5.9/10
210
15 user 8 critic

Adam at Six A.M. (1970)

After the death of a relative, a professor goes to the funeral and gets himself a job there working with power lines. He soon finds his entire life changing before his eyes.

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Writers:

(as Stephen Karpf),
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Cast

Cast overview, first billed only:
...
Adam Gaines
...
Jerri Jo Hopper
...
Harvey Gavin
Louise Latham ...
Mrs. Hopper
...
Mr. Hopper
...
Inez Treadly
Marge Redmond ...
Cleo
...
Van Treadly
Ed Call ...
Orville
Carolyn Conwell ...
Mavis
Butch Youngblood ...
Elwood
...
Ed
Timothy Blake ...
Girl at Party
Richard Derr ...
Mr. Gaines
Pat Randall ...
Pearlie
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Storyline

A disenchanted young Professor of Semantics at a California college learns of a distant relative's death in Missouri. He journeys cross-country to the funeral, then decides to spend the summer there and work as a laborer for a power-line company. In time, he meets a girl and falls in love but then faces an important decision as to which direction he wants his life to go. Written by frankfob2@yahoo.com

Plot Summary | Add Synopsis

Taglines:

Adam Gaines has a 911T Porsche, good looks, a guaranteed future, and as many girls as he can handle. Adam Gaines has nothing. See more »

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for some language and brief nudity | See all certifications »
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Details

Country:

Language:

Release Date:

22 September 1970 (USA)  »

Also Known As:

A reggel túl messze van  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The only movie produced by Steve McQueen's Solar Productions that he does not appear in. See more »

Connections

Referenced in The Bob Newhart Show: Carol at 6:01 (1976) See more »

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User Reviews

 
Great Chance to See Michael Douglas in a Early Role
7 July 2001 | by (Chicago, Illinois) – See all my reviews

Idealistic college professor decides to find himself by spending a summer in the midwest as a laborer. He meets and falls in love with a beautiful young lady who, to his regret, cannot share his same vision. Biggest differance here is that the other laborers aren't potrayed as ignorant, suspicious, bigots. Instead we see them as friendly, helpful, and interesting people. Does degenerate into the perverbial bar fight, but mostly this is a subdued, almost loving look at Americas' heartland. Great chance to see Michael Douglas in a very early dramatic role. (He did this even before STREETS OF SAN FRANCISCO). Lee Purcell is also quite good becoming easily identifiable of most young ladies of that era (and even today). She willingly takes on the more 'liberated' values of the younger generation when it is conveniant and fun, but is unable (and unwilling) to break from the mores of the enviroment from which she was raised. Has a good final shot.


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