Taxi dancer Charity continues to have Faith in the human race despite apparently endless disappointments at its hands, and Hope that she will finally meet the nice young man to romance her ... See full summary »
Liza Minnelli stars in a television concert directed and choreographed by Bob Fosse. She performs such songs as the title number, "Liza with a 'Z'" and "Son of a Preacher Man". The concert ... See full summary »
Paul Robaix is a well known director, married to Lucy Dell, a famous movie star. Robaix wants to make a movie of the classic play Madame Butterfly, but he doesn't want his wife to play the ... See full summary »
Edward G. Robinson
Peggy and Bill are high society lovebirds, but their marriage plans are put on hold while Peggy spends most of her summer straightening out her wayward parents and her unlucky-in-love ... See full summary »
Sally was an orphan who got her name from the telephone exchange where she was abandoned as a baby. In the orphanage, she discovered the joy of dancing and has been practicing since. ... See full summary »
John Francis Dillon
Joe E. Brown
Ellory Bugs has offered a huge donation to his old alma mater, Taylor Tech, which is to be paid only if his son, Jimmie "Doodle" Bugs, becomes a football hero. But "Doodle" tips the scales ... See full summary »
Taxi dancer Charity continues to have Faith in the human race despite apparently endless disappointments at its hands, and Hope that she will finally meet the nice young man to romance her away from her sleazy life. Maybe, just maybe, handsome Oscar will be the one to do it. Written by
Jeremy Perkins <firstname.lastname@example.org>
In the "Aloof" movement of "The Rich Man's Frug," two of the male principal dancers walk down the stairs to light a woman's cigarette, while the others dance behind them. The background choreography in this shot leads directly to the triangle formation of the next shot, and the two men are now in the middle of the group, although there was no time for them to reach that position. See more »
There ain't no use flappin' your wings, 'cause we are stuck in the flypaper of life!
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While "Sweet Charity" was being filmed, almost 40 years ago, Shirley MacLaine was a song and dance actress with a body and matching charm that wouldn't quit.
Bob Fosse was the rising choreographer of MacLaine's and so many other dancers' dreams, in this, his first major musical.
Fellini was a brilliant director.
In hindsight, MacLaine's career may have been royally jump-started by "Sweet Charity." As a dance hall hooker, more or less, her character, Charity Hope Valentine, was looking for Mr. Goodbar--a man with money to marry.
Her classic song, "If they could see me now," comes from this musical and as scene where she found one such guy. Nearly 2 scores later, MacLaine is still playing leading characters with the same comical charm and extraordinary talent; still singing hits like "I'm still here," in "Postcards from the Edge," and has out lasted both famous men.
What I've always loved about Shirley MacLaine's characters is that even though they are supposed to be sexy, like Charity, as a dance hall hooker, she makes them into charming, funny, and innocuously cute-sexy rather than sleazy women. In fact, it's her trademark to do so. "Irma la Douce" is another fine example.
Though MacLaine could have easily used her dancer's body to seduce us to the pinnacle of the stage and screen, she uses her multiple talents instead. And she is "still here!"
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