Steven Macy lusts after his boss' wife and plans to use an earwig to be rid of him. / The government plays up to a genius' delusion that his dead daughter still lives so he can finish his experiments...
Famine runs rampant in medieval Wales, forcing terrified young Ian to feast on the sins of deceased Mr. Craighill. / The Fultons delight in the sadistic torture of servants, but, may have met their ...
Anthology series hosted by Boris Karloff that originally told ordinary tales of crime and mystery, but later became a showcase for gothic horror stories, many of which were based on works ... See full summary »
A modern revival of the classic science fiction horror anthology show The Outer Limits (1963). Episodes often have twist-endings and involve aliens. Sometimes, a story from one episode continues in a later episode.
Series of unrelated short stories covering elements of crime, horror, drama, and comedy about people of different backgrounds committing murders, suicides, thefts, and other sorts of crime caused by certain motivations, perceived or not.
A horror anthology about a family of monsters watching a different horror story every week on their TV. Each tale is separate, often cautionary with occasional dark humor and irony and features various deadly creatures.
Pamela Dean Kelly,
Michael J. Anderson
Similar in format to Serling's much more famous "Twilight Zone" series. Each week we get a new tale, represented by a painting in an old museum. Whereas the tales in "Twilight Zone" were more science fiction, these tales have a darker, more horrific edge. Written by
Two segments, and possibly a third, were directed by a young Steven Spielberg. According to the book, "Rod Serling's Night Gallery: An After Hours Tour", Spielberg was scheduled to direct the 1971 vignette "A Matter of Semantics" starring Cesar Romero. Those involved with the production are unclear in their memory as to whether Spielberg actually directed the piece, which was ultimately credited to Jack Laird. At least one actor involved in the 2-minute mini-episode recalls a director who more closely fits Spielberg's description than Laird's. Beginning with the second season, and despite Rod Serling's objections, the producers began to insert brief 1-3 minute "blackout comedy" sketches in between main segments of some episodes, usually when an episode was running short. The merits of these brief vignettes remain controversial among Night Gallery (1969) fans to this day. See more »
For those of you who've never met me, you might call me the under-nourished Alfred Hitchcock.
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One of the most underrated TV series of the 1970s, and of all time, is this terrific collection of sci-fi and horror stories, hosted by Rod Serling. Often (wrongly) compared to Serling's other series, "The Twilight Zone"...the overall mood, and purpose of this series is different. The "Zone" was a collection of morality tales, disguised as sci-fi stories. A fantastic show, without a doubt, but the "Gallery" was designed purely to shock and entertain...and it certainly succeeded in that area.
So much great talent was on display in this series. The actors, writers, directors, and musicians were almost always top-notch. Though the decision to have multiple stories within each episode, did result in some mediocre results sometimes (especially with the campy vignettes), the quality of the better segments is what most remember best.
Among some of the better segments:
"They're Tearing Down Tim Riley's Bar", with William Windom (in an awesome performance) as a has-been salesman who's beckoned by the ghosts of his past.
"The Doll", about a gruesome doll, sent to a British officer as revenge.
"The Tune in Dan's Cafe", about a haunted jukebox that plays the same song always.
"Green Fingers", with Elsa Lanchester as an elderly woman, harassed by a tycoon who wants her land, where she has an unusual knack for gardening.
So many more great ones. Some folks get turned off by the dated 1970s look to this show (the costumes, sets, bright color, excessive use of zooms/close-ups). If you can get past that aspect, and rather appreciate the show's camp value, you're sure to enjoy this unique and highly original horror series. It's a classic in my book.
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