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A Walk with Love and Death (1969)

M  -  Drama  -  5 October 1969 (USA)
6.2
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Ratings: 6.2/10 from 373 users  
Reviews: 10 user | 12 critic

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Title: A Walk with Love and Death (1969)

A Walk with Love and Death (1969) on IMDb 6.2/10

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Cast

Cast overview, first billed only:
...
Claudia
...
Heron of Fois (as Assaf Dayan)
...
Robert of Loris (as Anthony Corlan)
John Hallam ...
Sir Meles
Robert Lang ...
Pilgrim Leader
Guy Deghy ...
The Priest
...
Mad Monk
George Murcell ...
The Captain
Eileen Murphy ...
Gypsy Girl
Anthony Nicholls ...
Father Superior
Joseph O'Conor ...
Pierre of St. Jean (as Joseph O'Connor)
...
Robert the Elder
John Franklyn ...
Whoremaster
Francis Heim ...
Knight Lieutenant
Melvyn Hayes ...
First Entertainer
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Storyline

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Taglines:

"Maybe they need to make war as much as we need to make love." See more »

Genres:

Drama

Certificate:

M | See all certifications »
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Details

Country:

Language:

Release Date:

5 October 1969 (USA)  »

Also Known As:

A Walk with Love and Death  »

Filming Locations:

 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Oswald Morris in his memoirs says he was offered the DOP job. See more »

Connections

Featured in Living, Period (1999) See more »

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User Reviews

 
An odd item in Huston's filmography
12 October 1999 | by (toronto) – See all my reviews

The movie is a thin, episodic journey through a landscape marked by battles and skirmishes and dangers - it doesn't aim for an epic quality (everything is very sparse) nor to analyze the political or social aspects of the situation (except in a brief appearance by Huston himself as a nobleman who's giving up his rank to join the peasants - he's much more vibrant and interesting than anyone else in the movie): actually it's a bit of a mystery what it DOES aim to do. Judged simply as an evocation of pure time and place, it's a bit too discreet and tidy - hardly the kind of attempt to conjure up messy verisimilitude that failed in "Revolution." Huston is fairly interesting and manages to convey both her noble blood and the idiosyncratic attitude that would have led her on this journey. The film's general discretion works against a compelling depiction of passion, and it ultimately seems to have worked its way merely to a teenage idyll of togetherness, which makes it hard to face up to the imminent tragedy. An odd item in Huston's filmography, sometimes exhibiting the awkwardness of a dubbed Continental item.


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