6.8/10
1,194
17 user 45 critic

Una sull'altra (1969)

An insurance scam lands a man on death row for murdering his wife. What everyone doesn't know is she really isn't dead.

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Cast

Cast overview:
...
Dr. George Dumurrier
...
Susan Dumurrier / Monica Weston
...
Jane
...
Henry Dumurrier
...
Inspector Wald
...
Benjamin Wormser
Bill Vanders ...
Insurance Agent (as Bill Wanders)
Franco Balducci ...
Officer Loveday
Giuseppe Addobbati ...
Brent (as John Douglas)
Félix Dafauce ...
Royal Insurance Official #1 (as Felix de Fauce)
Jesús Puente ...
Sergeant Rodriguez (as Jesus Puente)
...
Arthur Mitchell
Jean Sobieski ...
Larry
...
Marta
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Storyline

The wife of a doctor (Jean Sorel) is murdered. He had a mistress a long ago, since his wife (Marisa Mell) always begged herself out of engagements because she is a asthmatic. On the other hand, she enjoyed a part time job as a stripper. Did the doctor kill her? Written by Lukas Fichtinger <liderc@gmx.at>

Plot Summary | Plot Synopsis

Taglines:

A Husband, A Wife, A Girlfriend, And All the Emotions Between See more »

Genres:

Mystery | Thriller

Certificate:

R | See all certifications »
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Details

Country:

| |

Language:

Release Date:

April 1973 (USA)  »

Also Known As:

Perversion Story  »

Filming Locations:

 »

Company Credits

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Technical Specs

Runtime:

| (uncut)

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Six degrees of "Diabolik": in 1965 British director Seth Holt set out to make a film out of the Italian comic strip "Diabolik", casting Jean Sorel and Elsa Martinelli, who play Dr. George Dumurrier and Jane as Diabolik and his lover Eva Kant. The film never got beyond the planning stage, although photographs of the duo in costume survive. When Mario Bava successfully brought "Diabolik" to the screen three years later--Danger: Diabolik (1968)--Marisa Mell, who plays Susan/Monica, starred as Eva Kant. See more »

Goofs

At c. 92 minutes the doctor/medical employee does not hear a heartbeat. The soundtrack has completely the wrong rhythm. See more »

Connections

Featured in Fulci: Day for Night (2016) See more »

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User Reviews

Fulci and Mell
22 December 2004 | by (Denver, Colorado and Santiago, Chile) – See all my reviews

This little Italian number is superficially similar to the famous Hitchcock film "Vertigo" in its basic premise and in its San Francisco location. But I don't recall "Vertigo" having the nude dancing, the psychedelic body painting, and the abundance of straight and lesbian sex. And as great an actress as Kim Novak from "Vertigo" may have been, she was no Marissa Mell. Marissa Mell was a six-foot Austrian model/actress who became infamous in the late 1960's more for her antics off-screen than on (her various paramours supposedly included everyone from Warren Beatty to the Shah of Iran). She was the archetypal Bond girl, even though she never actually got around to appearing in a Bond movie. Actually, the only big movie she was ever in was Mario Bava's pop-art, comic book adaptation "Diabolik". This obscure movie was probably her second most famous role before her career fizzled and she died at a young age from cancer. She is excellent here in the dual role of an asthmatic, dying wife and a seductive stripper. She also has copious nude scenes (if you're into that sort of thing).

You might also have heard of the director of this one, guy named Lucio Fulci, made a few zombie movies or something. This is actually the first of a series of superior gialli Fuici directed early in his career (the others were "A Woman in Lizard's Skin" and "Don't Torture a Duckling"). Fulci fans will find the plot of this film to be surprisingly coherent, but will probably be disappointed at the lack of gore (aside from one grisly scene of a post, post-mortem). It also lacks much of the directorial flair Fulci would demonstrate in his later gialli and his zombie films. The last act is particularly weak with one of those tiresome innocent-man-on-death-row countdowns. The very last scene is a pleasant surprise, but by then much of the momentum has been lost. Still, it's definitely worth seeing, for Fulci and Mell if nothing else.


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