3 items from 2016
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Watch a trailer for an upcoming concert in Denmark featuring the music of Lars von Trier‘s film:
The New York Asian Film Festival 2016 has unveiled its full line-up.
Slate highlights the 50 greatest movies by black directors:
Despite everything, black filmmakers have produced art on screen that is just as daring, original, influential, and essential as the heralded works of Welles, Coppola, Antonioni, Kurosawa, and other nonblack directors. »
- The Film Stage
Martin Scorsese, David Fincher, Wes Anderson, Arnaud Desplechin, James Gray, Olivier Assayas, Kiyoshi Kurosawa, Richard Linklater, Peter Bogdanovich and Paul Schrader with a narration by Bob Balaban, come together in Kent Jones' rhythmic Hitchcock/Truffaut, to discuss Alfred Hitchcock and François Truffaut.
John Huston's Let There Be Light, Fincher's The Social Network, Se7en and The Game, Anderson's Moonrise Kingdom narrator and Truffaut's interpreter in Steven Spielberg's Close Encounters Of The Third Kind, the defector in Topaz, Psycho and Janet Leigh, Vertigo and Brian De Palma's commitment to Noah Baumbach and Jake Paltrow for their film De Palma come to light in my conversation with the New York Film Festival Director of Programming Kent Jones.
Hitchcock/Truffaut makes you »
- Anne-Katrin Titze
Two obscure Robert Wise titles reach Blu-ray release this month, both direct follow-ups to some of the auteur’s more iconic works. First up is 1962’s Two for the Seesaw, a romantic drama headlined by Robert Mitchum and Shirley MacLaine following the famed 1961 title West Side Story. But the decade prior would fine Wise unveiling one of his most stilted efforts, The Captive City (1952), a sort-of noir procedural which followed his sci-fi social commentary The Day the Earth Stood Still (1951). Providing John Forsythe with his first starring role (a performer who would find his most famous roles decades later on television, as Blake Carrington in “Dynasty,” and of course, the famous voice in “Charlie’s Angels”), it has to be one of the most unenthusiastic renderings of organized crime ever committed to celluloid. A scrappy journalist defies the mob ruled police force and a slick Mafia boss in a tired »
- Nicholas Bell
3 items from 2016
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