After spending several years in her young adult life in Minneapolis but with her brash Bronx Jewish upbringing in tow and with its associated sarcasm, artistically inclined Rhoda ... See full summary »
Dick Loudon and his wife Joanna decide to leave life in New York City and buy a little inn in Vermont. Dick is a how-to book writer, who eventually becomes a local TV celebrity as host of "... See full summary »
Spinoff from the popular "Mary Tyler Moore" series has Mary Richards' landlady, Phyllis Lindstrom, moving back to her hometown of San Francisco with her teenage daughter Bess following the ... See full summary »
Mary Tyler Moore plays Mary McKinnon, who stars in a variety show. Everyweek she has to deal with her producer, Harry over what to do on that week's episode. Also she has an assistant, Iris... See full summary »
Mary Richards moves to Minneapolis after a relationship goes bad. She finds work as an associate producer in a small television newsroom where the characters include Lou Grant, her gruff boss, Murray Slaughter the humorous writer, and Ted Baxter the Anchor Man who spends his time mispronouncing country names. Mary continues to hope for romance, but finds that her friends are more dependable. Written by
The shot in the opening credits where Mary Tyler Moore throws her hat into the air was shot at the corner of 7th Street and Nicollet Mall in downtown Minneapolis. In May 2002, TV Land erected a statue of her at that spot. The statue faces the opposite direction, however: the buildings that appear in the background of the shot were destroyed by a fire that took out an entire city block on Thanksgiving night in 1982. Many scenes in the opening credits (riding an escalator, window shopping) were shot within a one-block radius of this spot. See more »
On the newsroom wall there are various world clocks like you would see in a typical newsroom of that era. In the center is the Minneapolis/St. Paul clock, and to its left is a Chicago clock. Minneapolis and Chicago are both in the central time zone, so there is no need to have two different clocks. Furthermore it can be seen that the Chicago clock is set roughly an hour ahead. See more »
As a 25-year-old woman, it's a shame that the so-called "feminist icons" of my day have been klutzy, man-hungry ninny Ally McBeal and tabloid wench Paris Hilton. I've really come to envy women who had real feminist heroes, real or fictional, such as Gloria Steinem, Bea Arthur as "Maude", and, of course, Mary Tyler Moore as Mary Richards. "The Mary Tyler Moore Show" isn't just an excellent sitcom with perfectly realized characters, but it featured an imperfect but winning heroine that any woman could look up to. Mary was a sweet-natured thirty-something who alternated between being high-strung and confident. She happily lived alone and had a loyal gal pal in smart mouthed New Yorker Rhoda (the incomparable Valerie Harper). Mary also was an associate TV producer at the low-rated WJM news network, where she had the respect of her male co-workers, including her arch-conservative boss Lou Grant (Ed Asner), wisecracking but tender-hearted work buddy Murray Slaugher (Gavin McLeod), and buffoonish anchorman Ted Baxter (Ted Knight). Not that everyone loved Mary... she constantly had to deal with her insufferable, overbearingly perky landlady Phyllis (Cloris Leachman). When Phyllis was written out of the show, WJM's "Happy Homemaker" Sue Ann Nivens (flawless Betty White) replaced her as Mary's foil. Passive-aggressive and sex-starved, Sue Ann was a hilarious combination of Blanche from "The Golden Girls" and Harriet Nelson. Best of all, the show had running gags that somehow never went stale: Mary's tendency to attract the wrong men, her disastrous dinner parties, Ted's slips of the tongue on the air, Lou's annoyance at being the lowest-rated TV network, and Rhoda's quest for the perfect husband. An addictive show that didn't wear out its welcome in its seven year run, "MTM" is a shining example of great writing, fully developed characters, and perfect casting that has never been equaled. It was a show with spunk... we need spunk!
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