A French intelligence agent becomes embroiled in the Cold War politics first with uncovering the events leading up to the 1962 Cuban Missle Crisis, and then back to France to break up an international Russian spy ring.
Alice White is the daughter of a shopkeeper in 1920's London. Her boyfriend, Frank Webber is a Scotland Yard detective who seems more interested in police work than in her. Frank takes ... See full summary »
A high ranking Russian official defects to the United States, where he is interviewed by US agent Michael Nordstrom. The defector reveals that a French spy ring codenamed "Topaz" has been passing NATO secrets to the Russians. Michael calls in his French friend and counterpart Andre Devereaux to expose the spies. Written by
Col Needham <email@example.com>
Alfred Hitchcock shot three versions with completely different endings. All are included in the laserdisc reissue. See more »
Later in the film, as the camera pushes through the open front door into the house party, the closed door to the left of the screen can be seen to slide out of the way before it has gone out of shot (allowing the camera to continue forward). See more »
This movie is not the best one Hitchcock has ever made I totally agree, but it does have some very good scenes. For example the opening scenes are filled with action. And I don't mean the Rambo-kills-all-evil-guys kind of action, but the ways in which the scenes are shot and thereafter edited, the camera angles, this subtle creation of 'suspense' Alfred Hitchcock is so well known for. I also remember the scene in which Juanita is killed, where again the camera angle is chosen splendidly so that her beautiful dress fills the screen. This is one of the most aesthetic killings I've ever seen. So the superior talent of the unquestionable master surely is present some times. So if one learns to value these moments and neglects the terribly eclectic plot (Hitchcock was forced to extremely cut down the movie), it's not so bad a movie after all.
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