The eccentric professor Collins lives completely secluded in his chaotic apartment. When the model Penny moves in next to him, he becomes fascinated of her. He drills holes in her walls and...
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Serge Morgan is a killer working for the American Mafia. After performing a contract in New York for his employers, he takes the plane back to Paris and, during the flight, he gets to know ... See full summary »
A rebellious socially-conscious man travels to Nepal to find his dead-beat dad. There, he meets Jane, a beautiful hippie girl hooked on drugs. He's forced to steal artifacts for his father's slimy employer to earn money to help Jane.
In Venice, forty-old-year old Serge Fabergé has just been given the best advertisement director award. While taking a walk on the Piazza San Marco, Serge meets Evelyn Nicholson, a ... See full summary »
Jane Birkin, Bernadette Lafont, Elisabeth Wiener and Emma Cohen are 4 pretty girls rooming together. After witnessing and accidentally helping several thugs get away with a heist, the women... See full summary »
The petite waitress Johnny works and lives in a truck-stop, where she's lonely and longs for love. She develops a crush on the garbage truck driver Krassky, although her sleazy boss Boris ... See full summary »
The eccentric professor Collins lives completely secluded in his chaotic apartment. When the model Penny moves in next to him, he becomes fascinated of her. He drills holes in her walls and ceiling and peeps on her day and night. He loses himself in daydreams and delusions. Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
When first approached to compose the movie's soundtrack, George Harrison replied "I don't know how to do music for films." When director Joe Massot promised to include whatever Harrison chose to write, Harrison accepted, composing songs as he was inspired by watching rushes of the unfinished movie, with the help of a stopwatch, to properly time the music to the scenes. See more »
Any movie that is defended with the idea that it can only be enjoyed by viewing after taking drugs... well, c'mon, you know it's got to be pretty bad. And this is bad, no mistake about it. Sure, it's very colorful, and for the drug-inclined it's an eye-popping visual "overdose" of nostalgic psychedelia...
But at the the heart of this foolish fruity farrago is an offensive story of a geeky middle-aged man obsessing pervertedly over a pretty young woman living next door -- that obsession fueled by non-stop Peeping Tom activity. This sick invasion of privacy is treated as an excitable, joyous, comical diversion. It leads the geek professor to wild flights of fancy and lunatic dreams, giving us plenty of bizarre sequences filmed in full 60's psychedelic-meets-Richard Lester glory. But, wacky comedy-wise, it's weak tea in comparison to Lester's 'The Knack' or 'Help!' And considering the obvious Lester-Beatles influence (including the actor playing Birkin's boyfriend having a distinct Liverpudlian accent) it's no surprise that George Harrison provides the score.
Too bad that the score is awful. Whole scenes go by with virtually no dialogue, thus a catchy pop score from Harrison would be welcome, and add to the nostalgic value of the film beyond the psychedelia. Unfortunately we get the Shankar-sauce sitar-period Harrison. Only those finding a nostalgic trip from Indian music that sounds like the wailing of out-of-tune violins (or worse, the sound of a cat trapped inside bagpipes) will be pleased. Otherwise, it's an ear-offending slog.
And otherwise, filmically, you get a frantic but professional performance from Jack Macgowran, a lot of eye-catching shots of pretty cult-figure Jane Birkin, and a few comic bits that work.
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