A rich, jet-setting playboy has a secret life: he's also a professional Mafia hitman. When he decides it's time to retire from that life, he finds that his former employers don't like the ... See full summary »
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Cast

Cast overview:
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Illeana
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George Baker
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Emilio Matteo
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District Attorney Frank Simpson
Titos Vandis ...
Tonio
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Don Andrea
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Bennett
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Hannibal Smith
Louie Elias ...
Mann
Luke Andreas ...
Macy
Dominic Barto ...
Franchini
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Edwards
Amaru ...
Rosa
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Storyline

A rich, jet-setting playboy has a secret life: he's also a professional Mafia hitman. When he decides it's time to retire from that life, he finds that his former employers don't like the idea that someone who knows so much about them won't be under their control anymore, and decide to send their own hitmen to eliminate him. Written by frankfob2@yahoo.com

Plot Summary | Add Synopsis

Taglines:

"Stiletto" - EXCITEMENT from the Author of "The Carpetbaggers" and "The Adventurers" See more »

Genres:

Crime | Drama

Certificate:

R | See all certifications »
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Details

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Release Date:

30 July 1969 (USA)  »

Also Known As:

Bodez  »

Filming Locations:

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Did You Know?

Trivia

Britt Ekland stepped in for Marisa Mell who was originally cast in the leading role but dropped out due to schedule problems. See more »

Connections

Featured in Dusk to Dawn Drive-In Trash-o-Rama Show Vol. 8 (2002) See more »

Soundtracks

Sugar in the Rain
Music by Sid Ramin
Lyrics by Alan Bergman and Marilyn Bergman
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User Reviews

 
Hit-man Alex Cord wants out from Mafia chief Joseph Wiseman
24 August 2015 | by (United States) – See all my reviews

The 20/20 Movie Reviews piece, which is in the "critics" section is a perfectly sound review of the plot and highlights of "Stiletto" (1969). Two of the user reviews also provide sound comments. This is not a high-brow kind of movie. You wouldn't expect that given the source, Harold Robbins. However, it's a crime story and W.R. Burnett has an uncredited role in writing it. It does have some very good lines in places. We have Eduardo Ciannelli telling Wiseman what the single-most important rule of the Mafia is that has ensured its success and longevity. We have Wiseman telling Cord what his association with him really means. And we have a tough Barbara McNair laughing off Cord's affair with Eklund and telling him how she can turn off of him in a second. There are some writing values amid the gloss and glitter which misleads some into thinking this is some kind of Bond movie. It isn't.

Joseph Wiseman does wonders with his role as a Mafia chief. He saves the life of Alex Cord in an opening sepia-toned sequence set in the past. Cord has then become a hit-man for Wiseman. Cord's a wealthy playboy hit-man, and his current mission is to dispose of potential witnesses against Wiseman. Cord's two girl friends are Barbara McNair and Britt Eklund. McNair spars with Cord and dances. Eklund looks pretty. Patrick O'Neal is a cop fixated on getting Wiseman. A trial goes bust, however, and John Dehner instead deports Wiseman. You can spot Eduardo Ciannelli, Charles Durning, Roy Scheider, Raul Julia, M. Emmet Walsh and Olympia Dukakis in small roles. That's fun.

Wiseman, O'Neal and Dehner lift the show quite a lot, but I also have a soft spot for Cord's acting. The locations are rich. The finale in Puerto Rico at El Morro castle helps. I'd really like to see this in a better print. There are a couple of jagged cuts in it.

This movie is a neo-noir, although unrecognized as such by the usual critics. An air of fatalism hangs over its protagonist (Cord) from the outset. How many hit men can walk away from their pasts? The obsession of his co-protagonist (O'Neal) with Wiseman is the stuff of noir. There is a worldly and cynical streak and an iron linkage with Mafia ways and rules that inhabit both Ciannelli and Wiseman. The ending is noir.


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