Two New Yorkers are accused of murder in rural Alabama while on their way back to college, and one of their cousins--an inexperienced, loudmouth lawyer not accustomed to Southern rules and manners--comes in to defend them.
Three buddies wake up from a bachelor party in Las Vegas, with no memory of the previous night and the bachelor missing. They make their way around the city in order to find their friend before his wedding.
This film is presented as a documentary on the life of an incompetent, petty criminal called Virgil Starkwell. It describes the early childhood and youth of Virgil, his failure at a musical career, and his obsession with bank robberies. The film uses a voice over narrative and interviews with his family, friends and acquaintances. Written by
Kunal Taravade <email@example.com>
Allen's first cut was deemed to be decidedly unfunny, including his death scene in a slow-mo hail of bullets, like Bonnie and Clyde. Producers Jack Rollins and Charles H. Joffe convinced him to sit with top editor Ralph Rosenblum to see what could be salvaged. The first thing Rosenblum did was cut out the gory ending, then he restructured the film completely, and generally tightened up Allen's loose narrative. This effort transformed the finished film into a comedy classic. Rosenblum subsequently became Allen's editor of choice on most of his next films, including Bananas (1971), Sleeper (1973), Love and Death (1975) and Annie Hall (1977). See more »
When Virgil is walking toward the shore of the beach after done eating the one slice of pepperoni, the shadows of the camera and boom mic are visible on his sweat jacket. See more »
One day he told me he was a gynecologist. But he couldn't speak no foreign languages. Who's he kiddin'?
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This is the first truly "Woody Allen" movie--directed and starring Allen himself. He had previously lent his, at the time, good name to some horrible projects such as CASINO ROYALE, WHAT'S UP TIGER LILY? and WHAT'S NEW PUSSYCAT? While I will be one of the first ones to say that many of the jokes fall flat, the ones that do are so funny and unusual that it's easy to forgive the movie's many short-comings. One of the stupidest and funniest parts of the film was how it was done semi-documentary-style and this parents appeared with "Groucho Glasses" (with fake nose, mustache, etc. And, when mom says "he was a good boy" and dad interrupts by saying he was "always bad--I knew he'd never amount to anything" it was a riot and was so much the opposite of what you'd expect to see in such a documentary. Other great moments include his becoming, temporarily, a Hessidic rabbi, the escaped chain gang sequence and the abortive bank robbery. Rarely have I laughed so hard--it's so funny and it's a shame this spark of raw humor was so seldom evident in his later films.
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