The inhabitants of an institution in a remote country rebel against their keepers. Their acts of rebellion are by turns humorous, boring and alarming. An allegory on the problematic nature ...
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This film shows the disaster of the Kuwaitian oil fields in flames, with few interviews and no explanatory narration. Hell itself is presented in such beautiful sights and music that one has to be fascinated by it.
The inhabitants of an institution in a remote country rebel against their keepers. Their acts of rebellion are by turns humorous, boring and alarming. An allegory on the problematic nature of fully liberating the human spirit, as both commendable and disturbing elements of our nature come forward. The film shows how justifiable revolt may be empowering, but may also turn to chaos and depravity. The allegory is developed in part by the fact that the film is cast entirely with dwarfs. Written by
Werner Herzog's sophomore effort is probably his most bizarre to date. The whole cast is compromised of dwarfs who take over an institution and wreak havoc. This treat for Herzog fans is very entertaining.
The film does have its problems though. The first half hour is hard to sit through but this is the type of film that gets better as it goes on. Also, I was expecting more of an ending. The ending, although funny, seems that it just does not fit and ended too abruptly.
As I said in my title, I think this has Herozg's most powerful images. With the dwarfs wreaking havoc and celebrating with smiles on their while African tribe music is playing, the scenes are very bizarrely beautiful. The movie is very entertaining and very funny. Hombre has probably the best laugh I have ever heard in my life. He definitely brings real evil to the film. The cinematography is great (yeah, what else is new in a Herzog film?). The message of the film is also very profound.
Although this is definitely not Herzog's best, it is one hell of a trip!
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