Sonny Steele used to be a rodeo star, but his next appearance is to be on a Las Vegas stage, wearing a suit covered in lights, advertising a breakfast cereal. When he finds out they are ... See full summary »
Gloria is a young woman of the Depression. She has aged beyond her years and feels her life is hopeless, having been cheated and betrayed many times in her past. While recovering from a suicide attempt, she gets the idea from a movie magazine to head for Hollywood to make it as an actress. Robert is a desperate Hollywood citizen trying to become a director, never doubting that he'll make it. Robert and Gloria meet and decide to enter a dance marathon, one of the crazes of the thirties. The grueling dancing takes its toll on Gloria's already weakened spirit, and she tells Robert that she'd be better off dead, that her life is hopeless - all the while acting cruelly and bitterly, alienating those around her, trying to convince him to shoot her and put her out of her misery. After all, they shoot horses, don't they? Written by
Screenwriter James Poe planned to make his directing debut with this film, seeing it as a low-budget movie without stars. He had planned to use Shirley Knight as Gloria, Lionel Stander as Rocky, Allen Jenkins as Sailor and his own wife Barbara Steele in another role. The deal fell through, the film became much more expensive, Poe's script was rewritten (and, he claimed, softened) and stars were cast in the leading roles - some of them former clients of ex-agent Martin Baum, who was involved in producing the film. See more »
When Sailor (Red Buttons) is passed out, two referees take his pants off him to dunk him into a tub of ice water; Buttons lifts up his hips so they can easily remove his pants. See more »
You know somethin', Turkey? My old man never got out of the fourth grade. When it came to people, he didn't know his ass from his elbow. You know what he was? He was a faith healer. I used to travel the circuit with him. I was the one he healed. I was the shill to get the crowd set up. "Walk, my boy. When I lay my hand on you, you will walk." You will walk. Sodden old bastard. He thought it was him they believed in, but it was me.
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"They Shoot Horses, Don't They?" is such a fascinating film that it made worthwhile a little research into the dance marathon craze of the 1920s and early 1930s. According to the DVD extra, the set was modeled on the old Aragon Ballroom, built in the 1920s on the Lick Pier at Santa Monica, California. The once-elegant ballroom had grown seedy by the early 1950s, at which time it enjoyed a brief revival as the location of early Lawrence Welk show broadcasts. In the 1960s, the Aragon was again revamped under a different name as a short-lived rock concert venue - with appearances by Alice Cooper (is his pre-Cooper days) and Jim Morrison of the Doors. It was destroyed by fire shortly afterward.
Marathon dancing was, according to most historians, as brutal and exploitive as it is depicted in "Horses." It was for that reason that this early 20th century variety of Roman coliseum culture was banned in much of the country by the late 1930s.
This movie uses fictitious characters to tell a story that appears to be remarkably accurate from a historical point of view. Jane Fonda's ultra-cynical, sharp-tongued character, Gloria, along with ruthless manager/promoter Rocky (played by Gig Young), contrast perfectly with the eerily-resigned and unpretentious Robert (Michael Serrazin). The casting and dialogue are brilliant. The visual effects are haunting.
This film is not for everyone. But for those interested in the social pathology that allows human suffering to become a form of amusement, the malicious ill-treatment of the poor, or the harsh realities of the depression era, this is multifaceted cinema that can be watched again and again, each time yielding new subtleties. It is a morbidly fascinating character study that reflects a truly desperate time.
For those watching on DVD, it is advisable to see the short background feature before the movie in order to fully appreciate its context. The movie is unforgettable, a true classic.
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