Taxi dancer Charity continues to have Faith in the human race despite apparently endless disappointments at its hands, and Hope that she will finally meet the nice young man to romance her ...
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Montmartre, 1896: the Can-Can, the dance in which the women lift their skirts, is forbidden. Nevertheless Simone has it performed every day in her night club. Her employees use their female... See full summary »
After writing a tell-all book about her days in the dance troupe "Barry Nichols and Les Girls", Sybil Wren (Kay Kendall) is sued for libeling her fellow dancer Angele (Taina Elg). A Rash&... See full summary »
The life of Fanny Brice, famed comedienne and entertainer of the early 1900s. We see her rise to fame as a Ziegfield girl, subsequent career and her personal life, particularly her relationship with Nick Arnstein.
Three stories about the lives and loves of those who own a certain yellow Rolls-Royce: **First purchased by the Marquess of Frinton for his wife as a belated anniversary present, the ... See full summary »
Taxi dancer Charity continues to have Faith in the human race despite apparently endless disappointments at its hands, and Hope that she will finally meet the nice young man to romance her away from her sleazy life. Maybe, just maybe, handsome Oscar will be the one to do it. Written by
Jeremy Perkins <firstname.lastname@example.org>
In the "Aloof" movement of "The Rich Man's Frug," two of the male principal dancers walk down the stairs to light a woman's cigarette, while the others dance behind them. The background choreography in this shot leads directly to the triangle formation of the next shot, and the two men are now in the middle of the group, although there was no time for them to reach that position. See more »
Fandango Taxi Girls:
Hey Big Spender, Spend a little time with me. Fun! Laughs! Good times! Fun! Laughs! Good times!
How's about it, Palsy?
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Fosse's stage production was/is wonderful, but his movie is simply spectacular. He brings to the screen everything he had to leave out for the stage. As "Charity" is based on Fellini's Nights of Cabiria, the result is truly groundbreaking. The sets, scenery, NY locations, costumes, hair, all contribute to demonstrate the bizarre culture of the late '60s. The movie succeeds on many more levels than the stage version. This is not a filmed stage performance, it is every bit a true movie. Shirley MacLaine gives the performance of her career. Her other landmark roles pale in comparison to Charity. Unfortunately, Universal Studios panicked when the film met with some initial negative reaction and the movie was cut, re-edited and even given a different ending. Fosse's gift to the world was his intensely personal artistic integrity. It was impossible for him to be dispassionate in his creations and he must have taken "Charity's" reputation as a failure very personally. Thankfully his original version has been wonderfully preserved for DVD. Now "Sweet Charity" can take it's rightful place in the movie musical hall of fame.
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