Brick, an alcoholic ex-football player, drinks his days away and resists the affections of his wife, Maggie. His reunion with his father, Big Daddy, who is dying of cancer, jogs a host of memories and revelations for both father and son.
Drifter Chance Wayne returns to his hometown after many years of trying to make it in the movies. Arriving with him is a faded film star he picked up along the way, Alexandra Del Lago. ... See full summary »
In the Salinas Valley, in and around World War I, Cal Trask feels he must compete against overwhelming odds with his brother Aron for the love of their father Adam. Cal is frustrated at ... See full summary »
Jerry always wins in his rivalry with Red over women, gunrunning, and diamond smuggling. While running booze into the U.S. during Prohibition, Jerry seizes Jane's seaside home. When she ... See full summary »
Gloria is a young woman of the Depression. She has aged beyond her years and feels her life is hopeless, having been cheated and betrayed many times in her past. While recovering from a suicide attempt, she gets the idea from a movie magazine to head for Hollywood to make it as an actress. Robert is a desperate Hollywood citizen trying to become a director, never doubting that he'll make it. Robert and Gloria meet and decide to enter a dance marathon, one of the crazes of the thirties. The grueling dancing takes its toll on Gloria's already weakened spirit, and she tells Robert that she'd be better off dead, that her life is hopeless - all the while acting cruelly and bitterly, alienating those around her, trying to convince him to shoot her and put her out of her misery. After all, they shoot horses, don't they? Written by
Holds the record for the movie with the most Academy award nominations without a nomination for Best Picture: 9. See more »
When Gloria's partner is rejected from participating in the marathon for being sick, she points to Ruby and snaps, "If she ain't pregnant, I'm Nelson Eddy." In 1932 Eddy was not yet a well-known figure in show business. See more »
I may not know a winner when I see one, but I sure as hell can spot a loser.
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As I first noticed the credits to this movie, it came to my attention that Sydney Pollack was the director of this film... This should come as no surprise to me, Sydney Pollack is one of the greatest directors in Hollywood!! He pinpoints reality to an unprecedented succinctness level!! Reality is often times a subtle yet very rude formidability with indisputable facts that will decimate anyone or anything that gets in the way!!The movie "They Shoot Horses Don't They" depicts a cross section of individuals who masquerade a paper thin veneer of flippancy about them selves. These actions serve as a subterfuge for the fact that they have been mangled by the Depression!! Everybody is at the same place, a dance marathon.. By tittle, a dance marathon would seemingly suggest a sort of paraded panacea, in reality, it is a cinematic slaughterhouse!! Such an event cultivates a macabre audience whose voyeuristic amusement is based on witnessing human misery.. The tragic social pitfalls of financial collapse caused by the Great Depression are the culprits to spurring on these dance marathons, nevertheless, regardless of cause and effect, the show must go on!!
As the movie lingers on, it portrays the desperation and apocalyptic suffering all of the major characters endure... This needless agony is all in the hopes that they will win the grand prize.. The indigence everybody is victimized by sparks a pejorative identification that all involved parties are afflicted with!! All of them are mired in an abyss of despondence and gridlocked by the sorry element of individual demoralization!!
The acting in this movie is absolutely phenomenal!! Jane Fonda is superb at portraying the disgruntled spawn of economic hardship!! Her witty retorts and justified pathos resonate themselves to a point of insignificant consolation and comfort for her overall situation!! Gig Young is terrific as the dance marathon coordinator, he has become callous as a necessary defense mechanism for his basic survival!! Jane Fonda's dance partner, Michael Sarrazin, must expedite moral imperatives, his final dilemma makes him very peccant, this is accompanied by a gargantuan ethical conundrum!! That is all I can say without giving away the plot to this movie!! As I previously stated, Sydney Pollack does a remarkable job directing this film!! All of the dance marathon victims have become sullen and dejected!! The Depression has evoked a totally effective form of vilification to each and every one of them by making them realize the outcome of their end results!! Heroics would allow people to rise above adversity, even the Great Depression!! Reality, however, dictates that the vast majority of Americans did not fall through the cracks, nor, did they divide and conquer... the fact is, that anonymity and attrition relegated most working class Americans to tragic statistics!! The dreadful circumstances of the Depression cogently asserted that many lives were virtually categorized as utterly valueless!!
The talent and powerful story line make this film worth seeing!! Reality is a prevailing quality in a film, even if it is difficult to stomach, try to remember that and you will probably enjoy this film quite a bit!! Catastrophe has been calculated in this movie, to effectuate tragic poignancy to the letter of the law!! The law of the jungle that is!! If one of your favorite hobbies is ruminating the unfortunate truth, then, you will like this film very much!!!!!
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