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They Shoot Horses, Don't They? (1969)

M  -  Drama  -  13 August 1970 (Argentina)
7.9
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Ratings: 7.9/10 from 10,376 users  
Reviews: 93 user | 42 critic

The lives of a disparate group of contestants intertwine in an inhumanely grueling dance marathon.

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(novel), (screenplay), 1 more credit »
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Title: They Shoot Horses, Don't They? (1969)

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Won 1 Oscar. Another 10 wins & 21 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Robert Fields ...
Severn Darden ...
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Shirl
Madge Kennedy ...
Jacquelyn Hyde ...
Felice Orlandi ...
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Storyline

Gloria is a young woman of the Depression. She has aged beyond her years and feels her life is hopeless, having been cheated and betrayed many times in her past. While recovering from a suicide attempt, she gets the idea from a movie magazine to head for Hollywood to make it as an actress. Robert is a desperate Hollywood citizen trying to become a director, never doubting that he'll make it. Robert and Gloria meet and decide to enter a dance marathon, one of the crazes of the thirties. The grueling dancing takes its toll on Gloria's already weakened spirit, and she tells Robert that she'd be better off dead, that her life is hopeless - all the while acting cruelly and bitterly, alienating those around her, trying to convince him to shoot her and put her out of her misery. After all, they shoot horses, don't they? Written by alfiehitchie

Plot Summary | Add Synopsis

Taglines:

People are the ultimate spectacle

Genres:

Drama

Certificate:

M | See all certifications »

Parents Guide:

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Details

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Release Date:

13 August 1970 (Argentina)  »

Also Known As:

They Shoot Horses, Don't They?  »

Company Credits

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Technical Specs

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(original) | (current)

Sound Mix:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Sydney Pollack shot some of the frightening derby sequences himself, donning a pair of roller skates to get right in the action with the frantically heel/toe-ing actors. See more »

Goofs

The Edward Heyman/Johnny Green song "Easy Come Easy Go", which is used as the film's title theme and is performed by a singer at the fictional dance marathon, was not published until 1934 (two years after the film's 1932 setting). See more »

Quotes

Rocky: That's what were all interested in, isn't it? The show?
Robert: No, it's a contest. Isn't that what it's supposed to be? Isn't that what you advertised? A contest?
Rocky: Not for them. For you maybe, but not for them. Do you think they're laying out two bits a throw just to watch you poke your head up into the sunlight or Alice look like she just stepped out of a beauty parlor? They don't give a damn whether you win or James and Ruby or Mario and Jackie or the Man in the Moon and Little Miss Muffet. They just...
See more »

Connections

Referenced in Family Matters: They Shoot Ducks, Don't They? (1997) See more »

Soundtracks

Till We Meet Again
(1918) (uncredited)
Music by Richard A. Whiting
Played at the Dance Marathon
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A Grisly, Sickly Entertaining Film
20 February 2007 | by (United States) – See all my reviews

A brutally bleak screen adaptation of the pulpy Horace McCoy novella, about a Depression-era dance marathon where down-and-outers drive themselves to the brink of exhaustion to win the cash prize.

This film has become relevant again today in the age of reality T.V., where people tune in to watch strangers be humiliated, rejected and made fun of. Meanness and suffering sells today, and apparently it sold back then as well. The M.C. of the dance marathon, played wonderfully by Gig Young in one of his last (if not the last) film performances before the troubled actor murdered his wife and then killed himself, creates little narratives and dramas around each of the dancers, so that the audience can have their favorites to root for. Every once in a while, someone will show off a special talent, singing a song or hoofing a little dance number, and the audience will throw change at them, which the performer then frantically scrabbles up like a desperate pigeon. The cast of dancers is led by Jane Fonda, in a break-out role as Gloria, the jaded woman-of-the-world who's seen it all and doesn't want to see anymore; Susannah York, as a pretentious wannabe actress, who acts up a storm during a mesmerizing breakdown scene; Red Buttons, as an aging ex-serviceman who struggles to keep up with the young kids around him; and Bruce Dern and Bonnie Bedelia, as a sweet couple of country bumpkins who are desperate to win the cash for their unborn baby. And yes, that is Al Lewis (aka Grandpa Munster) lurking around in the background as one of the dance marathon officials.

Director Sydney Pollack vastly improves on the source material, making something much richer and deeper out of McCoy's lurid novella. He uses an edgy, jarring style that's suited perfectly to the material, and which he would never again display.

"They Shoot Horses, Don't They?" holds a sort of grisly fascination over its audience. Bleak as it is, it's also entertaining in a rather morbid way, making us feel like we're members of the audience watching this sick spectacle and making it that much harder for us to condemn the film audience without labeling ourselves as hypocrites.

Grade: A


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