A young man tries to help a teenage European girl whom escaped from a clinic hospital after witnessing the murder of her parents by a serial killer and they try to find the killer before the killer finds them.
A Rome policewoman teams up with a British Interpol agent to find a crafty serial killer whom plays a taunting game of cat-and-mouse with the police by abducting and killing young women and showing it over an Internet web cam.
A college film student, obsessed with the works of Alfred Hitchcock, investigates a murder committed in the apartment building across from his and suspects that his seductive neighbor hired a girlfriend to commit the deed.
Sam, an American writer in Rome, witnesses a murder attempt on the wife of the owner of an art gallery by a sinister man in a raincoat and black leather gloves - but Sam is powerless to do anything as he gets trapped between a double set of glass doors in going to her aid. The woman survives, and the police say that she is the first surviving victim of a notorious serial killer. But when they fail to make any progress with the case, Sam decides to investigate on his own, turning up several clues that point in the direction of just one possible suspect - assuming that he really knows who he's looking for... Written by
Michael Brooke <firstname.lastname@example.org>
The first installment of Argento's Animal Trilogy (a trilogy of giallo films with animals in their titles). The trilogy includes The Bird with the Crystal Plumage (1970), The Cat O' Nine Tails (1971), and Four Flies on Grey Velvet (1971). See more »
At one point when being questioned by the police, Sam proclaims that he would like to speak to his consulate. However, as the story takes place in Rome, which is Italy's capital city, it would be more correct to say that he would like to speak to someone from his embassy. See more »
Excellent thriller, intelligent with surprising end
This is one rare jewel of an intelligent thriller that was also the break-through effort for people like Dario Argento, the director and scriptwriter, Vittorio Storaro, the director of photography, and last but not least Ennio Morricone who composed the soundtrack. There are great performances by a cast of lesser known European actors who did not make it big but are great in this one. I would just like to mention two outstanding supporting performances by Eva Renzi who was never better before or after, and by Mario Adorf who convinces as half-crazed cat-eating painter. The movie will keep you glued to your seat and surprise with an absolutely unexpected twist at the end. Watch and enjoy!
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