Bohemian Alex Morrison has just finished directing his first feature length movie. In its previews, the movie is considered a critical, artistic and surefire commercial success. As such, ...
See full summary »
Bohemian Alex Morrison has just finished directing his first feature length movie. In its previews, the movie is considered a critical, artistic and surefire commercial success. As such, Alex seemingly has his choice of what his next project will be. Alex has a few thoughts in his mind, such as a biopic of Lenny Bruce, or a movie about a black uprising in Los Angeles. As he makes the rounds both in the Hollywood community and European movie centers for ideas, he fantasizes about movie scenarios of those everyday situations he is in. These fantasies are influenced by his movie idols, some who he meets such as Italian director Federico Fellini and French actress Jeanne Moreau. Concurrently, he is considering what to do about his personal life. He, his wife Beth and their two daughters live a middle class lifestyle. He is wondering whether it makes sense to "move up", which means that movie making not only has to achieve his main purpose of saying something meaningful, but also has to be... Written by
i saw this for the first time last night and thought it was fantastic - the best Mazursky movie i've seen (by far). i come here and find it has a 5.0 and most people hate it... strange. must have hit me at the right moment. i've been interested in seeing it for 20 years - glad i didn't until now.
yes, portions are derivative and pretentious, but Sutherland's incredibly likable and the film has a free and easy feel reminding me of a kind of urban easy rider. it's more of a long poem than a standard movie.
the sequence at Mazursky's office is amazing.
9 of 11 people found this review helpful.
Was this review helpful to you?