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Directed by | |||
| Henry Hathaway | |||
Writing credits | ||
| Charles Portis | (novel) | |
| Marguerite Roberts | (screenplay) | |
Produced by | |||
| Paul Nathan | .... | associate producer | |
| Hal B. Wallis | .... | producer | |
| Joseph H. Hazen | .... | executive producer (uncredited) | |
Original Music by | |||
| Elmer Bernstein | |||
Cinematography by | |||
| Lucien Ballard | (director of photography) | ||
Production Design by | |||
| Walter H. Tyler | (as Walter Tyler) | ||
Set Decoration by | |||
| John Burton | |||
| Ray Moyer | |||
Costume Design by | |||
| Dorothy Jeakins | |||
Makeup Department | |||
| Carol Meikle | .... | hair stylist | |
| Jack Wilson | .... | makeup supervisor | |
Production Management | |||
| Frank Beetson | .... | production manager | |
Second Unit Director or Assistant Director | |||
| William W. Gray | .... | assistant director | |
Art Department | |||
| Adam John Backauskas | .... | property maker (uncredited) | |
Sound Department | |||
| Roy Meadows | .... | sound recordist | |
| Elden Ruberg | .... | sound recordist | |
Stunts | |||
| Jim Burk | .... | stunts (uncredited) | |
| Polly Burson | .... | stunts (uncredited) | |
| Gary Combs | .... | stunts (uncredited) | |
| Bill Davis | .... | stunt double (uncredited) | |
| Quentin Dickey | .... | stunts (uncredited) | |
| Louie Elias | .... | stunts (uncredited) | |
| Fred Gerber | .... | stunts (uncredited) | |
| Bob Harris | .... | stunts (uncredited) | |
| Chuck Hayward | .... | stunts (uncredited) | |
| Monty Jordan | .... | stunt double (uncredited) | |
| Boyd 'Red' Morgan | .... | stunts (uncredited) | |
| Dean Smith | .... | stunts (uncredited) | |
| Neil Summers | .... | stunts (uncredited) | |
Costume and Wardrobe Department | |||
| Luster Bayless | .... | wardrobe (uncredited) | |
Editorial Department | |||
| Warren Low | .... | supervising editor | |
Other crew | |||
| Gary Gillingham | .... | production accountant (uncredited) | |
| 'Chema' Hernandez | .... | head wrangler: Mexico (uncredited) | |
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There isn't a false note in this film. Charles Portis' book of the same name is practically adapted verbatim to the screen; this is the purest book to movie transfer I've yet seen, and this assures its success.
John Wayne worked for 50 years to get to this role, and no one else could have played it. He becomes Rooster Cogburn; it revitalized his career and made everyone finally take notice of his skills as an actor. I love Wayne in anything, but this movie has a special place in my heart.
Kim Darby is also a surprise. She's more than capable of handling Wayne in each and every scene. They made a very good team. Glen Campbell is not as good as these two, but then he really isn't an actor. He does have his moments, though, and acquits himself with aplomb as the Texas Ranger. Strother Martin is a real hoot as Stonehill, the horse trader; he's always a great asset to any film, and this must have been his 10th appearance in a Wayne movie. Robert Duvall is very good and very harried as Lucky Ned Pepper. He's not a wanton killer; he doesn't kill, or even hurt, Kim Darby. He's just a thief who wants to be left alone, and you can see by his worried expression that he knows Rooster won't ever let him go. Dennis Hopper and Jeremy Slate have a small, very fine scene in the middle of the movie, where they are partners in crime who don't see things in the same way.
A previous review talks about the low amount of votes on this film by people in the US. I would chalk that up to the age group that saw this film and loved it. Most of those people are not into computers yet, and probably don't know about the IMDB. Believe me, it's considered a classic, and rightfully so.
This is a fine family film that everyone should see. Rent it, buy it, or borrow it, but do watch it. It will make anyone a John Wayne fan. And be sure to read the book; I couldn't put it down.