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The Adventurers (1970)

5.0
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Ratings: 5.0/10 from 428 users  
Reviews: 23 user | 12 critic

The wealthy playboy son of an assassinated South American diplomat discovers that his father was really murdered on orders of the corrupt president of the country--a man who was his ... See full summary »

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(screenplay), (screenplay), 1 more credit »
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Title: The Adventurers (1970)

The Adventurers (1970) on IMDb 5/10

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Cast

Cast overview, first billed only:
...
Marcel Campion
Alan Badel ...
President Rojo
...
Sue Ann Daley
Thommy Berggren ...
Sergei Nikovitch
Delia Boccardo ...
Caroline de Coyne
...
Fat Cat
...
Baron de Coyne
...
Deborah Hadley (as Olivia De Havilland)
Bekim Fehmiu ...
Dax Xenos
Anna Moffo ...
Dania Leonardi
...
Jaime Xenos
...
Amparo Rojo
Yolande Donlan ...
Mrs. Erickson
...
Mr.James Hadley
Jorge Martínez de Hoyos ...
El Condor (as Jorge Martinez De Hoyos)
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Storyline

The wealthy playboy son of an assassinated South American diplomat discovers that his father was really murdered on orders of the corrupt president of the country--a man who was his father's friend and who, in fact, his father had helped put into power. He returns from living a jet-set life in Europe to lead a revolution against the government, only to find out that things aren't quite as black and white as he had assumed. Written by frankfob2@yahoo.com

Plot Summary | Add Synopsis

Taglines:

What does it take to be a man among men? Dax has it in THE ADVENTURERS. See more »


Certificate:

R | See all certifications »
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Details

Country:

Language:

Release Date:

25 March 1970 (USA)  »

Also Known As:

The Adventurers  »

Filming Locations:

 »

Box Office

Budget:

$17,000,000 (estimated)
 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(70 mm prints)| (35 mm prints)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The Dax Xenox character (played by Bekim Fehmiu is a thinly veiled portrait of Dominican diplomat/playboy Porfirio Rubirosa, and the Candice Bergen character is based on Woolworth heiress Barbara Hutton. Other characters in the film are also based on real people. See more »

Quotes

Girl journalist Belinda: Is it true you've made love to every woman in this room?
Dax Xenos: [eying her lustfully] Not yet...
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User Reviews

 
Overwrought Melodrama
27 October 2006 | by (Dallas, Texas) – See all my reviews

Ten-year old Dax (Loris Loddi) watches as soldiers massacre his family in the war-torn South American country of Corteguay, in 1945. It's an experience that has a profound effect on the boy, and influences his actions and behavior as an adult. Dax grows up to become a European playboy (Bekim Fehmiu), who periodically returns to the ongoing national upheaval in his home country. The film's underlying premise is fine. But the screen story is a mess.

For one thing, Dax, the central character, is not very likable as an adult. He's too smug, too self-important, too haughty, and emotionally cold. If he's so concerned about the never-ending violence in Corteguay, why does he spend so much time hobnobbing with the rich and snobbish in Europe? His motivations don't really make sense.

Second, the plot contains too many secondary characters that come and go, throughout. It's hard to keep track of them. For its large cast, the film is almost devoid of characters with whom the audience can identify and become attached. For all their "importance" and "savoir-faire", these secondary characters are hopelessly shallow and cold.

Third, the film's dialogue is awful. It reminds me of one of those dreadful 1950's sword and sandal movies, with lines of dialogue so ponderous and so burdened with momentous gravity, you would think they should be delivered only by Hamlet. The film veritably drools with this overwrought melodrama.

Further, the film's plot irritatingly oscillates between South America and Europe. One minute we're in Courteguay watching two poor, starving children begging for food. The next minute we're at a gaudy fashion show in Europe, or at some highbrow party listening to some lady belt out an operatic aria. It's as if the writer couldn't decide what story he wanted to tell.

And the film's violence is excessive. The civil war subplot in Corteguay requires some brute force and destruction, naturally. But the violence here is much too personal, too graphic, and too gratuitous.

To its credit, the film does have good cinematography, especially outdoors with that beautiful South American scenery. And the costumes and indoor production design are lavish, almost too much so, at times.

Ultimately, "The Adventurers" is a pretentious bore that takes itself way too seriously. The characters are unappealing, the plot is muddled, the violence is excessive, and the dialogue is laughably ponderous. All of these liabilities are then magnified by the film's three-hour runtime.


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