In the 1950's, Ludvik Jahn was expelled from the Communist Party and the University by his fellow students, because of a politically incorrect note he sent to his girlfriend. Fifteen years ... See full summary »
Middle-aged Antonin and his friends, the major, now retired, and the canon, are in the river, swimming and philosophizing. Then it starts to rain. It just seems to be that sort of summer. ... See full summary »
Husband (senior ministry official) and wife find their house is riddled with listening devices put there by his own ministry. A harrowing night follows (reminiscent of 'Who's Afraid Of ... See full summary »
Diamonds in the night is the tense, brutal story of two Jewish boys who escape from a train transporting them from one concentration camp to another. Ultimately, they are hunted down by a ... See full summary »
Kopfrkingl enjoys his job at a crematorium in Czechoslovakia in the late 1930s. He likes reading the Tibetan book of the dead, and espouses the view that cremation relieves earthly ... See full summary »
One of the most important images of the Czech New Wave 60s, which was ranked among the top ten domestic films of all time. Feature debut screenwriter and director Ivan Passer is currently ... See full summary »
Ondrej, a young boy who loves bees and bats, is introduced to his new mother, a woman much younger than his father. He brings her a basketful of flowers which she starts to throw in the air... See full summary »
Distinguished by being "banned forever" in its native Czech Republic, Jan Nemec's "A Report on the Party" is a great film from the flowering of the Czech cinema in the 1960s. It is a ... See full summary »
In the 1950's, Ludvik Jahn was expelled from the Communist Party and the University by his fellow students, because of a politically incorrect note he sent to his girlfriend. Fifteen years later, he tries to get his revenge by seducing Helena, the wife of one of his accusers. Written by
A movie adaptation that succeeds by remaining true to the novel's theme while telling the story with an exciting new structure and style. As opposed to the novel's use of more conventional flashback passages, in the film the past seems to attack Ludvik Jahn -- played brilliantly by Josef Somr of CLOSELY WATCHED TRAINS -- from all sides, as the past echoes inescapably through the world of the present. It also doesn't hurt, I suppose, that Kundera himself co-wrote the screenplay.
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