Seven segments related to one another only in that they all purport to be based on sections of the book by David Reuben. The segments range from "Do Aphrodisiacs Work?" in which a court ... See full summary »
This film is presented as a documentary on the life of an incompetent, petty criminal called Virgil Starkwell. It describes the early childhood and youth of Virgil, his failure at a musical career, and his obsession with bank robberies. The film uses a voice over narrative and interviews with his family, friends and acquaintances. Written by
Kunal Taravade <email@example.com>
One hundred San Quentin prisoners were paid a small fee to work on the film during the prison sequences. The regular cast and crew were stamped each day with a special ink that glowed under ultra-violet light so the guards could tell who was allowed to leave the prison grounds at the end of the day. See more »
When Virgil is walking toward the shore of the beach after done eating the one slice of pepperoni, the shadows of the camera and boom mic are visible on his sweat jacket. See more »
He is always very depressed. I think that if he'd been a successful criminal, he would have felt better. You know, he never made the 'ten most wanted' list. It's very unfair voting; it's who you know.
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For those of you who think that all Woody Allen's movies are vapid stories of neurotic rich New Yorkers, you need to see his early movies. "Take the Money and Run" is a good example. Allen plays Virgil Starkwell, an inept criminal. No matter what sort of crime he tries to pull off, something always goes wrong. Probably the funniest scene is when he tries to escape from jail like John Dillinger did. Other scenes include the time when the authorities use him in an experiment, with a silly result.
Anyway, Woody Allen's old movies were really funny. The thing was that he created a bunch of outlandish premises and infused his New York Jewish humor. This is what comedy is all about!
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