Mary Tyler Moore (1970–1977)

TV Series  -   -  Comedy
8.2
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Ratings: 8.2/10 from 3,302 users  
Reviews: 36 user | 43 critic

The lives and trials of a young single woman and her friends, both at work and at home.

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Title: Mary Tyler Moore (1970–1977)

Mary Tyler Moore (1970–1977) on IMDb 8.2/10

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Season:

7 | 6 | 5 | 4 | 3 | 2 | 1

Year:

1977 | 1976 | 1975 | 1974 | 1973 | 1972 | 1971 | 1970
Won 3 Golden Globes. Another 37 wins & 80 nominations. See more awards »

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Cast

Complete series cast summary:
...
 Mary Richards (168 episodes, 1970-1977)
...
 Murray Slaughter (168 episodes, 1970-1977)
...
 Lou Grant (166 episodes, 1970-1977)
...
 Ted Baxter / ... (165 episodes, 1970-1977)
...
 Rhoda Morgenstern / ... (93 episodes, 1970-1977)
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Storyline

Mary Richards moves to Minneapolis after a relationship goes bad. She finds work as an associate producer in a small television newsroom where the characters include Lou Grant, her gruff boss, Murray Slaughter the humorous writer, and Ted Baxter the Anchor Man who spends his time mispronouncing country names. Mary continues to hope for romance, but finds that her friends are more dependable. Written by Anonymous

Plot Summary | Add Synopsis

Genres:

Comedy

Certificate:

TV-PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

19 September 1970 (USA)  »

Also Known As:

The Mary Tyler Moore Show  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

(168 episodes)

Sound Mix:

Color:

Aspect Ratio:

4:3
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Did You Know?

Trivia

A three-minute mini-pilot, titled "Love is All Around," was produced for CBS Network executives in an attempt to sell them on the casting of Edward Asner as Lou Grant. See more »

Goofs

On the newsroom wall there are various world clocks like you would see in a typical newsroom of that era. In the center is the Minneapolis/St. Paul clock, and to its left is a Chicago clock. Minneapolis and Chicago are both in the central time zone, so there is no need to have two different clocks. Furthermore it can be seen that the Chicago clock is set roughly an hour ahead. See more »

Quotes

[Mary is disappointed that she received a C plus on her essay from Professor Whitfield, while Rhoda earned a B on hers]
Rhoda Morgenstern: I'll trade you my B for your "Where are we going tonight?"
See more »

Crazy Credits

In episode 71 the MTM Kitten was replaced by Miss Moore herself, saying "Th-th-th-that's all folks!", a line spoken by Mary Richards during that episode. See more »

Connections

Referenced in Network (1976) See more »

Soundtracks

Love Is All Around
Written and Performed by Sonny Curtis
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

The show with spunk!
27 March 2007 | by (United States) – See all my reviews

As a 25-year-old woman, it's a shame that the so-called "feminist icons" of my day have been klutzy, man-hungry ninny Ally McBeal and tabloid wench Paris Hilton. I've really come to envy women who had real feminist heroes, real or fictional, such as Gloria Steinem, Bea Arthur as "Maude", and, of course, Mary Tyler Moore as Mary Richards. "The Mary Tyler Moore Show" isn't just an excellent sitcom with perfectly realized characters, but it featured an imperfect but winning heroine that any woman could look up to. Mary was a sweet-natured thirty-something who alternated between being high-strung and confident. She happily lived alone and had a loyal gal pal in smart mouthed New Yorker Rhoda (the incomparable Valerie Harper). Mary also was an associate TV producer at the low-rated WJM news network, where she had the respect of her male co-workers, including her arch-conservative boss Lou Grant (Ed Asner), wisecracking but tender-hearted work buddy Murray Slaugher (Gavin McLeod), and buffoonish anchorman Ted Baxter (Ted Knight). Not that everyone loved Mary... she constantly had to deal with her insufferable, overbearingly perky landlady Phyllis (Cloris Leachman). When Phyllis was written out of the show, WJM's "Happy Homemaker" Sue Ann Nivens (flawless Betty White) replaced her as Mary's foil. Passive-aggressive and sex-starved, Sue Ann was a hilarious combination of Blanche from "The Golden Girls" and Harriet Nelson. Best of all, the show had running gags that somehow never went stale: Mary's tendency to attract the wrong men, her disastrous dinner parties, Ted's slips of the tongue on the air, Lou's annoyance at being the lowest-rated TV network, and Rhoda's quest for the perfect husband. An addictive show that didn't wear out its welcome in its seven year run, "MTM" is a shining example of great writing, fully developed characters, and perfect casting that has never been equaled. It was a show with spunk... we need spunk!


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