After spending several years in her young adult life in Minneapolis but with her brash Bronx Jewish upbringing in tow and with its associated sarcasm, artistically inclined Rhoda ... See full summary »
This "All In The Family" spin-off centers around Edith's cousin, Maude Findlay. She's a liberal, independent woman living in Tuckahoe, NY with her fourth husband Walter, owner of Findlay's ... See full summary »
A greasy-spoon diner in Phoenix, Arizona is the setting for this long-running series. The title character, Alice Hyatt, is an aspiring singer who arrives in Phoenix with her teenaged son, ... See full summary »
Mary Richards moves to Minneapolis after a relationship goes bad. She finds work as an associate producer in a small television newsroom where the characters include Lou Grant, her gruff boss, Murray Slaughter the humorous writer, and Ted Baxter the Anchor Man who spends his time mispronouncing country names. Mary continues to hope for romance, but finds that her friends are more dependable. Written by
The kitten that meows at the end of the closing credits is a parody of the roaring lion that appears at the beginning of MGM films. The kitten, Mimsey, was adopted from a local shelter. See more »
In the first season installment "Divorce Isn't Everything", Mary mentions that she can't speak French but can speak Spanish. Later in the series, while at a Mexican restaurant, she indicates that she can't read the menu because she took French in college. See more »
I'm an experienced woman. I've been around... Well, all right, I might not've been around, but I've been... nearby.
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This series introduced the MTM Productions logo at the end - a tiny, meowing kitten. This is a parody of the MGM Studios roaring lion. The kitten logo (or variations thereof) would be used throughout the 1970s and 80s on a number of different TV series. See more »
As a 25-year-old woman, it's a shame that the so-called "feminist icons" of my day have been klutzy, man-hungry ninny Ally McBeal and tabloid wench Paris Hilton. I've really come to envy women who had real feminist heroes, real or fictional, such as Gloria Steinem, Bea Arthur as "Maude", and, of course, Mary Tyler Moore as Mary Richards. "The Mary Tyler Moore Show" isn't just an excellent sitcom with perfectly realized characters, but it featured an imperfect but winning heroine that any woman could look up to. Mary was a sweet-natured thirty-something who alternated between being high-strung and confident. She happily lived alone and had a loyal gal pal in smart mouthed New Yorker Rhoda (the incomparable Valerie Harper). Mary also was an associate TV producer at the low-rated WJM news network, where she had the respect of her male co-workers, including her arch-conservative boss Lou Grant (Ed Asner), wisecracking but tender-hearted work buddy Murray Slaugher (Gavin McLeod), and buffoonish anchorman Ted Baxter (Ted Knight). Not that everyone loved Mary... she constantly had to deal with her insufferable, overbearingly perky landlady Phyllis (Cloris Leachman). When Phyllis was written out of the show, WJM's "Happy Homemaker" Sue Ann Nivens (flawless Betty White) replaced her as Mary's foil. Passive-aggressive and sex-starved, Sue Ann was a hilarious combination of Blanche from "The Golden Girls" and Harriet Nelson. Best of all, the show had running gags that somehow never went stale: Mary's tendency to attract the wrong men, her disastrous dinner parties, Ted's slips of the tongue on the air, Lou's annoyance at being the lowest-rated TV network, and Rhoda's quest for the perfect husband. An addictive show that didn't wear out its welcome in its seven year run, "MTM" is a shining example of great writing, fully developed characters, and perfect casting that has never been equaled. It was a show with spunk... we need spunk!
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