Mary Tyler Moore (1970–1977)

TV Series  |  TV-PG  |   |  Comedy
8.2
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The lives and trials of a young single woman and her friends, both at work and at home.

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Title: Mary Tyler Moore (1970–1977)

Mary Tyler Moore (1970–1977) on IMDb 8.2/10

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7   6   5   4   3   2   1  
1977   1976   1975   1974   1973   1972   … See all »
Won 3 Golden Globes. Another 37 wins & 80 nominations. See more awards »

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Cast

Complete series cast summary:
...
 Mary Richards (168 episodes, 1970-1977)
...
 Murray Slaughter (168 episodes, 1970-1977)
...
 Lou Grant (166 episodes, 1970-1977)
...
 Ted Baxter / ... (165 episodes, 1970-1977)
...
 Rhoda Morgenstern / ... (93 episodes, 1970-1977)
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Storyline

Mary Richards moves to Minneapolis after a relationship goes bad. She finds work as an associate producer in a small television newsroom where the characters include Lou Grant, her gruff boss, Murray Slaughter the humorous writer, and Ted Baxter the Anchor Man who spends his time mispronouncing country names. Mary continues to hope for romance, but finds that her friends are more dependable. Written by Anonymous

Plot Summary | Add Synopsis

Genres:

Comedy

Certificate:

TV-PG | See all certifications »

Parents Guide:

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Details

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Release Date:

19 September 1970 (USA)  »

Also Known As:

The Mary Tyler Moore Show  »

Company Credits

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Technical Specs

Runtime:

(168 episodes)

Sound Mix:

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Aspect Ratio:

4:3
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Did You Know?

Trivia

The kitten who meows at the end of the closing credits is a parody of the roaring lion which appears at the beginning of MGM films. The kitten's name was "Mimsey"; she was adopted from a local shelter. See more »

Goofs

In the first season installment "Divorce Isn't Everything", Mary mentions that she can't speak French but can speak Spanish. Later in the series, while at a Mexican restaurant, she indicates that she can't read the menu because she took French in college. See more »

Quotes

Sue Ann Nivens: I was lying in bed last night and I couldn't sleep, and I came up with an idea. So I went right home and wrote it down.
See more »

Crazy Credits

This series introduced the MTM Productions logo at the end - a tiny, meowing kitten. This is a parody of the MGM Studios roaring lion. The kitten logo (or variations thereof) would be used throughout the 1970s and 80s on a number of different TV series. See more »

Connections

Spoofed in NewsRadio: Look Who's Talking (1998) See more »

Soundtracks

Love Is All Around
Written and Performed by Sonny Curtis
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

The show with spunk!
27 March 2007 | by (United States) – See all my reviews

As a 25-year-old woman, it's a shame that the so-called "feminist icons" of my day have been klutzy, man-hungry ninny Ally McBeal and tabloid wench Paris Hilton. I've really come to envy women who had real feminist heroes, real or fictional, such as Gloria Steinem, Bea Arthur as "Maude", and, of course, Mary Tyler Moore as Mary Richards. "The Mary Tyler Moore Show" isn't just an excellent sitcom with perfectly realized characters, but it featured an imperfect but winning heroine that any woman could look up to. Mary was a sweet-natured thirty-something who alternated between being high-strung and confident. She happily lived alone and had a loyal gal pal in smart mouthed New Yorker Rhoda (the incomparable Valerie Harper). Mary also was an associate TV producer at the low-rated WJM news network, where she had the respect of her male co-workers, including her arch-conservative boss Lou Grant (Ed Asner), wisecracking but tender-hearted work buddy Murray Slaugher (Gavin McLeod), and buffoonish anchorman Ted Baxter (Ted Knight). Not that everyone loved Mary... she constantly had to deal with her insufferable, overbearingly perky landlady Phyllis (Cloris Leachman). When Phyllis was written out of the show, WJM's "Happy Homemaker" Sue Ann Nivens (flawless Betty White) replaced her as Mary's foil. Passive-aggressive and sex-starved, Sue Ann was a hilarious combination of Blanche from "The Golden Girls" and Harriet Nelson. Best of all, the show had running gags that somehow never went stale: Mary's tendency to attract the wrong men, her disastrous dinner parties, Ted's slips of the tongue on the air, Lou's annoyance at being the lowest-rated TV network, and Rhoda's quest for the perfect husband. An addictive show that didn't wear out its welcome in its seven year run, "MTM" is a shining example of great writing, fully developed characters, and perfect casting that has never been equaled. It was a show with spunk... we need spunk!


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