Taxi dancer Charity continues to have Faith in the human race despite apparently endless disappointments at its hands, and Hope that she will finally meet the nice young man to romance her ... See full summary »
The pathetically shy LV lives the life of a recluse listening to her late father's old records in her room and in the process driving her abusive, loud-mouthed mother, Mari Hoff, to ... See full summary »
Devastated Peter takes a Hawaii vacation in order to deal with recent break-up with his TV star girlfriend, Sarah. Little does he know Sarah's traveling to the same resort as her ex ... and she's bringing along her new boyfriend.
Taxi dancer Charity continues to have Faith in the human race despite apparently endless disappointments at its hands, and Hope that she will finally meet the nice young man to romance her away from her sleazy life. Maybe, just maybe, handsome Oscar will be the one to do it. Written by
Jeremy Perkins <email@example.com>
John McMartin was nominated for the 1966 Tony Award (New York City) for Supporting or Features Actor in a Musical for "Sweet Charity" and recreated his role on the movie version. See more »
In the "Aloof" movement of "The Rich Man's Frug," two of the male principal dancers walk down the stairs to light a woman's cigarette, while the others dance behind them. The background choreography in this shot leads directly to the triangle formation of the next shot, and the two men are now in the middle of the group, although there was no time for them to reach that position. See more »
While "Sweet Charity" was being filmed, almost 40 years ago, Shirley MacLaine was a song and dance actress with a body and matching charm that wouldn't quit.
Bob Fosse was the rising choreographer of MacLaine's and so many other dancers' dreams, in this, his first major musical.
Fellini was a brilliant director.
In hindsight, MacLaine's career may have been royally jump-started by "Sweet Charity." As a dance hall hooker, more or less, her character, Charity Hope Valentine, was looking for Mr. Goodbar--a man with money to marry.
Her classic song, "If they could see me now," comes from this musical and as scene where she found one such guy. Nearly 2 scores later, MacLaine is still playing leading characters with the same comical charm and extraordinary talent; still singing hits like "I'm still here," in "Postcards from the Edge," and has out lasted both famous men.
What I've always loved about Shirley MacLaine's characters is that even though they are supposed to be sexy, like Charity, as a dance hall hooker, she makes them into charming, funny, and innocuously cute-sexy rather than sleazy women. In fact, it's her trademark to do so. "Irma la Douce" is another fine example.
Though MacLaine could have easily used her dancer's body to seduce us to the pinnacle of the stage and screen, she uses her multiple talents instead. And she is "still here!"
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