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The Nude Vampire (1970)

La vampire nue (original title)
Wealthy and decadent industrialist Georges Radamante rules over a strange secret suicide cult and wants to achieve immortality by figuring out a way to share the biochemistry of a young ... See full summary »

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Cast

Credited cast:
Caroline Cartier ...
Vampire (as Christine François)
Olivier Rollin ...
Pierre Radamante (as Olivier Martin)
Maurice Lemaître ...
Georges Radamante
Bernard Musson ...
Voringe
Jean Aron ...
Fredor
Ursule Pauly ...
Solange (as Ursula Pauly)
Catherine Castel ...
Georges' servant (as Cathy Tricot)
...
Georges' servant (as Pony Tricot)
Michel Delahaye ...
Grandmaster
Pascal Fardoulis ...
Robert
Paul Bisciglia ...
Butler
René-Jean Chauffard ...
Old man
Natalie Perrey ...
Old woman
Ly Lestrong ...
Ly
Rest of cast listed alphabetically:
Christine François
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Storyline

Wealthy and decadent industrialist Georges Radamante rules over a strange secret suicide cult and wants to achieve immortality by figuring out a way to share the biochemistry of a young mute orphaned vampire woman. Complications ensue when Radamante's son Pierre finds out what's going on and falls for the comely lass. Written by Woodyanders

Plot Summary | Add Synopsis

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Horror

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Release Date:

May 1970 (France)  »

Also Known As:

The Nude Vampire  »

Company Credits

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Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

Jean Rollin's first film in color. See more »

Connections

Featured in La nuit des horloges (2007) See more »

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User Reviews

 
THE NUDE VAMPIRE (Jean Rollin, 1970) **
23 January 2010 | by (Naxxar, Malta) – See all my reviews

The eighth Jean Rollin film I have watched is also possibly the weirdest; the intriguing plot (such as it is) seems initially to be too flimsy to sustain even its trim 84 minutes but it somehow contrives to get inordinately muddled as it goes along! A would-be female vampire (scantily-clad, as promised by the title) is held in captivity inside a remote château and emerges only to 'feast' on the blood of willing victims (who are apparently members of a suicide club) As if unsure where all of this would lead him, the writer-director ultimately has the human villain – actually the blank-faced hero's kinky father – ludicrously revealed as a mutant(?!) from the future! The languorous pace and dream-like atmosphere (the cultists wear hoods and animal masks to hide their features from the sheltered girl) are, of course, typical of both the film-maker (ditto the seashore setting at the {anti}climax) and the "Euro-Cult" style, as are the bevy of nubile beauties on display. Personally, the most enjoyable thing about the whole visually attractive but intellectually vacuous affair was watching familiar character actor Bernard Musson (who appeared in six latter-day Luis Bunuel films) crop up bemusedly through it from time to time!


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