The inhabitants of an institution in a remote country rebel against their keepers. Their acts of rebellion are by turns humorous, boring and alarming. An allegory on the problematic nature ... See full summary »
Two famous competitive climbers make a bet on who can climb Cerro Torre, one of the most dangerous mountains in Argentina and the world, first. As the day of the climb approaches, their increasing competitiveness becomes destructive.
This film shows the disaster of the Kuwaitian oil fields in flames. In contrast to the common documentary film there are no comments and few interviews. What must have been the hell itself ... See full summary »
German-American Dieter Dengler discusses his service as an American naval pilot in the Vietnam War. Dengler also revisits the sites of his capture and eventual escape from the hands of the Vietcong, recreating many events for the camera.
1984 documentary film directed by Werner Herzog about children soldiers in Nicaragua. The film focuses on a group of Miskito Indians who used children soldiers in their resistance against the Sandinistas.
In the 1950s, an adolescent Werner Herzog was transfixed by a film performance of the young Klaus Kinski. Years later, they would share an apartment where, in an unabated, forty-eight-hour ... See full summary »
The inhabitants of an institution in a remote country rebel against their keepers. Their acts of rebellion are by turns humorous, boring and alarming. An allegory on the problematic nature of fully liberating the human spirit, as both commendable and disturbing elements of our nature come forward. The film shows how justifiable revolt may be empowering, but may also turn to chaos and depravity. The allegory is developed in part by the fact that the film is cast entirely with dwarfs. Written by
Extracts of the screenplay that are featured on the German DVD say: "The title for the film is a pure 'working title'. It has nothing to do with the film. The word 'dwarfs' should not appear in there." See more »
When we behave nobody cares. But when we are bad nobody forgets.
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I guess that I will never stop reviewing this wonderful picture. I was able to find it in a kind of obscure video/bookstore, and has continuosly gone back to it. And everytime I watch it it grows, even though I already thought that it was a great movie the first time I saw it.
So why am I so compelled by it? Probably because of its originality, and not least, its actors (especially Helmut Döring, the littlest that also has a little role in "Jeder für sich und Gott gegen alle").
If I rembember it right Leonard Maltin described the film as "truly disturbing", and I guess that he ment that in a positive way, like in the films "Man Bites Dog", "Henry-Portrait of a Serial Killer" or "Clean, Shaven". You get disturbed, like when the mob throws chicken through their supervisors window, and you can clearly see how these chickens hurt themselves, break their wings and legs. But the movie, disturbing and in many scenes very funny, amusing, also includes a social comment (my opinion). Them small dwarfes rages agains the civilization that mocks them, locks them in, and decides to get even by treating animals bad, and by destroying all symbols of western civilization. Think of it, those of you who have seen this film, all they destroy is cars, typewriters, etc, and gross in food and wine. Although social comment wasn't Herzog's first though when making this film it, as in Stroszek, is there.
All said, this is one of the best films I have said, by its scenes, music, dialogue, actors. Bizarre, disturbing, funny, wonderful. I find it great that I can see Herzogian style/form in new directors, as in Harmony Korine's Gummo (remember that scene where a dumb couple 'shouts' at eachother). In this scene, and many more, I can find an Herzog influence.
Have a great time/ Ola Lundin
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