Michael Rhodes is asked to help Lisa Wolf, who is frightened by an image of her recently drowned husband whom she believes she accidentally killed. Rhodes is strongly opposed by Linchou, brother of ...
Steven Macy lusts after his boss' wife and plans to use an earwig to be rid of him. / The government plays up to a genius' delusion that his dead daughter still lives so he can finish his experiments...
A modern revival of the classic sci-fi horror anthology show The Outer Limits (1963). Episodes often have twist-endings and involve aliens. Sometimes, story from one episode continues in a later episode.
Anthology series hosted by Boris Karloff that originally told ordinary tales of crime and mystery, but later became a showcase for gothic horror stories, many of which were based on works ... See full summary »
Series of unrelated short stories covering elements of crime, horror, drama and comedy about people of different species committing murders, suicides, thefts and other sorts of crime caused by certain motivations; perceived or not.
A horror anthology about a family of monsters watching a different horror story every week on their TV. Each tale is separate, often cautionary with occasional dark humor and irony and features various deadly creatures.
Pamela Dean Kelly,
Michael J. Anderson
Similar in format to Serling's much more famous "Twilight Zone" series. Each week we get a new tale, represented by a painting in an old museum. Whereas the tales in "Twilight Zone" were more science fiction, these tales have a darker, more horrific edge. Written by
Two segments, and possibly a third, were directed by a young Steven Spielberg. According to the book, "Rod Serling's Night Gallery: An After Hours Tour", Spielberg was scheduled to direct the 1971 vignette "A Matter of Semantics" starring Cesar Romero. Those involved with the production are unclear in their memory as to whether Spielberg actually directed the piece, which was ultimately credited to Jack Laird. At least one actor involved in the 2-minute mini-episode recalls a director who more closely fits Spielberg's description than Laird's. Beginning with the second season, and despite Rod Serling's objections, the producers began to insert brief 1-3 minute "blackout comedy" sketches in between main segments of some episodes, usually when an episode was running short. The merits of these brief vignettes remain controversial among Night Gallery (1969) fans to this day. See more »
For those of you who've never met me, you might call me the under-nourished Alfred Hitchcock.
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There is something that sets Night Gallery apart from all other sci-fi/thriller TV shows. An ethereal element of mystique lurks within every episode that provides for unique entertainment. Narrated by Rod Serling, Night Gallery explores the supernatural from the context of an abstract painting--a different painting each episode. When narrating his previous series, The Twilight Zone, Serling generally manifested an air of superiority to the plot--like he had it in the palm of his hand and could control it. In Night Gallery, however, he relinquishes such control and becomes more a PART of the madness; as if the gallery is controlling HIM (it is also refreshing to finally view him in color). Night Gallery episodes are NOT concluded with a Serling anecdotal summary; instead, a shocking punch is usually delivered that the viewer is left to unravel without assistance.
The directing and editing are top notch. Scenes cascade in a swift and somewhat ambiguous fashion, and camera tricks are cleverly exploited to hold our attention--proving that today's computer graphics are not essential to exact viewer interest. Simple story lines are translated into convoluted journeys of intrigue with music and sound effects akin only to The Exorcist.
Some memorable episodes include Sally Field playing a woman with multiple personalities (this was before she played Cybil, mind you); an ostracized young girl who befriends a seaweed monster; a diner jukebox that hauntingly plays only one song; a man who has an earwig planted in his ear that creeps through his brain (and lays eggs!); and a young Clint Howard (Ron's kid brother) playing a child prodigy who foresees mankind's treacherous fate.
Of course, there are those little, campy vignettes thrown in for fun, most of which are mildly amusing. Overall, this is an exhibit you will not want to bypass!
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