Sam McCloud is a Marshal from a Taos, New Mexico, who takes a temporary assignment in the New York City Police. His keen sense of detail and detecting subtle clues, learned from his experience, enable him to nab unsuspecting criminals despite his unbelieving boss.
When a drug lord who strongly resembles McCloud disappears after a by, McCloud assumes his identity, goes to prison, and tries to con the crime family who was setting up a French Connection with the ...
When a shipper of contaminated stolen beef kills a USDA inspector and flees to Colorado and his employers, McCloud tracks him down, only to run smack into a dumb-but-ambitious sheriff (Claude Akins' ...
Attorney and US Navy vet Stuart "Mac" McMillan is appointed Commissioner of Police for the city of San Francisco. He often handles the very high profile cases personally. Helping him out on... See full summary »
Susan Saint James
Ex-Marshal McCloud now is senator of New Mexico, fighting for a new environment law. His enemy is Maitland, unscrupulous owner of Chemtel, the world's most important chemical manufacturer. ... See full summary »
Sam McCloud is a town Marshal from Taos, New Mexico. He goes to New York to find an escaped criminal, and there falls for reporter Chris Coughlin, who is the cousin of the deputy police commissioner. After he tracks the criminal down, Chris convinces her cousin to request that Sam be assigned to temporary duty with the NYPD to learn modern police methods. He is assigned to the detective bureau headed by Chief Peter B. Clifford, who is less than thrilled with having McCloud under his command and gives him nothing but menial duties. Sam always winds up deep in homicides, drug busts, and various other major crimes. He is often helped out by Sgt. Joe Broadhurst, and solves them using a combination of good police work and good old country know-how. Written by
Brian Washington <Sargebri@att.net>
For the first two seasons, music (including the theme) was composed by David Shire in a strongly country-music fashion. During the third season, there was no regular composer, with four different closing themes used in five episodes. The main title theme used in most openings and all closings from "Butch Cassidy Rides Again" (episode 4.1) was never given screen credit, but its resemblance to other scores in the fourth season suggests that Frank De Vol (My Three Sons, The Brady Bunch, Fernwood 2Night) composed all or most of the theme. The theme is somewhat similar in a driving beat to others which series producer Glen A. Larson composed for later series such as Switch and Sword of Justice. See more »
I love this show as a young child, maybe not as much as "Happy Days", but alot. I seen re-runs of "Happy Days" and what a waste of time except for the first 2 seasons before the Fonz turn 70, and Richie looked like a father of 2. "McCloud" I saw a few years back on A&E and was surprised to see how well the show aged. I still laughed, and found the show tv-ish; entertaining but got a little formualted after a while. How often can the cheif get upset, and his folk manner became too much. The guy from BSG is on this show, as well a few notable guest like John Denver. The show were McCloud is in Australia is the best. There is another episode were Richard Dawson plays a mean one. I wonder if Arnold was in any episodes. This show must of got its idea from that Eastwood movie.
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