IMDb > A Walk with Love and Death (1969)

A Walk with Love and Death (1969) More at IMDbPro »


Overview

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6.1/10   392 votes »
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Director:
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Contact:
View company contact information for A Walk with Love and Death on IMDbPro.
Release Date:
5 October 1969 (USA) See more »
Genre:
Tagline:
"Maybe they need to make war as much as we need to make love." See more »
Plot:
In a story set during the Hundred Years War, a student who has abandoned his studies in Paris, pairs with a young noblewoman with whom he has fallen in love. | Add synopsis »
Plot Keywords:
User Reviews:
An odd item in Huston's filmography See more (10 total) »

Cast

  (in credits order) (complete, awaiting verification)

Anjelica Huston ... Claudia

Assi Dayan ... Heron of Fois (as Assaf Dayan)

Anthony Higgins ... Robert of Loris (as Anthony Corlan)
John Hallam ... Sir Meles
Robert Lang ... Pilgrim Leader
Guy Deghy ... The Priest

Michael Gough ... Mad Monk
George Murcell ... The Captain
Eileen Murphy ... Gypsy Girl
Anthony Nicholls ... Father Superior
Joseph O'Conor ... Pierre of St. Jean (as Joseph O'Connor)

John Huston ... Robert the Elder
John Franklyn ... Whoremaster
Francis Heim ... Knight Lieutenant
Melvyn Hayes ... First Entertainer
Barry Keegan ... Peasant Leader
Nicholas Smith ... Pilgrim
Antoinette Reuss ... Charcoal Woman
Gilles Ségal ... Entertainer
Med Hondo ... Entertainer
Luis Masson ... Entertainer
Eugen Ledebur ... Goldsmith
Otto Dworak ... Innkeeper
Max Sulz ... Peasant
John Veenenbos ... Monk
Dieter Tressler ... Major Domo
Paul Hör ... Peasant Boy
Myra Malik ... Peasant Girl
Michael Baronne ... Soldier
Yvan Strogoff ... Soldier
rest of cast listed alphabetically:
Robert Rietty ... Various roles (voice)

Directed by
John Huston 
 
Writing credits
(in alphabetical order)
Hans Koningsberger  novel
Dale Wasserman  writer

Produced by
Carter DeHaven .... producer
 
Original Music by
Georges Delerue 
 
Cinematography by
Edward Scaife 
 
Film Editing by
Russell Lloyd 
 
Casting by
Robert Lennard 
 
Production Design by
Stephen B. Grimes 
 
Art Direction by
Wolf Witzemann 
 
Set Decoration by
Anna-Lena Hansen 
Josie MacAvin 
 
Costume Design by
Leonor Fini 
 
Makeup Department
Neville Smallwood .... makeup artist
 
Second Unit Director or Assistant Director
Wolfgang Glattes .... assistant director
 
Sound Department
Giorgio De Vincenzo .... sound editor
Basil Fenton-Smith .... sound
 
Camera and Electrical Department
Kenneth J. Withers .... camera operator
 
Editorial Department
Eunice Mountjoy .... assistant editor
 
Music Department
Georges Delerue .... musical director
 
Other crew
Friedrich von Ledebur .... horse master
 

Production CompaniesDistributorsOther Companies
  • Intrada  score album released by (limited edition)

Additional Details

Also Known As:
Runtime:
90 min
Country:
Language:
Color:
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:
Mono (Westrex Recording System)
Certification:
Germany:12 | Sweden:15 | USA:PG | USA:M (original rating)
Filming Locations:

Did You Know?

Trivia:
Michael Gough is said to play the Mad Monk in the credits but he is nowhere to be seen at all in the film.See more »
Movie Connections:

FAQ

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10 out of 17 people found the following review useful.
An odd item in Huston's filmography, 12 October 1999
Author: allyjack from toronto

The movie is a thin, episodic journey through a landscape marked by battles and skirmishes and dangers - it doesn't aim for an epic quality (everything is very sparse) nor to analyze the political or social aspects of the situation (except in a brief appearance by Huston himself as a nobleman who's giving up his rank to join the peasants - he's much more vibrant and interesting than anyone else in the movie): actually it's a bit of a mystery what it DOES aim to do. Judged simply as an evocation of pure time and place, it's a bit too discreet and tidy - hardly the kind of attempt to conjure up messy verisimilitude that failed in "Revolution." Huston is fairly interesting and manages to convey both her noble blood and the idiosyncratic attitude that would have led her on this journey. The film's general discretion works against a compelling depiction of passion, and it ultimately seems to have worked its way merely to a teenage idyll of togetherness, which makes it hard to face up to the imminent tragedy. An odd item in Huston's filmography, sometimes exhibiting the awkwardness of a dubbed Continental item.

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