A woman murders her husband, upon his return home after a long absence, with the complicity of the lover who has relieved her loneliness. Costas Ghoussis, an emigrant recently returned to ...
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Alexandre, a TV reporter, is working for a few days in a border town, where a lot of refugees from Albania, Turkey and Kurdistan are packed in. Among them, he notices an old man and thinks ... See full summary »
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This is the first film of Theo Angelopoulos' trilogy. The story starts in 1919 with some greek refugees from Odessa arriving somewhere near Thessaloniki. Among these people are two small ... See full summary »
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A, a Greek filmmaker living in exile in the United States, returns to his native Ptolemas to attend a special screening of one of his extremely controversial films. But A's real interest ... See full summary »
Famous writer Alexander is very ill and has little time left to live. He meets a little boy on the street, who is an illegal immigrant from Albania, and goes on a journey with him to take the boy home.
A woman murders her husband, upon his return home after a long absence, with the complicity of the lover who has relieved her loneliness. Costas Ghoussis, an emigrant recently returned to his native country, is coming back from the fields, a shovel on his shoulder. He pushes open the garden gate in front of his house and calls his wife: Eleni! She does not answer; the reason: she is hidden behind the door of the kitchen with another man, Christos, a gamekeeper, the lover that she took during her husband's absence. Just as Costas crosses the threshold he is attacked and strangled. Despite their precautions, a relative of the victim suspects them and alerts the police. The criminals confess their crime. The reconstruction is that of the examining magistrate, whose inquiries are interspersed with sequences of the crime - although the actual murder is never shown - and with a social documentary which a TV unit (including the director himself) is making about the crime and the village. Written by
This film portrays multiple reconstructions of a domestic crime in a poverty stricken and dying part of rural post war Greece. For the director, portraying the rock strewn environment of a community in decline is a key message, giving us beautiful if somewhat depressing and repetitive images. This is a setting for the crime and subsequent investigation, which is of limited interest. This true story is not an unusual one in life or films/ literature and the multiple reconstructions, very slow pace and banal setting further rob it of dramatic tension. The reconstructions specifically lead to repetition and perhaps some confusion. Characterisation and scenes are well handled, though again tending to follow expected patterns, perhaps precisely because it is based on court transcripts. Overall, critically acclaimed and visually stunning, but you may find it seems rather longer than it actually is.
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