| Photos (See all 17 | slideshow) | Videos |
| Tony Musante | ... | Sam Dalmas | |
| Suzy Kendall | ... | Julia | |
| Enrico Maria Salerno | ... | Inspector Morosini | |
| Eva Renzi | ... | Monica Ranieri | |
| Umberto Raho | ... | Alberto Ranieri | |
| Renato Romano | ... | Professor Carlo Dover (as Raf Valenti) | |
| Giuseppe Castellano | ... | Monti | |
| Mario Adorf | ... | Berto Consalvi | |
| Pino Patti | ... | Faiena | |
| Gildo Di Marco | ... | Garullo | |
| Rosita Torosh | ... | 4th Victim (as Rosa Toros) | |
| Omar Bonaro | ... | Police Detective | |
| Fulvio Mingozzi | ... | Police Detective | |
| Werner Peters | ... | Antique Dealer | |
| Karen Valenti | ... | Tina, 5th Victim | |
| Carla Mancini | ... | Girl watching TV | |
| Bruno Erba | ... | Police Detective | |
| rest of cast listed alphabetically: | |||
| Dario Argento | ... | Murderer's Hands (uncredited) | |
| Giovanni Di Benedetto | ... | Professor Rinaldi (uncredited) | |
| Reggie Nalder | ... | Needles, Yellow Jacket Assassin (uncredited) | |
| Annamaria Spogli | ... | Sandra Roversi, 3rd Victim (uncredited) | |
| Maria Tedeschi | ... | Old Lady in Fog (uncredited) | |
Directed by | |||
| Dario Argento | |||
Writing credits(in alphabetical order) | ||
| Dario Argento | ||
| Fredric Brown | novel "The Screaming Mimi" (uncredited) | |
Produced by | |||
| Salvatore Argento | .... | producer | |
| Artur Brauner | .... | executive producer: CCC Filmkunst (uncredited) | |
Original Music by | |||
| Ennio Morricone | |||
Cinematography by | |||
| Vittorio Storaro | |||
Film Editing by | |||
| Franco Fraticelli | |||
Production Design by | |||
| Dario Micheli | |||
Costume Design by | |||
| Dario Micheli | |||
Makeup Department | |||
| Giuseppe Ferranti | .... | makeup artist (as Pino Ferrante) | |
| Lidia Puglia | .... | hair stylist | |
Production Management | |||
| Rudolf Hertzog | .... | production manager (as Rudolph Hertzog Jr.) | |
| Umberto Sambuco | .... | production supervisor | |
| Camillo Teti | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Roberto Pariante | .... | assistant director | |
Sound Department | |||
| Luciano Anzellotti | .... | sound effects | |
| Alberto Bartolomei | .... | sound mixer | |
| Carlo Diotavelli | .... | sound | |
| Eugenio Fiori | .... | boom operator | |
Camera and Electrical Department | |||
| Muova Dial | .... | still photographer | |
| Enrico Umetelli | .... | camera operator | |
| Arturo Zavattini | .... | camera operator | |
Editorial Department | |||
| Cesarina Casini | .... | first assistant editor | |
| Sergio Fraticelli | .... | second assistant editor | |
| Neri Nazzareno | .... | final colorist (uncredited) | |
Music Department | |||
| Bruno Nicolai | .... | conductor | |
Other crew | |||
| Lida Chitarrini | .... | script girl | |
| Roberto Pietti | .... | dialogue director | |
| Robert Rietty | .... | dialogue director | |
| Angelo Tavazzi | .... | administrator | |
| Luciano Vittori | .... | title designer | |
| Anna Eugeni | .... | voice dubbing: Suzy Kendall (uncredited) | |
| Adriano Micantoni | .... | voice dubbing: Mario Adriano (uncredited) | |
| Gigi Pirarba | .... | voice dubbing: Tony Musante (uncredited) | |
| Silvano Tranquilli | .... | voice dubbing: Raf Valenti (uncredited) | |
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| The Cat o' Nine Tails | Black Belly of the Tarantula | The Case of the Scorpion's Tail | Deep Red | What Have You Done to Solange? |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Mystery section | IMDb Italy section |
Ominous music and lush cinematography override a sparse script to create a Jack-the-Ripper type thriller, which is deeply introspective, moody, and haunting.
Indeed, the script can be treacherous if used to try and solve this whodunit puzzle, which is best handled by removing psychological assumptions rather than by piecing together logical clues. Even so, the murder mystery plot is to some extent illogical.
The strength of the film though lies in its suspense, which is almost unbeatable. It rivals any of Hitchcock's works, to which it is repeatedly compared. The scene showing a knife chipping away at a wooden door is reminiscent of, and more frightening than, scenes showing bird beaks chipping away at a farmhouse door in Hitchcock's "The Birds".
I like the film too because it is so nostalgic. The reel-to-reel tape recorder and dozens of other props and visual cues, the references to philosophy and mysticism, the Morricone film score which at times sounds like the film scores from his spaghetti Westerns, all conspire to transport the viewer back to the Age of Aquarius.
The acting is fine. Tony Musante, Suzy Kendall, and Enrico Salerno are perfect for the roles they play.
This is one scary movie. Minor flaws notwithstanding, "The Bird With The Crystal Plumage" is top-notch entertainment for fans of suspense thrillers.