| Photos (See all 44 | slideshow) | Videos (see all 2) |
| William Holden | ... | Pike Bishop | |
| Ernest Borgnine | ... | Dutch Engstrom | |
| Robert Ryan | ... | Deke Thornton | |
| Edmond O'Brien | ... | Freddie Sykes | |
| Warren Oates | ... | Lyle Gorch | |
| Jaime Sánchez | ... | Angel (as Jaime Sanchez) | |
| Ben Johnson | ... | Tector Gorch | |
| Emilio Fernández | ... | Gen. Mapache (as Emilio Fernandez) | |
| Strother Martin | ... | Coffer | |
| L.Q. Jones | ... | T.C | |
| Albert Dekker | ... | Pat Harrigan | |
| Bo Hopkins | ... | Clarence 'Crazy' Lee | |
| Dub Taylor | ... | Rev. Wainscoat | |
| Paul Harper | ... | Ross | |
| Jorge Russek | ... | Maj. Zamorra | |
| Alfonso Arau | ... | Lt. Herrera | |
| Chano Urueta | ... | Don Jose | |
| Elsa Cárdenas | ... | Elsa (as Elsa Cardenas) | |
| Bill Hart | ... | Jess | |
| Rayford Barnes | ... | Buck | |
| Stephen Ferry | ... | Sgt. McHale (as Steve Ferry) | |
| Sonia Amelio | ... | Teresa | |
| Aurora Clavel | ... | Aurora | |
| Enrique Lucero | ... | Ignacio | |
| Elizabeth Dupeyrón | ... | Rocio (as Elizabeth Dupeyron) | |
| Yolanda Ponce | ... | Yolis | |
| José Chávez | ... | Juan Jose (as Jose Chavez) | |
| René Dupeyrón | ... | Juan (as Rene Dupeyron) | |
| Pedro Galván | ... | Mr. Benson (as Pedro Galvan) | |
| Graciela Doring | ... | Emma | |
| Major Perez | ... | Perez | |
| Fernando Wagner | ... | Cmdr. Frederick Mohr | |
| Jorge Rado | ... | Ernst | |
| Ivan Scott | ... | Paymaster | |
| Señora Madero | ... | Margaret (as Sra. Madero) | |
| Margarito Luna | ... | Luna | |
| Chalo González | ... | Gonzalez (as Chalo Gonzalez) | |
| Lilia Castillo | ... | Lilia | |
| Elizabeth Unda | ... | Carmen | |
| Julio Corona | ... | Julio | |
| rest of cast listed alphabetically: | |||
| Gordon T. Dawson | ... | Pinkerton Man (uncredited) | |
| 'Chico' Hernandez | ... | Boy on Town (uncredited) | |
| Buck Holland | ... | Thornton Posse Rider (uncredited) | |
| Matthew Peckinpah | ... | Boy Watching Robber Scoop Up Moneybag (uncredited) | |
Directed by | |||
| Sam Peckinpah | |||
Writing credits | ||
| Walon Green | (screenplay) and | |
| Sam Peckinpah | (screenplay) | |
| Walon Green | (story) and | |
| Roy N. Sickner | (story) | |
Produced by | |||
| Phil Feldman | .... | producer | |
| Roy N. Sickner | .... | associate producer | |
Original Music by | |||
| Jerry Fielding | |||
Cinematography by | |||
| Lucien Ballard | (director of photography) | ||
Film Editing by | |||
| Lou Lombardo | (as Louis Lombardo) | ||
Art Direction by | |||
| Edward Carrere | |||
Costume Design by | |||
| James R. Silke | (uncredited) | ||
Makeup Department | |||
| Al Greenway | .... | makeup artist | |
| Keester Sweeney | .... | makeup artist (uncredited) | |
Production Management | |||
| William D. Faralla | .... | production manager (as William Faralla) | |
Second Unit Director or Assistant Director | |||
| Clifford C. Coleman | .... | assistant director (as Cliff Coleman) | |
| Fred Gammon | .... | assistant director | |
| Robert 'Buzz' Henry | .... | second unit director (as Buzz Henry) | |
| John 'Bud' Cardos | .... | second unit director (uncredited) | |
| Howard G. Kazanjian | .... | second assistant director (uncredited) | |
| Phil Rawlins | .... | first assistant director (uncredited) | |
Art Department | |||
| Phil A. Ankrom | .... | property master (uncredited) | |
| John Barton | .... | assistant property master (uncredited) | |
| Arnold Losey | .... | props (uncredited) | |
Sound Department | |||
| Robert J. Miller | .... | sound | |
| Joe Kavigan | .... | sound effects editor (uncredited) | |
| Stanley Martin | .... | sound effects editor (uncredited) | |
| Billy Mauch | .... | sound effects editor (uncredited) | |
| Bill Rivol | .... | sound effects editor (uncredited) | |
| Ed Scheid | .... | supervising sound effects editor (uncredited) | |
| Dan Wallin | .... | sound re-recording mixer (uncredited) | |
| John O. Young | .... | sound effects editor (uncredited) | |
Special Effects by | |||
| Bud Hulburd | .... | special effects | |
| Ralph Ayres | .... | special effects (uncredited) | |
| James Rugg | .... | special effects (uncredited) | |
Camera and Electrical Department | |||
| Bud Gaunt | .... | key grip | |
| Bernie Abramson | .... | still photographer (uncredited) | |
| Dave Friedman | .... | assistant camera (uncredited) | |
| Reggie Jones | .... | grip (uncredited) | |
| Thomas Laughridge | .... | camera operator (uncredited) | |
| James F. Reber | .... | generator operator (uncredited) | |
| Don Stott | .... | gaffer (uncredited) | |
| Richard Tim Vanik | .... | first assistant camera (uncredited) | |
Costume and Wardrobe Department | |||
| Gordon T. Dawson | .... | wardrobe supervisor (as Gordon Dawson) | |
Editorial Department | |||
| Robert L. Wolfe | .... | associate film editor | |
| Joel Cox | .... | assistant editor (uncredited) | |
Music Department | |||
| Sonny Burke | .... | music supervisor | |
| Donald Harris | .... | music film editor (uncredited) | |
| Richard C. Harris | .... | supervising music film editor (uncredited) | |
| Dan Wallin | .... | scoring mixer (uncredited) | |
| Jimmy Wyble | .... | musician: guitarist (uncredited) | |
Transportation Department | |||
| Bud Dawson | .... | transportation gaffer (uncredited) | |
| Joe Lessner | .... | driver (uncredited) | |
| Charles Misere | .... | driver (uncredited) | |
| Frank Olmstead | .... | driver (uncredited) | |
| Earl Pierson | .... | driver (uncredited) | |
| Rex Schroetter | .... | driver (uncredited) | |
Other crew | |||
| Crayton Smith | .... | script supervisor | |
| Elizabeth Burnette | .... | voice-over (uncredited) | |
| Tony Faehnle | .... | ramrod (uncredited) | |
| Stanley Feldman | .... | production coordinator (uncredited) | |
| Anthony Goldschmidt | .... | assistant to producer (uncredited) | |
| Gay Hayden | .... | secretary (uncredited) | |
| 'Chema' Hernandez | .... | head wrangler (uncredited) | |
| Robert Joseph | .... | unit publicist (uncredited) | |
| Alyce S. Miller | .... | secretary (uncredited) | |
| Morrie Nierenberg | .... | location auditor (uncredited) | |
| Greta Shepherd | .... | secretary to executive producer (uncredited) | |
| Branko Wohlfahrt | .... | weapon specialist (uncredited) | |
Thanks | |||
| General de Brigada E.E. Procopio Ortiz R. | .... | thanks | |
|
|
|
|
|
| Munich | Once Upon a Time in Mexico | Machete | The Baader Meinhof Complex | Bonnie and Clyde |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Western section |
| IMDb USA section |
Peckinpah has a rep and this is the film which provided most of it. I had the privilege of actually seeing this on the big screen once, in the late seventies. As the beginning credits end, Pike (Holden) tells his bunch "If they move, Kill 'em!" Then Peckinpah's credit appears. A woman seated behind me gasped, whispering "oh, no..." Oh, my. It sounded like the lady didn't know she'd wandered into a Peckinpah film and she knew what she was in for. When you enter Peckinpah-land, you need to be prepared. There are no punches pulled, no sidestepping the unpleasant aspects of life. Peckinpah's characters are tough men; I mean, really tough, not phony-Hollywood tough. In this case, they are coarsened by what seems to be years on the trail, blasted by the sun, snapped at by rattlesnakes, and harassed by bandits. And at this point, they've pretty much had it.
Not that they're complaining, mind you. They've lived their lives how they saw fit, this bunch, and they make no apologies for any of it. I believe the actual year is around 1913, just before World War I begins. Most of the action takes place in Mexico, where the Bunch becomes involved with a local general (Fernandez) with the usual delusions of grandeur. If you go by the name of the character Angel, the general can be viewed as a version of the devil. That would make the Bunch avenging angels at the end. But heroes? No, not at all. They have their own code, they know instinctively they're stronger together than on each own, but they reason this concept out also - Peckinpah wants to make sure it's clear these are not unthinking savages. They're just men, who've reached a point in history where they must make a crucial turn. History, it seems, has no real use for them anymore. It's quite simple - they either fade slowly or go out quickly. In a film such as this, with its now insurmountable rep, you tend to wait for those big set pieces, especially the climactic battle. Wait for it, wait for it... here it is. Bam! - you're in Peckinpah territory. You're a part of history.