A musician witnesses the murder of a famous psychic, and then teams up with a fiesty reporter to find the killer while evading attempts on their lives by the unseen killer bent on keeping a dark secret buried.
A young man tries to help a teenage European girl whom escaped from a clinic hospital after witnessing the murder of her parents by a serial killer and they try to find the killer before the killer finds them.
A Rome policewoman teams up with a British Interpol agent to find a crafty serial killer whom plays a taunting game of cat-and-mouse with the police by abducting and killing young women and showing it over an Internet web cam.
Sam, an American writer in Rome, witnesses a murder attempt on the wife of the owner of an art gallery by a sinister man in a raincoat and black leather gloves - but Sam is powerless to do anything as he gets trapped between a double set of glass doors in going to her aid. The woman survives, and the police say that she is the first surviving victim of a notorious serial killer. But when they fail to make any progress with the case, Sam decides to investigate on his own, turning up several clues that point in the direction of just one possible suspect - assuming that he really knows who he's looking for... Written by
Michael Brooke <firstname.lastname@example.org>
The first installment of Argento's Animal Trilogy (a trilogy of giallo films with animals in their titles). The trilogy includes The Bird with the Crystal Plumage (1970), The Cat O' Nine Tails (1971), and Four Flies on Grey Velvet (1971). See more »
Language: It's never explained whether Dalmas speaks fluent Italian, or whether all the Italians (including the imprisoned pimp) speak fluent English. Furthermore, while all of the featured magazines, newspapers, street signs are in Italian, some letters and the computer print-out at the forensics lab is for some reason in English. See more »
Splendid debut film for Italian horror master Dario Argento that nearly single-handedly launched the giallo genre.
American writer vacationing in Italy prevents a murder at an art gallery, then finds himself a pawn in the killer's deadly game.
Argento, who would go on to make such classic horror films as Deep Red (1975) and Suspiria (1977), shows his directorial talents well with this first film. Argento makes excellent use of such simple elements, like darkness, close up shots, and rustic locations to give this film a wonderfully garish style! He builds tight suspense through out the film, all the while giving us a nicely twisted murder mystery. The mystery is a gripping one, based upon Frederic Brown's novel The Screaming Mimi. The climax of the film is a truly clever twist. Composer Ennio Morricone adds greatly to the films dark atmosphere with his hauntingly beautiful music score. The film also sports one of the best titles of the giallo genre 'The Bird with the Crystal Plumage'.
The films cast does some good performances, the best being sexy Tony Musante as the films hero turned civilian investigator.
A terrific film, that is a must see not just for fans of Argentos work, but for those seeking a great thriller or clever murder mystery.
**** out of ****
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