8.2/10
1,553
9 user 20 critic

Days and Nights in the Forest (1970)

Aranyer Din Ratri (original title)
A group of Calcutta city slickers, including the well-off Asim (Soumitra Chatterjee), the meek Sanjoy (Subhendu Chatterjee) and the brutish Hari (Samit Bhanja), head out for a weekend in the wilderness.

Director:

Writers:

(original story), (screenplay)
Reviews
1 nomination. See more awards »
Learn more

People who liked this also liked... 

Drama
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

Chatterji is an ambitious and self-made young man who becomes the director of the company he works for.

Director: Satyajit Ray
Stars: Sharmila Tagore, Barun Chanda, Paromita Chowdhury
The Adversary (1970)
Drama
    1 2 3 4 5 6 7 8 9 10 8.2/10 X  

A young college graduate is struggling to find a job. He lives in a flat with his younger, employed sister, revolutionary brother and widowed mother. The strain of the situation ultimately causes him to hallucinate.

Director: Satyajit Ray
Stars: Dhritiman Chatterjee, Asgar Ali, Arabinda Banerjee
The Middleman (1976)
Drama
    1 2 3 4 5 6 7 8 9 10 8.3/10 X  

A bright and idealistic young man steels himself for the dog-eat-dog business world, only to flounder in a job market packed with thousands of other hopefuls.

Director: Satyajit Ray
Stars: Pradip Mukherjee, Rafiq Ahmed, S. Bagchi
Teen Kanya (1961)
Certificate: Passed Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

Based on popular Indian stories of great writer Rabindra Nath Tagore, these short films reveal definitive moments in the lives of three young girls.

Director: Satyajit Ray
Stars: Anil Chatterjee, Chandana Banerjee, Sita Mukherjee
Drama
    1 2 3 4 5 6 7 8 9 10 8.2/10 X  

As food shortages reach catastrophic proportions, Gangacharan attempts to preserve his privileged situation, while his generous wife, Ananga, conversely tries to help and support the community.

Director: Satyajit Ray
Stars: Soumitra Chatterjee, Bobita, Sandhya Roy
Drama
    1 2 3 4 5 6 7 8 9 10 8.3/10 X  

En route to Delhi to receive an award, a Bengali film star reevaluates his success through his fellow passengers, dreams and past experiences.

Director: Satyajit Ray
Stars: Uttam Kumar, Sharmila Tagore, Bireswar Sen
Paras-Pathar (1958)
Comedy
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

An underpaid middle-aged clerk finds a 'parash pathar', a stone that changes iron to gold on touch.

Director: Satyajit Ray
Stars: Tulsi Chakraborty, Kali Bannerjee, Ranibala
Kanchenjungha (1962)
Drama
    1 2 3 4 5 6 7 8 9 10 8/10 X  

An upper-class Bengali family is on vacation in Darjeeling, a popular hill station and resort near Kanchenjungha.

Director: Satyajit Ray
Stars: Chhabi Biswas, Karuna Bannerjee, Pahadi Sanyal
The Stranger (1991)
Drama
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

A well-off family is paid an unexpected, and rather unwanted, visit by a man claiming to be the woman's long-lost uncle. The initial suspicion with which they greet the man slowly dissolves... See full summary »

Director: Satyajit Ray
Stars: Dipankar Dey, Mamata Shankar, Bikram Bhattacharya
The Goddess (1960)
Drama
    1 2 3 4 5 6 7 8 9 10 8/10 X  

A young woman is deemed a goddess when her father-in-law, a rich feudal land-lord, has a dream envisioning her as an avatar of Kali.

Director: Satyajit Ray
Stars: Sharmila Tagore, Soumitra Chatterjee, Chhabi Biswas
The Big City (1963)
Drama
    1 2 3 4 5 6 7 8 9 10 8.3/10 X  

Life at home changes when a house-wife from a middle-class, conservative family in Calcutta gets a job as a saleswoman.

Director: Satyajit Ray
Stars: Anil Chatterjee, Madhabi Mukherjee, Jaya Bhaduri
Abhijaan (1962)
Drama
    1 2 3 4 5 6 7 8 9 10 8/10 X  

A taxi driver attempts to introduce his cab service in rural Bengal against many odds.

Director: Satyajit Ray
Stars: Waheeda Rehman, Soumitra Chatterjee, Ruma Guha Thakurta
Edit

Cast

Complete credited cast:
...
Kaberi Bose ...
Jaya (as Kaberi Basu)
Simi Garewal ...
Duli (as Simi)
...
Ashim (as Soumitra Chattopadhyay)
Subhendu Chatterjee ...
Sanjoy (as Subhendu Chattopadhyay)
Robi Ghosh ...
Samit Bhanja ...
Hari (as Shamit Bhanja)
Pahadi Sanyal ...
Sadashiv Tripathi
Premashish Sen ...
(as Premashis Sen)
Samar Nag
Khairatilal Lahori
Dibyendu Chatterjee ...
(as Shriman Dibyendu Chatterjee)
...
Hari's former lover
Edit

Storyline

A group of four middle class workers in India take the week off to have a holiday. When they get to the forest, they meet up with another group and spend their time flirting with women. Written by David Gibson <djg6.ukc.ac.uk>

Plot Summary | Plot Synopsis

Genres:

Drama

Edit

Details

Country:

Language:

|

Release Date:

16 January 1970 (India)  »

Also Known As:

Days and Nights in the Forest  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

See  »
Edit

Did You Know?

Connections

References Conversation with James Ivory (2010) See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
Life Elusive Captured in Frames!
9 April 2012 | by (West Bengal, India) – See all my reviews

Adapted form Sunil Ganguly's story, the film zooms in on the vagaries and vicissitudes of the then bourgeoisie and their disillusionment with their state of affairs. A motley quartet ventures into the woods of Palamau to spend some days in order to extricate themselves from the trammels of their ordered social and city life. Culled from the various strata in the middle class the four characters reflect completely different attitudes bound by a thread of friendship. 'Breaking the rules', they drop anchor at a government forest bungalow without the required permission, consequently browbeating, and finally bribing the chowkidar, putting his job at stake. They remain unshaven, exchange diatribes at a local arrack shop and indulge in a drunken twist causing problem to vehicles. Their behaviour with and indifference (frequently found among the bourgeois people) of the lower orders of the society and their suffering, quite often verging on brutality, may make them, for the time being, unlikeable; but their innocent and ignorant self-esteem doing them in at last draws back our sympathy once again. Ashim (as Soumitra Chatterji) loses his self-confidence finally after the memory game; Sanjoy (as Subhendu Chatterji) finds himself hollow as a man in front of a seductive Jaya; Hari himself mislays his wallet but beats the local boy Lakhai which rebounds on him at last; Shekhar (as Rabi Ghosh) is only the man who escapes much of the humiliation because of his hilarious nature.

Their unexpected spotting, one morning, of two ladies of their social stratum within the tribal village brings them back, somewhat, to their superficial selves and they try to meet them in person and try their own hands at flirting. Though a forging of relationships is on the way under the hammer-blows of a set of consecutive meetings between the opposite sexes, yet each of the conceited quartet is blown to bits as the women come up trumps. Each of the quartet is chastened in his own way near the end of the film, and the women, winners in the beginning, appear to be pale, gloomy and their voices plangent beneath their jocund exterior and mellifluous chatter and pithy elicitation.

Like in most of Ray's films, here also, the characters smile, but they find it rather painful to laugh. Though it is a matter of pity that a film of this momentousness received a lukewarm response form the native audience and critics when it was screened, yet it, then, was, and still is, a surefire narration of epic dimensions and the film's aura doesn't seem to dim even though it is watched over and over again. Unfortunately, they, who search for a single and simple theme in a film like this, will not be able to comprehend herein the interplay of various themes. Ray once said regretfully in a Sight & Sound interview, "The film is about so many things, that's the trouble. People want just one theme, which they can hold in their hands." He likened the structure of the film to a fugue, where disparate elements appear, develop interwoven, transformed pitted in a balanced way against each other.

Lastly, the memory game sequence in the forest is as much psychological as it is appealing. Ray's astute handling of the mise-en-scene surpasses every character study heretofore attempted. Aparna pulls out when only Aparna and Ashim are left in the fray. Sexual undercurrents and each one's mental preferences are reflected during the game. With the forest as the setting the visitors engage in a primitive game of dethroning the other with one's mental might. The mysterious forest exudes revelations of the highest order at once perceivable and profound to be taken into, absorbed and preserved for perennial use by the unfortunate and innocent souls, who often get consumed with the fire of self-esteem and self-satisfaction thereby closing doors to experience and knowledge that's omniscience in it's vastness and immanence.


5 of 5 people found this review helpful.  Was this review helpful to you?

Message Boards

Recent Posts
Where to find? wsellers
Very Great Movie theevergreen91
Discuss Days and Nights in the Forest (1970) on the IMDb message boards »

Contribute to This Page

Create a character page for:
?