8.2/10
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9 user 20 critic

Days and Nights in the Forest (1970)

Aranyer Din Ratri (original title)
A group of Calcutta city slickers, including the well-off Asim (Soumitra Chatterjee), the meek Sanjoy (Subhendu Chatterjee) and the brutish Hari (Samit Bhanja), head out for a weekend in the wilderness.

Director:

Writers:

(original story), (screenplay)
Reviews
1 nomination. See more awards »
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Cast

Complete credited cast:
...
Kaberi Bose ...
Jaya (as Kaberi Basu)
Simi Garewal ...
Duli (as Simi)
...
Ashim (as Soumitra Chattopadhyay)
Subhendu Chatterjee ...
Sanjoy (as Subhendu Chattopadhyay)
Robi Ghosh ...
Samit Bhanja ...
Hari (as Shamit Bhanja)
Pahadi Sanyal ...
Sadashiv Tripathi
Premashish Sen ...
(as Premashis Sen)
Samar Nag
Khairatilal Lahori
Dibyendu Chatterjee ...
(as Shriman Dibyendu Chatterjee)
Aparna Sen ...
Hari's former lover
Edit

Storyline

A group of four middle class workers in India take the week off to have a holiday. When they get to the forest, they meet up with another group and spend their time flirting with women. Written by David Gibson <djg6.ukc.ac.uk>

Plot Summary | Plot Synopsis

Genres:

Drama

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Details

Country:

Language:

|

Release Date:

16 January 1970 (India)  »

Also Known As:

Days and Nights in the Forest  »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

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Connections

Referenced in Mr. and Mrs. Iyer (2002) See more »

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User Reviews

 
A Beautifully Sensitive Rites-Of-Passage Film
6 May 1999 | by (London, England) – See all my reviews

Ray excells himself in this wonderfully sensitive rites-of-passage film. A group of friends in their twenties take a short vacation in the countryside together. After some confusion about their accommodation they find themselves staying near to two respectable young women of good family who stimulate their interest. Although the women appear not too interested at first, things change, and they all begin to spend time together. Each of the characters is profoundly different from the others, and it soon becomes clear that they have different goals - and perhaps needs - in life. That does not prevent an extraordinary sexual chemistry from developing which is all the more vivid for being understated and unspoken. The picnic scene where the girls suggest they all play a literary game is replete with poignantly repressed sexuality. As the film develops the four men begin to go their separate ways, but for the two women (and for one especially) the encounter with the men has stimulated feelings it is difficult to ignore. This is a film of extraordinary subtlety and depth. A classic of world cinema by one of the cinema's greatest directors, it deserves much greater recognition.


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