Roistering sea captain Jonathan Clark, who poaches seal pelts from Russian Alaska, meets and woos Russian countess Marina in 1850 San Francisco. Events separate them, but after an exciting ... See full summary »
Jim Douglas has been relentlessly pursuing the four outlaws who murdered his wife, but finds them in jail about to be hanged. While he waits to witness their execution, they escape; and the... See full summary »
When an army scout retires to a farm in New Mexico he takes pity on a white woman and her "half-breed" son recently rescued from Indians, and invites them to join him. He does this even knowing the child's father is a feared and murderous Apache and that sooner or later a showdown is almost inevitable. Written by
Jeremy Perkins <firstname.lastname@example.org>
This western was released when Hollywood was about finished with the genre and the film went largely unnoticed. However, the movie is well photographed, with good work by Gregory Peck, although Eva Marie Saint doesn't have much to do in the way of dialogue. Peck is a cavalry scout who quits the military to ranch in New Mexico and takes Saint and her half-breed son with him. Peck and Saint eventually turn up the romantic flames, but her boy is the object of a deadly game of search and destroy. The lad's father, a murderous Apache warrior, wants to reclaim him, and perhaps kill the woman for deserting him. The film has plenty of suspense, creepy shadows, and eerie noises in the dark and at times seems more like a mystery than a western. Most of the action occurs at picture's end, and Fred Karlin's plaintive yet thrilling score builds up the tension as Peck and Salvaje edge towards their showdown.
31 of 44 people found this review helpful.
Was this review helpful to you?