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The Bird with the Crystal Plumage (1970)

L'uccello dalle piume di cristallo (original title)
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2:45 | Trailer

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A writer is stalked by a serial killer after witnessing a murder attempt on one woman's life.

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2 wins & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Tony Musante ...
Sam Dalmas
...
Julia
Enrico Maria Salerno ...
Inspector Morosini
Eva Renzi ...
Monica Ranieri
Umberto Raho ...
Alberto Ranieri
...
Professor Carlo Dover (as Raf Valenti)
Giuseppe Castellano ...
Monti
Mario Adorf ...
Berto Consalvi
Pino Patti ...
Faiena
Gildo Di Marco ...
Garullo
Rosita Torosh ...
4th Victim (as Rosa Toros)
Omar Bonaro ...
Police Detective
Fulvio Mingozzi ...
Police Detective
Werner Peters ...
Antique Dealer
Karen Valenti ...
Tina, 5th Victim
Edit

Storyline

Sam, an American writer in Rome, witnesses a murder attempt on the wife of the owner of an art gallery by a sinister man in a raincoat and black leather gloves - but Sam is powerless to do anything as he gets trapped between a double set of glass doors in going to her aid. The woman survives, and the police say that she is the first surviving victim of a notorious serial killer. But when they fail to make any progress with the case, Sam decides to investigate on his own, turning up several clues that point in the direction of just one possible suspect - assuming that he really knows who he's looking for... Written by Michael Brooke <michael@everyman.demon.co.uk>

Plot Summary | Plot Synopsis

Taglines:

If you think you are being followed home from this movie, keep telling yourself that it's all in your mind. See more »


Certificate:

GP | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

12 June 1970 (USA)  »

Also Known As:

Point of Terror  »

Filming Locations:

 »

Box Office

Budget:

$500,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (1972) | (VHS)

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

The "Hornitus Nevalis" bird species doesn't actually exist. The one seen in the film is played by a Grey Crowned Crane. See more »

Goofs

At one point when being questioned by the police, Sam proclaims that he would like to speak to his consulate. However, as the story takes place in Rome, which is Italy's capital city, it would be more correct to say that he would like to speak to someone from his embassy. See more »

Quotes

Inspector Morosini: Bring out the perverts!
See more »

Connections

References The Bitch Wants Blood (1969) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Good mystery
19 May 2004 | by (Iceland) – See all my reviews

The Bird with the Crystal Plumage was Dario Argento's first film and it made him a hot property. Having had very little experience with actual filmmaking, he showed incredible potential with his debut and he took full advantage of it in years to come. Here he explored a lot of the scenarios that would later charectarize his films.

With this film, and particularly his next, Dario showed he had been influenced quite a bit by the great Alfred Hitchcock. The theme here; an american in a foreign country becomes a witness to a heinous crime and starts investigating himself; bears more than a little resemblance to many of Hitchcock's films. An innocent man finds his morbid curiosity getting the better of him and as he progresses in his investigations he puts himself in grave danger. The story unfolds in a similar way to Hitchcock's films, clues are gathered periodically and there's a surprise in the end which is hard to guess, but not impossible.

Argento gradually builds up the suspense and creates a genuinely intriguing mystery. The film never slows down too much and it never fails to be interesting. It's also got a surprising amount of laughs. But in comparing Argento to Hitchcock, Argento manages to create a style of his own, which he would perfect in Profondo Rosso aka Deep Red a few years later. That's of course the visual style. Here he has the assistance of one Vittorio Storaro and the visual aspect of this film is one of it's greatest assets. The film is wonderfully lit every single time and Argento switches effortlessly between dark and dreary visuals to shiny happy images. Argento's visual style is one of his greatest trademarks and it bears some influence from the likes of Mario Bava. I don't want to name any particular scenes, they all flow well together.

Another terrific Argento trademark is the music. Ennio Morricone's score is nothing short of fantastic, ranges from cathcy repetetive melodies to haunting sounds of fear. I think the impact from Argento's films would lessen considerably would it not be for those terrific scores he gets every time.

However, Argento is not perfect. He seems to lessen his standards when it comes to the acting department. Here, the characters are a bit wooden and he doesn't give them all that good lines to deliver. The dialogue in many of his films seem a little childish. And it doesn't look like he gives them many instructions, the acting here (and in most of his films) is shaky and not very consistent. It has been said about Argento that he basically thinks of actors as human props, what's most important is where they are positioned and how they move. Also, it's very annoying how he dubs every film, even the american actors have to do voice overs on themselves.

That said, Argento has more pro's than con's. His films are always interesting and wonderful to look at. The Bird with the Crystal Plumage is in my opinion one of his best. 9 out of 10.


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