1 2 3 4 5 6 7 8 9 10 6.8/10 X  

Theo, Marite, and Franz cannot make any money selling magazines door to door, so they try a little robbery.

Director: Rainer Werner Fassbinder
Stars: Christoph Roser, Marite Greiselis, Rainer Werner Fassbinder
Baal (TV Movie 1982)
Drama | Musical
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

Baal is a young amoral rebellious poetic genius who, after a short and eventful life of debauchery, betrayal and violence, is about to cut his ties to the world and meet his doom. A high society party is where the end begins.

Director: Alan Clarke
Stars: David Bowie, Robert Austin, Jonathan Kent
Baal (TV Movie 2004)
    1 2 3 4 5 6 7 8 9 10 6/10 X  
Director: Uwe Janson
Stars: Matthias Schweighöfer, Pasquale Aleardi, Sheri Hagen
Baal (2014)
    1 2 3 4 5 6 7 8 9 10 -/10 X  
Director: João Sousa


Cast overview, first billed only:
Sigi Graue ...
Günther Neutze ...
Miriam Spoerri ...
Emilie Mech
Marian Seidowsky ...
Irmgard Paulis ...
Carla Egerer ...
Junges Weib (as Carla Aulaulu)
Wilmut Borell ...
Andrea Brüdern ...
Junge Dame
Claudia Butenuth ...
Frau mit Baby
Johannes Buzalski ...
Penner bei Prozession
András Fricsay Kali Son ...
(as Andreas Fricsay)
Mann mit Kamm


Add Full Plot | Add Synopsis





Release Date:

7 January 1970 (West Germany)  »

Filming Locations:


Company Credits

Show detailed on  »

Technical Specs


Sound Mix:



Aspect Ratio:

1.33 : 1
See  »

Did You Know?


The widow of Bertolt Brecht, Helene Weigel, was extremely unsatisfied with this adaptation. On her behalf, the film was removed from public release. Only in 2011 the granddaughter of Brecht allowed the film to be restored and publicly shown (the restored version was released in 2014). See more »


Featured in Fassbinder (2015) See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

Classic of the '60s New German Cinema, free at last
10 November 2014 | by (New York, New York) – See all my reviews

BAAL has been on my cinema want list for 45 years and yesterday I finally got to see it at Lincoln Center courtesy of the FIlm Society in a restored version dated 2013. It was worth the wait.

Since its production in 1969 I have had the pleasure of meeting star RWF at the 1979 New York Film Festival (his distinctive black & white attire that night reproduced on the cover photo of the brochure accompanying the current FSLC series), and interviewed co-star Margarethe von Trotta twice during the '80s when she visited NYC to promote the debuts of films she had directed. I was a big fan of the New German Cinema movement, seeing as many films as I could by favorites including Wenders, Herzog, RWF, Schlondorff, later MVT, Reinhard Hauff, Georg Moorse, Edgar Reitz, Geissendorfer and Rufolf Thome. BAAL is a significant missing link.

Schlondorff presents his adaptation of a Brecht play as 24 numbered (and distinctly separate) scenes, and uses several other distancing techniques in the Brechtian mode. Real exteriors and interiors are used instead of studio sets, but the theatricality is retained in the physical stagings and (sometimes deadpan) line readings. Hand-held camera-work is frequently (but randomly) distorted by application of Vaseline-smeared lens to create a diffused, haloed image, a technique popularized at the time by the son/father filmmaking team of Jean- Gabriel & Quinto Albicocco in the classic adaptation of LE GRAND MEAULNES.

Though mis-classified as a TV movie by IMDb due to German network funding, BAAL is a cinema film, made and copyrighted in 1969. It does not resemble Schlondorff's work of the period, not his classical YOUNG TORLESS, his "hip" A DEGREE OF MURDER (memorably with Brian Jones score and starring Anita Pallenberg) nor his realistic POOR PEOPLE OF KOMBACH). Instead it is an in-your-face sort of rock opera.

Opening rock ballad utilizes spoken-word-poetry accompanied by hard rock music - ANIMALS' style organ and wailing harmonica, which later appears in the film occasionally to replace the dialog and background sound. (Music score is credited to jazz great Klaus Doldinger, though it doesn't resemble his output.) It has the effect of rap music, which if memory serves hadn't been invented yet (other than precursors like works by The Last Poets and Gil Scott-Heron).

We see Fassbinder as Baal in Scene 1 wandering as the ballad plays, and the relentless hand-held camera circles around him from all angles, occasionally looking first-person skyward. Oft-repeated theme of "The sky above, the mud below" (recall that classic '60s documentary film) is most memorably depicted later in Scene 10 when Von Trotta (as a stage actress named Sophie who Baal picks up for a tryst) writhes around pregnant in the mud by the roadside as Baal typically physically mistreats her and abandons her.

Scene 2 is also quite striking as Baal makes an ass of himself at the buffet of a fancy party celebrating his celebrity as a poet -he insults Mech (Gunther Neutze), a would-be publisher and benefactor, and is comically boorish to all and sundry.

We later meet a sort-of death's figure in Scene 4 as the musician Eckart (striking persona played by Sigi Graue), who pals around with Baal in an obvious love/hate relationship, and always is playing with a tuning fork. They form a trio with Sophie though at one point it is made clear that Baal and Eckart have a homoerotic relationship as well.

The dialog and ballads-over are relentlessly bitter and misanthropic in content, but watching the film is "fun" from a 2014 point-of- view, looking back on the anti-establishment '60s. Games of sadism, bondage and domination, which would figure prominently in Fassbinder's own films, dominate much of the action, often set in beer halls where Baal does his darnedest to pick fights with everyone.

In Scene 4 we meet barmaid Luise, played by future RWF regular Hanna Schygulla; and this is mirrored in Scene 20 when Von Trotta's Sophie returns to the film as Luise's replacement as barmaid with the audience far more surprised to see her resurface than the other characters on screen. Many other Fassbinder troupers appear in small roles, notably Irm Hermann in Scene 6 dominant as usual as a landlady who's upset when Baal is about to service two underage schoolgirl sisters, one of whom looked to me like a very young Eva Mattes, though I could not make a positive ID of her. Gunther Kaufmann, the black actor of innumerable RWF movies, appears as one of the barflies who gets to beat up Baal at one point.

Key subplot has an ill-fated romance of Johannes and 17-year-old Johanna, latter murdered and left in the river by Baal in one of his usual sociopathic escapades.

Though the female characters are mistreated throughout the film, Schlondorff repeatedly zooms in to see their plaintive expressions in closeup (notably Miriam Spoerri as the publisher's wife Emilie and Irmgard Paulis as doomed Johanna), clearly establishing them as sympathetic protagonists rather than mere horror-movie victims.

Film has several false endings (Scenes 22 and 23), played to the hilt for bathos as Baal lies pitifully dying and everyone makes fun of him. The parallels with the real-life RWF's fate as artist and self-destructive personality culminating in his own "death by dissipation" 13 years later make these scenes uncomfortable to watch but quite powerful. And Fassbinder's performance is commanding throughout.

7 of 8 people found this review helpful.  Was this review helpful to you?

Message Boards

Discuss Baal (1970) on the IMDb message boards »

Contribute to This Page

Create a character page for: