Taxi dancer Charity continues to have Faith in the human race despite apparently endless disappointments at its hands, and Hope that she will finally meet the nice young man to romance her ... See full summary »
Liza Minnelli stars in a television concert directed and choreographed by Bob Fosse. She performs such songs as the title number, "Liza with a 'Z'" and "Son of a Preacher Man". The concert ... See full summary »
1896, Montmartre: the Can-Can, the dance in which the women lift their skirts, is forbidden. Nevertheless Simone has it performed every day in her night club. Her employees use their female... See full summary »
Harriet Blossom, the lonely wife of a workaholic brassiere manufacturer, breaks her sewing machine and ends up in bed with the repairman, a mechanic from one of her husband's factories. The... See full summary »
Paul Robaix is a well known director, married to Lucy Dell, a famous movie star. Robaix wants to make a movie of the classic play Madame Butterfly, but he doesn't want his wife to play the ... See full summary »
Edward G. Robinson
Taxi dancer Charity continues to have Faith in the human race despite apparently endless disappointments at its hands, and Hope that she will finally meet the nice young man to romance her away from her sleazy life. Maybe, just maybe, handsome Oscar will be the one to do it. Written by
Jeremy Perkins <firstname.lastname@example.org>
In the "Aloof" movement of "The Rich Man's Frug," two of the male principal dancers walk down the stairs to light a woman's cigarette, while the others dance behind them. The background choreography in this shot leads directly to the triangle formation of the next shot, and the two men are now in the middle of the group, although there was no time for them to reach that position. See more »
Shirley is endearing as the title character, a sweet overly hopeful hard luck dame not overly burdened with brains. Several of the songs-Where Am I Going?, Hey Big Spender, If They Could See Me Now, are excellent but the film is an overblown terribly dated dinosaur. The kind of out of touch production that killed the musical by the end of the sixties. A gargantuan flop upon its initial release costing 20 million and taking in only 8, it's easy to see why peppered throughout as it is with techniques, photos that stop the action dead, freeze frames in numbers, that were outdated even then. There are glimmers of Fosse's genius scattered here and there but he has done better work elsewhere. One of the very rare chances to see Chita Rivera on screen, for that alone it's worth sitting through once but it really a mediocre effort.
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