A woman, a survivor of a failed murder attempt by a person dubbed "The Half-Moon Killer" by the police, and her husband must find the connecting thread between herself, six other women, and... See full summary »
Pier Paolo Capponi
A clairvoyant woman, inspired by a vision, smashes open a section of wall in her husband's home and finds a skeleton behind it. Along with her psychiatrist, she seeks to find the truth ... See full summary »
The Case of the Scorpion's Tail begins with the mysterious death of a millionaire and spirals into the murder of his suddenly rich wife, which draws the attention of a dogged investigator, who follows a trail of blood to the bitter end.
Alberto de Mendoza
A race-car driver whose life, both personal and professional, is in a rapid downfall is invited by her ex-husband's new wife to stay at their plush estate. The two women form a bond, and ... See full summary »
Beautiful young model Jennifer Lansbury and her goofy friend Marilyn Ricci move into a swanky high-rise apartment after the previous tenant gets brutally murdered. Pretty soon Jennifer is ... See full summary »
The wife of a doctor (Jean Sorel) is murdered. He had a mistress a long ago, since his wife (Marisa Mell) always begged herself out of engagements because she is a asthmatic. On the other hand, she enjoyed a part time job as a stripper. Did the doctor kill her? Written by
Lukas Fichtinger <firstname.lastname@example.org>
Six degrees of "Diabolik": in 1965 British director Seth Holt set out to make a film out of the Italian comic strip "Diabolik", casting Jean Sorel and Elsa Martinelli, who play Dr. George Dumurrier and Jane as Diabolik and his lover Eva Kant. The film never got beyond the planning stage, although photographs of the duo in costume survive. When Mario Bava successfully brought "Diabolik" to the screen three years later--Danger: Diabolik (1968)--Marisa Mell, who plays Susan/Monica, starred as Eva Kant. See more »
At c. 92 minutes the doctor/medical employee does not hear a heartbeat. The soundtrack has completely the wrong rhythm. See more »
Una sull'altra, which is more likely better known as One on the top the other is hard movie to categorize to a single genre. It has as much erotic and exploitative elements as it has elements from pre-giallos like Mario Bava's excellent Blood and black lace and his older work, Girl who knew too much. It isn't as psychedelic as Fulci's other giallos like Lizard in a woman's skin or as tense as his Don't torture a duckling or Sette notes in nero. Una sull'altra doesn't contain any gore or splatter either. Still, however, I found it very entertaining and I would even say it's one of the best non-gore movies from Fulci I've seen (and trust me on this one, I've seen lots of them too).
Movie follows a basic giallo structure, even though it was made in the same year with "the first actual giallo", Dario Argento's fabulous L'uccello dalle piume di cristallo, and in the way that it doesn't rip-off that movie as many other giallos does. That's why I cannot really say honestly that I found this one to be real giallo, but more like pre-giallo.
What comes to the plot of the movie, it's not really as simple as it might seem, but has many twists and misleads when police are trying to find out how the things really are (who is lying, who is telling the truth). Really nice twists and turns, I couldn't tell at the whole time how did what (and what comes to that matter, even who was who). Ending was really nicely surprising too, I really enjoyed it.
So, if you are bored with Fulci's not as good non-gore movies or if you just want a quick peak to the fantastic world of pre-giallos, One on top of other is highly recommended. At the scale of 1 to 10, I would give it 9, this movie really deserves it.
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