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True Grit (1969)

M  |   |  Adventure, Western, Drama  |  11 June 1969 (USA)
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Ratings: 7.4/10 from 31,114 users  
Reviews: 161 user | 67 critic

A drunken, hard-nosed U.S. Marshal and a Texas Ranger help a stubborn teenager track down her father's murderer in Indian territory.



(novel), (screenplay)
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Won 1 Oscar. Another 5 wins & 7 nominations. See more awards »



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Cast overview, first billed only:
Jeremy Slate ...
Ron Soble ...
James Westerfield ...
Edith Atwater ...
Mrs. Floyd


The murder of her father sends a teenage tomboy, Mattie Ross, (Kim Darby), on a mission of "justice", which involves avenging her father's death. She recruits a tough old marshal, "Rooster" Cogburn (John Wayne), because he has "grit", and a reputation of getting the job done. The two are joined by a Texas Ranger, La Boeuf, (Glen Campbell), who is looking for the same man (Jeff Corey) for a separate murder in Texas. Their odyssey takes them from Fort Smith, Arkansas, deep into the Indian Territory (present day Oklahoma) to find their man. Written by John Vogel <jlvogel@comcast.net> [edited]

Plot Summary | Plot Synopsis


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Release Date:

11 June 1969 (USA)  »

Also Known As:

Temple de acero  »

Filming Locations:


Box Office


$14,250,000 (USA)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:



Aspect Ratio:

1.85 : 1
See  »

Did You Know?


The character of Mattie was supposed to be 14. Kim Darby was 21 when the film was made in late 1968 and had already given birth to her first child. See more »


When Mattie is emerging from her sleeping area when they are close to Lucky Ned Pepper's hideout, it is evident that she is wearing a form of black nylon tights. Not something you would see in the 1870's. See more »


[first lines]
Frank Ross: Little Frank... You take care of your mama.
Little Frank: I will.
See more »


Followed by Rooster Cogburn (1975) See more »


True Grit
Music by Elmer Bernstein
Lyrics by Don Black
Performed by Glen Campbell (uncredited)
See more »

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User Reviews

The Honor of a Lifetime
21 March 2006 | by (Buffalo, New York) – See all my reviews

Now personally there are John Wayne performances in terms of acting that I like better than True Grit. Among others Fort Apache, The Searchers, Red River, The Horse Soldiers, to name a few. And certain films like The Commancheros and McLintock and Big Jake I find to be more entertaining.

What True Grit does is succeed on both levels, being both great entertainment and giving John Wayne the acting role of a lifetime in the person of Rooster Cogburn.

Mattie Ross from Darnell and Yell County Arkansas personified by Kim Darby has come to Fort Smith seeking the killer of her father Jeff Corey. Turns out he's also killed a State Senator in Texas so Texas Ranger Glen Campbell informs her. Both of them team up with United States Marshal Rooster Cogburn who resides in Fort Smith with Chin Lee and my favorite movie cat, General Sterling Price.

Corey is now in the outlaw band headed by Robert Duvall at large in the Indian Nation Territory that became Oklahoma. True Grit's plot is the trio's pursuit of Duvall, Corey and the rest of the gang.

But oddly enough True Grit isn't really about plot. It's about the creation of a character. Like Margaret Mitchell who wrote Gone With the Wind with Clark Gable in mind for Rhett Butler, Charles Portis wrote the novel True Grit with only John Wayne in mind as Rooster Cogburn. It must have been one singular delight for Charles Portis to see the Duke flesh out Rooster Cogburn exactly as he conceived him.

Tough old Rooster, likes an occasional drink, isn't above a little larceny, but has one stern moral code about real bad guys. Bring him in dead or alive and make sure you shoot first coming up against them. And he's got quite the colorful past as he relates tales of his younger days to Campbell and Darby on the trail.

In other reviews I've said that John Wayne had one of the great faces for movie closeups. You can see a perfect example of that in that scene with John Fiedler who plays Darby's lawyer J. Noble Daggett. A man who rates high in the legal profession in that area having forced a railroad into bankruptcy.

The camera is facing Fiedler as he's talking to Wayne about his visit with Darby who's life Wayne saved. Wayne's got about a third of his face to the camera. But even with that third, your eyes are focused on the Duke and his reactions and then as the camera slowly pans around to Wayne in full face his reaction shots are hysterical. You don't work with scene stealing character actors like Chill Wills, Walter Brennan, and Gabby Hayes for 30 years without learning something.

John Wayne was up against some stiff competition in 1969 for the Best Actor Oscar. It was his second nomination, the first being for Sands of Iwo Jima. He was facing Richard Burton as Henry VIII in Anne of a Thousand Days and a couple of newcomers named Dustin Hoffman and Jon Voight for Midnight Cowboy. He was certainly the sentimental favorite.

If in no other place in our lives, sentiment does have its place in cinema. It was an honor well deserved, not just for one performance but for a lifetime of achievement in cinema being the player who put more people into movie seats than any other person ever. So many of the Duke's contemporaries like Edward G. Robinson, Errol Flynn, Tyrone Power were never even nominated for an Oscar much less win one.

Because the Motion Picture Academy has deemed this John Wayne's grandest cinematic achievement, it's almost a command to support this fine western and the man who defined the western hero and is still defining it.

70 of 98 people found this review helpful.  Was this review helpful to you?

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