After the Civil War, ex-Union Colonel John Henry Thomas and ex-Confederate Colonel James Langdon are leading two disparate groups of people through strife-torn Mexico. John Henry and ... See full summary »
J.D. Cahill is the toughest U.S. Marshal they've got, just the sound of his name makes bad guys stop in their tracks, so when his two young boy's want to get his attention they decide to ... See full summary »
Texas Ranger Jake Cutter arrests gambler Paul Regret, but soon finds himself teamed with his prisoner in an undercover effort to defeat a band of renegade arms merchants and thieves known ... See full summary »
The McCandles ranch is run over by a gang of cutthroats led by the evil John Fain. They kidnap little Jacob McCandles and hold him for a million dollar ransom. There is only one man who is ... See full summary »
Sam and George strike gold in Alaska. George sends Sam to Seattle to bring George's fiancée back to Alaska. Sam finds she is already married, and returns instead with Angel. Sam, after ... See full summary »
A Union Cavalry outfit is sent behind confederate lines in strength to destroy a rail/supply centre. Along with them is sent a doctor who causes instant antipathy between him and the ... See full summary »
Taw Jackson returns from prison having survived being shot, to the ranch and gold that Frank Pierce stole from him. Jackson makes a deal with Lomax, the man who shot him 5 years ago to join... See full summary »
When his cattle drivers abandon him for the gold fields, rancher Wil Andersen is forced to take on a collection of young boys as his drivers in order to get his herd to market in time to ... See full summary »
After the Civil War, ex-Union Colonel John Henry Thomas and ex-Confederate Colonel James Langdon are leading two disparate groups of people through strife-torn Mexico. John Henry and company are bringing horses to the unpopular Mexican government for $35 a head while Langdon is leading a contingent of displaced southerners, who are looking for a new life in Mexico after losing their property to carpetbaggers. The two men are eventually forced to mend their differences in order to fight off both bandits and revolutionaries, as they try to lead their friends and kin to safety. Written by
John Wayne liked casting himself against tall actors, so when the 6'7" James Arness became unavailable, he helped cast Rock Hudson, who was at least as tall as he. He also wanted someone to play bridge with, and knew that Hudson was a good bridge player. See more »
When John Henry Thomas and Colonel Langdon meet for the first time, Colonel Langdon makes reference to Colonel Thomas' cavalry being with Custer at Gettysburg. Thomas was also supposed to be at the Battle of Shiloh. Further, it is obvious from the beginning of the movie that Thomas was a colonel of volunteers (not a regular officer). None of the volunteer cavalry at Shiloh was at Gettysburg, so Thomas' unit could not have been present at both battles. See more »
Major, I don't think you realise that the war is over.
The Undefeated is directed by Andrew V. McLaglen and adapted for the screen by James Lee Barrett from a story by Stanley L. Hough. It stars John Wayne & Rock Hudson, features a musical score by Hugo Montenegro and William H. Clothier provides the South Western cinematography.
Much yee-hawing and lots of patriotic fervour, The Undefeated is a fun and undemanding way for the Western fan to spend a couple of hours. Plot basically revolves around some post Civil War rivalries between Union and Confederate leaders played by Wayne and Hudson respectively. Both men and the groups they have under their control, get mixed up in the Maximillian/Juarez revolution in Mexico. Cue moral quandaries, big decisions and life affirming human interests; as McLaglen (aided by Wayne apparently) directs unfussy without pushing the envelope of Western directing. True enough at times the tone is uneven, it's hard to tell if it's meant to be light hearted or serious during some passages (kind of why John Ford was a genre master since he could achieve it comfortably), and some casting decisions are rather baffling (hello Roman Gabriel); but it's all very spirited, especially Hudson, to round it out as a solid genre offering from the late 1960s. 6.5/10
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