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Wind from the East (1970)
"Le vent d'est" (original title)

 -  Drama  -  4 February 1971 (Italy)
6.4
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Ratings: 6.4/10 from 209 users  
Reviews: 5 user | 1 critic

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Title: Wind from the East (1970)

Wind from the East (1970) on IMDb 6.4/10

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Cast

Cast overview, first billed only:
...
Le ranger nordiste
...
La révolutionnaire
Cristiana Tullio-Altan ...
La jeune bourgeoise
Allen Midgette ...
L'Indien
José Varela ...
La guide
Paolo Pozzesi ...
Délégué révisionniste
Götz George ...
Soldat
Glauber Rocha
Fabio Garriba
Vincenzo Porcelli
Milvia Deanna Frosini
Mario Jannilli
Federico Boido ...
(as Ryck Boyd)
Aldo Bixio
Daniel Cohn-Bendit
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Release Date:

4 February 1971 (Italy)  »

Also Known As:

East Wind  »

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Color:

(Eastmancolor)
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Featured in Histoire(s) du cinéma: Les signes parmi nous (1998) See more »

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User Reviews

 
Pure poetry. The ultimate cinematic exercise from Godard
14 January 2011 | by (Norway) – See all my reviews

Whatever you feel about the French New Wave and Godards work in this period we have to realize one thing - it had imprisoned him. The wave he himself had co-created would tie him to norms. Now it was gone. He was no longer in the searchlight, his films got smaller and smaller.

JLG was always experimental, always unique and often too much in his own world to be relatable for the public. However, he had for a certain time been an icon. Now, he was free. He could make whatever he wanted, regardless of form and norms. The end of the New Waves marks the beginning of his experimental awakening and the growth of his love for cinema.

In all regards Wind From the East can be considered an "anti"-film. A film so far from the norm of what beauty and storytelling is that it becomes an example of just that. A exercise of creativity, of styles and of ideas.

Emotionally, I get throwback to Jancso's Red Psalm(which ironically was made a two years later), because this is indeed a work of communist art

  • A political belief system that does not coincide with my own, from a


time that disappeared long before I was born.

It speaks of revolution and violence as so many other Godards have done, but here it becomes part of both the abstract and the unconscious. But then, this is what beauty is. It's poetry - pure but perhaps not too simple. It reflects times that are gone, ideas left behind and a world unknown.


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