Charlotte is young and modern, not a hair out of place, superficial, cool; she reads fashion magazines - does she have the perfect bust? She lives in a Paris suburb with her son and her ... See full summary »
In this modern retelling of the Virgin birth, Mary is a student who plays basketball and works at her father's petrol station; Joseph is an earnest dropout who drives a cab. The angel ... See full summary »
A collection of sketches on prostitution through the ages. 1) "The Prehistoric Era": A caveman discovers that a cavewoman is more attractive when cave paint is applied to her face. And she ... See full summary »
In part one there is talk of a project on the subject of love, with the example of three couples, one young, one mature and the other elderly. At this point the author comes into contact ... See full summary »
The true story of General Smyslovsky and the anti-Communist 1st Russian National Army receiving shelter in Liechtenstein in 1945 and successfully resisting Soviet pressure to be returned for execution in the USSR.
In this film, 'Her' refers to both Paris, the character of Juliette Janson and the actress playing her, Marina Vlady. The film is a kind of dramatised documentary, illustrating and ... See full summary »
A famous French filmmaker is hired by a major Hollywood producer to make a documentary on the state of post-Cold War Russia. The filmmaker, though, subverts the project by stubbornly ... See full summary »
Pure poetry. The ultimate cinematic exercise from Godard
Whatever you feel about the French New Wave and Godards work in this period we have to realize one thing - it had imprisoned him. The wave he himself had co-created would tie him to norms. Now it was gone. He was no longer in the searchlight, his films got smaller and smaller.
JLG was always experimental, always unique and often too much in his own world to be relatable for the public. However, he had for a certain time been an icon. Now, he was free. He could make whatever he wanted, regardless of form and norms. The end of the New Waves marks the beginning of his experimental awakening and the growth of his love for cinema.
In all regards Wind From the East can be considered an "anti"-film. A film so far from the norm of what beauty and storytelling is that it becomes an example of just that. A exercise of creativity, of styles and of ideas.
Emotionally, I get throwback to Jancso's Red Psalm(which ironically was made a two years later), because this is indeed a work of communist art
A political belief system that does not coincide with my own, from a
time that disappeared long before I was born.
It speaks of revolution and violence as so many other Godards have done, but here it becomes part of both the abstract and the unconscious. But then, this is what beauty is. It's poetry - pure but perhaps not too simple. It reflects times that are gone, ideas left behind and a world unknown.
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