A French intelligence agent becomes embroiled in the Cold War politics first with uncovering the events leading up to the 1962 Cuban Missle Crisis, and then back to France to break up an international Russian spy ring.
A wealthy San Francisco socialite pursues a potential boyfriend to a small Northern California town that slowly takes a turn for the bizarre when birds of all kinds suddenly begin to attack people there in increasing numbers and with increasing viciousness.
A high ranking Russian official defects to the United States, where he is interviewed by US agent Michael Nordstrom. The defector reveals that a French spy ring codenamed "Topaz" has been passing NATO secrets to the Russians. Michael calls in his French friend and counterpart Andre Devereaux to expose the spies. Written by
Col Needham <email@example.com>
According to Alfred Hitchcock, this was another of his experimental movies. In addition to the dialogue, the plot is revealed through the use of colors, predominantly red, yellow and white. He admits that this did not work out. See more »
In the porcelain factory, after breaking the statuette, Tamara Kusenov goes through a door to make a telephone call. The goon following her moves towards the door, now closed, to investigate it, and the shadow of a man appears briefly on the wall to the left of the door before we cut away from the shot... and it is not the shadow of the goon... See more »
Opening credits prologue: Somewhere in this crowd is a high Russian official who disagrees with his government's display of force and what it threatens. Very soon his conscience will force him to attempt an escape while apparently on a vacation with his family. Copenhagen, Denmark Nineteen Hundred Sixty-two See more »
I agree completely with the previous reviewer that "Topaz", while not in the same ballpark as Hitchcock's best is still an underrated film that's gotten too much of a bum rap. I appreciate the fact that it's willing to take a look at the Castro regime for exactly what it has been and always will be. The tense scene where we watch Roscoe Lee Browne from a distance, with no dialogue and only the sound of street noises, bribe a Cuban official to get important material, ranks with Hitchcock's best. And Karin Dor is both radiantly sexy and courageous as a Cuban resistance leader. The ending is a bit abrupt and weak though, and I probably would have preferred one of the two alternate endings featured in the laser disc supplement.
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