| Jean Sorel | ... | Dr. Geroge Dumurrier | |
| Marisa Mell | ... | Susan Dumurrier / Monica Weston | |
| Elsa Martinelli | ... | Jane | |
| Alberto de Mendoza | ... | Henry Dumurrier | |
| John Ireland | ... | Inspector Wald | |
| Riccardo Cucciolla | ... | Benjamin Wormser | |
| Bill Vanders | ... | Insurance Agent (as Bill Wanders) | |
| Franco Balducci | ... | Officer Loveday | |
| Giuseppe Addobbati | ... | Brent (as John Douglas) | |
| Félix Dafauce | ... | Royal Insurance Official #1 | |
| Jesús Puente | ... | Sergeant Rodriguez | |
| George Rigaud | ... | Arthur Mitchell | |
| Jean Sobieski | ... | Larry | |
| Faith Domergue | ... | Martha | |
| rest of cast listed alphabetically: | |||
| Geoffrey Copleston | ... | District Attorney (uncredited) | |
| Lucio Fulci | ... | Graphologist (uncredited) | |
| Malisa Longo | ... | Elizabeth O'Neill (uncredited) | |
| Raffaele Mottola | ... | Governor (uncredited) | |
| Bobby Rhodes | ... | Prison Guard (uncredited) | |
Directed by | |||
| Lucio Fulci | |||
Writing credits(in alphabetical order) | ||
| Lucio Fulci | screenplay | |
| Lucio Fulci | story | |
| Roberto Gianviti | screenplay | |
| Roberto Gianviti | story | |
| José Luis Martínez Mollá | writer | |
Produced by | |||
| Edmondo Amati | .... | producer | |
| Maurizio Amati | .... | executive producer | |
Original Music by | |||
| Riz Ortolani | |||
Cinematography by | |||
| Alejandro Ulloa | |||
Film Editing by | |||
| Ornella Micheli | |||
Production Design by | |||
| Nedo Azzini | |||
Set Decoration by | |||
| Pier Luigi Basile | |||
Costume Design by | |||
| Lucia Mirisola | |||
Makeup Department | |||
| Giuseppe Banchelli | .... | makeup artist | |
| Iole Cecchini | .... | hair stylist | |
Production Management | |||
| Gray Frederickson | .... | unit manager: New York | |
| Renato Jaboni | .... | general manager | |
| Massimo Manasse | .... | production supervisor | |
| Luis Méndez | .... | production manager | |
| Francisco J. Tudela | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Massimo Castellani | .... | assistant director | |
| Albino Cocco | .... | assistant director | |
Art Department | |||
| Román Calatayud | .... | set designer | |
| Alessandro De Santis | .... | assistant production designer | |
| Lucia Mirisola | .... | assistant production designer | |
Sound Department | |||
| Mario Ligobbi | .... | sound | |
Camera and Electrical Department | |||
| Antonio Benetti | .... | still photographer (as Tonino Benetti) | |
| Giovanni Bergamini | .... | camera operator | |
| Giovanni Bonivento | .... | assistant camera | |
Editorial Department | |||
| Conchita Pacini | .... | assistant editor | |
Music Department | |||
| Riz Ortolani | .... | conductor | |
Other crew | |||
| Paolo Vandini | .... | production secretary | |
| Vittoria Vigorelli | .... | script supervisor | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Mystery section | IMDb Italy section |
Pretty decent stab at an erotic thriller from the Goremeister General. It's all the things you would want: stylish, sexy, and gripping. It's also crisply shot and has an excellent Riz Ortolani score. Again, the dubbing is pretty ropey but if, by this point, you're seeking out some of Fulci's lesser-known works then it's safe to assume you've made your peace with this constant problem.
Marissa Mell is great as the femme fatale and Elsa Martinelli is cool and chic as the devoted mistress who, despite herself, can't stop believing in her man. In fact, the female performances are much stronger than the men, probably because Jean Sorel doesn't have much to do except wander around with his shirt off, looking bewildered.
Great photography of San Francisco, looking as good - if not better - than in BULLITT. There's also a fine cameo from Jean Sobieski, for connoisseurs of louche photographers in movies.
The only real problem is that the film isn't quite gripping enough. The premise is set up well in the first half hour or so, and the suspense and mystery sustained during the kinky interludes in the middle, but all is revealed through a clumsy expository scene with about 20 minutes remaining and after that it runs out of steam.
Well worth a look though.
6/10