The inhabitants of an institution in a remote country rebel against their keepers. Their acts of rebellion are by turns humorous, boring and alarming. An allegory on the problematic nature ... See full summary »
The feared bandit Cobra Verde (Klaus Kinski) is hired by a plantation owner to supervise his slaves. After the owner suspects Cobra Verde of consorting with his young daughters, the owner ... See full summary »
Herzog's film is based upon the true and mysterious story of Kaspar Hauser, a young man who suddenly appeared in Nuremberg in 1828, barely able to speak or walk, and bearing a strange note;... See full summary »
1984 documentary film directed by Werner Herzog about children soldiers in Nicaragua. The film focuses on a group of Miskito Indians who used children soldiers in their resistance against the Sandinistas.
This film shows the disaster of the Kuwaitian oil fields in flames. In contrast to the common documentary film there are no comments and few interviews. What must have been the hell itself ... See full summary »
In the 1950s, an adolescent Werner Herzog was transfixed by a film performance of the young Klaus Kinski. Years later, they would share an apartment where, in an unabated, forty-eight-hour ... See full summary »
German-American Dieter Dengler discusses his service as an American naval pilot in the Vietnam War. Dengler also revisits the sites of his capture and eventual escape from the hands of the Vietcong, recreating many events for the camera.
The inhabitants of an institution in a remote country rebel against their keepers. Their acts of rebellion are by turns humorous, boring and alarming. An allegory on the problematic nature of fully liberating the human spirit, as both commendable and disturbing elements of our nature come forward. The film shows how justifiable revolt may be empowering, but may also turn to chaos and depravity. The allegory is developed in part by the fact that the film is cast entirely with dwarfs. Written by
This film is hard going, true, but through the chaos and endless repetition can be glimpsed a kind of joy of existence. The dwarves are exaggerations of human behavior, and at the same time, human behavior distilled. Within the confines of the prison complex where the film plays, their actions become more and more outrageous, and through all this a kind of tenderness emerges in their very closeness and comeraderie. Herzog revels in pointing the mirror at his audience, making them take a closer look at themselves, and this film is as good as any example of his take on the human condition.
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