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Viva Max (1969)

G  |   |  Comedy  |  December 1969 (USA)
6.1
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Ratings: 6.1/10 from 360 users  
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When his girlfriend tells him that his men wouldn't follow him to a house of ill repute, Max, a general in the Mexican army decides to perform some great act of heroism. He takes his men ... See full summary »

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Title: Viva Max (1969)

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Cast

Cast overview, first billed only:
...
General Maximilian Rodrigues De Santos
Pamela Tiffin ...
Paula Whitland
...
...
Sergeant Valdez
...
General Lacomber
...
Chief of Police Sylvester
...
Hattie
...
Dr. Sam Gillison
...
Edna Miller
...
Desmond Miller
...
Contreras
Christopher Ross ...
Gomez
...
Romero
...
Moreno
Don Diamond ...
Hernandez
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Storyline

When his girlfriend tells him that his men wouldn't follow him to a house of ill repute, Max, a general in the Mexican army decides to perform some great act of heroism. He takes his men over the border into Texas and re-captures the Alamo. This upsets the Texans greatly. The Texas National Guard is sent to retake the mission. Normally this would be easy as Max's men have left all of their ammunition back in Mexico, but the State department insists that no one be killed and so the National Guard also goes in with unloaded weapons. Written by John Vogel <jlvogel@comcast.net>

Plot Summary | Add Synopsis

Taglines:

Some heroes are born...some are made...some are mistakes See more »

Genres:

Comedy

Certificate:

G | See all certifications »
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Details

Country:

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Release Date:

December 1969 (USA)  »

Also Known As:

Viva Max!  »

Company Credits

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Did You Know?

Trivia

Refers to the John Wayne film The Alamo (1960) by showing a painting of Wayne as Davy Crockett defending the Alamo. Normally there is a disclaimer that states "all characters depicted in this motion picture are fictitious," etc. In this film, the disclaimer reads "all characters depicted in this motion picture except John Wayne are fictitious..." See more »

Goofs

Max tells the border agent he and his men are headed to Laredo. Max would know Laredo is just 300 feet from the Mexico-Texas border, and can be accessed from the Laredo Convent Avenue Port of Entry. However, the border crossing Max leads his men to is in the middle of nowhere. See more »

Quotes

Mexican Soldier: Halt, who goes there, please?
[to General Hallson on the other side of the door]
General Billy Joe Hallson: John Wayne!
Mexican Soldier: [opens door] Richard Widmark!
See more »

Crazy Credits

"All persons mentioned in this story are completely fictitious except for: Davy Crockett Col. William B. Travis James Bowie John Wayne and Richard Widmark" is the first credit to appear. See more »

Connections

References The Alamo (1960) See more »

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User Reviews

 
Witty satire on jingoism and the military mind
31 December 2009 | by (Tunbridge Wells, England) – See all my reviews

"Viva Max!" is a satirical comedy about what might happen if the Mexicans attempted to retake the Alamo. Following the battle in 1836, the Alamo has become an icon of American patriotism, even though the battle was technically a Mexican victory and even though the defenders were not fighting for the United States but for the long-defunct Republic of Texas. The standard patriotic version of the events of 1836 is narrated in the John Wayne epic from 1960, a film referred to several times in "Viva Max!" The Mexicans, of course, also have their own patriotic take on these events, seeing themselves as gallantly resisting U.S. aggression and conveniently forgetting that it was the dictatorial high-handedness of their government which provoked the War of Texan Independence and the incompetence of that government which led to them losing it.

The "hero" of the film is General Maximilian Rodriguez de Santos, a Mexican officer who is inspired to mount his invasion not by patriotism but by the desire to impress his mistress, who has taunted him that his men would not even follow him into a brothel. Despite his elevated rank, the General only has a single platoon of soldiers under his command, but this proves to be sufficient. They bluff their way past the American border guards, catch a bus into the centre of San Antonio and then storm into the Alamo just before closing time, capturing it without needing to fire a shot. (Which is just as well, as they have forgotten to bring any ammunition with them).

The film's star, Peter Ustinov, does not appear to have had a very high opinion of it; in his witty and entertaining autobiography "Dear Me" he dismisses it in a single sentence. He does, however, find room to tell us that it was banned in Mexico. The Mexican authorities presumably took exception to the depiction of their army as an incompetent, cowardly, ill-disciplined rabble led by buffoons like General Max. It was fortunate for the film-makers that the American constitution guarantees free speech, including the right to lampoon national institutions, otherwise the film might also have been banned north of the Rio Grande.

Certainly, the Americans in this film are satirised just as mercilessly as their Mexican counterparts. The National Guard general tasked with retaking the Alamo is more concerned with his furniture business than with warfare and is reluctant to order an attack for fear of alienating his customers (most of whom are Mexican-Americans). There is also a regular general who proves no more competent, a State Department official whose patronising attitude to the Mexicans prevents a peaceful resolution to the standoff and a right-wing militia who believe that Max and his men are part of a gigantic Chinese Communist conspiracy to take over America. The political left are also satirised in the person of Paula, the glamorous radical-chic student who manages to persuade herself that Max is a heroic Marxist revolutionary in the Che Guevara mould.

Although the Academy unaccountably awarded him an Oscar for his role in "Spartacus", I have always thought that Ustinov's talents lay more in the field of comedy than of serious drama. Some have taken exception to his performance in this film, largely on the grounds that they consider it politically incorrect for an actor to portray a character of an ethnicity different to his own, but given that Ustinov was the son of a Russian mother and a German father of Russian extraction, also had French, Italian, Ethiopian and Polish ancestry, held a British passport and lived in Switzerland it would be difficult to define precisely what his own ethnicity was. His varied background made him a master of different accents, a skill he puts to good use here. His Max is a brilliant comic creation, a satire on the military mind, and yet at the same time a human being who manages, for all his flaws, to retain a certain amount of sympathy.

Not all the satire really works, although Ustinov receives some good support from Jonathan Winters as the furniture-dealing General Hallson, John Astin as the bullying Sergeant Valdez and Kenneth Mars as the militia leader who finds out too late that his men would rather talk tough about Communism than fight it. Perhaps the greatest tribute to the film was paid by those Texans who staged protests against the movie, stopping filming taking place in the Alamo itself, which they regarded as a "sacred shrine". They evidently didn't realise that it was this sort of jingoistic pomposity that the film was sending up. 6/10


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