IMDb > Adam at Six A.M. (1970)

Adam at Six A.M. (1970) More at IMDbPro »


Overview

User Rating:
5.9/10   114 votes
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Director:
Writers:
Elinor Karpf (writer)
Steven Karpf (writer)
Contact:
View company contact information for Adam at Six A.M. on IMDbPro.
Release Date:
22 September 1970 (USA) more
Genre:
Tagline:
The world changed for "Adam at 6 A.M." more
Plot:
A disenchanted young Professor of Semantics at a California college learns of a distant relative's death in Missouri... more | add synopsis
Plot Keywords:
User Comments:
Great Chance to See Michael Douglas in a Early Role more (13 total)

Cast

  (Cast overview, first billed only)

Michael Douglas ... Adam Gaines

Lee Purcell ... Jerri Jo Hopper
Joe Don Baker ... Harvey Gavin
Louise Latham ... Mrs. Hopper
Charles Aidman ... Mr. Hopper

Grayson Hall ... Inez Treadly
Marge Redmond ... Cleo
Dana Elcar ... Van Treadly
Ed Call ... Orville
Carolyn Conwell ... Mavis
Butch Youngblood ... Elwood

Greg Joseph ... Ed
Timothy Blake ... Girl at Party
Richard Derr ... Mr. Gaines
Pat Randall ... Pearlie
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Additional Details

Also Known As:
Adam at 6 A.M. (Australia)
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MPAA:
Rated R for some language and brief nudity. (2004 re-rating)
Runtime:
100 min
Country:
Language:
Color:
Color (Technicolor)
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Certification:
USA:GP (original rating) | USA:R (re-rating) (2004)
Filming Locations:

FAQ

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3 out of 3 people found the following comment useful.
Great Chance to See Michael Douglas in a Early Role, 7 July 2001
6/10
Author: richard winters (rwint) from Chicago, Illinois

Idealistic college professor decides to find himself by spending a summer in the midwest as a laborer. He meets and falls in love with a beautiful young lady who, to his regret, cannot share his same vision. Biggest differance here is that the other laborers aren't potrayed as ignorant, suspicious, bigots. Instead we see them as friendly, helpful, and interesting people. Does degenerate into the perverbial bar fight, but mostly this is a subdued, almost loving look at Americas' heartland. Great chance to see Michael Douglas in a very early dramatic role. (He did this even before STREETS OF SAN FRANCISCO). Lee Purcell is also quite good becoming easily identifiable of most young ladies of that era (and even today). She willingly takes on the more 'liberated' values of the younger generation when it is conveniant and fun, but is unable (and unwilling) to break from the mores of the enviroment from which she was raised. Has a good final shot.

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