In this comedy-satire on conformity, Dick Van Dyke plays a Manhattan bank teller who grows a beard when he develops a rash from a bee sting. He is promptly fired from his job while his ...
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When Miss Vicki's father dies, she becomes the world's greatest philanthropist. Unfortunately, she is flat broke! Her loyal butler, Claude Fitzwilliam, leads the household staff to rob from... See full summary »
Dick Van Dyke,
Hoping for positive publicity, a tobacco company offers $25 million to any American town that quits smoking for 30 days. Amidst a media frenzy, Eagle Rock, Iowa accepts the challenge while the company's PR man tries to sabotage the effort.
After 17 years, things have got too predictable and stale. They argue, they visit a marriage counselor, Richard (drunk) visits a prostitute. They split up. After meeting other people, they ... See full summary »
Dick Van Dyke,
Father Rivard is a priest in a small, economically depressed coal mining town. Working on what he thinks is a "controversial" work, he lives with the brutal lives of his poor parishioners, ... See full summary »
Dick Van Dyke,
While the Nazis regime subjugates European Nations, in Belgian Congo the doctor Rachel Cade tries to cure those troubled people. The colonel Derode falls in love with her but a young American injured pilot upsets his plans.
In this comedy-satire on conformity, Dick Van Dyke plays a Manhattan bank teller who grows a beard when he develops a rash from a bee sting. He is promptly fired from his job while his co-workers stand behind him. Angie Dickinson plays his wife. Written and directed by Garson Kanin ("Born Yesterday"). Written by
It is obvious that Van Dyke was begging his agent to get him something different to prove that he could play a lead character that was unlikable. He must've admired his friend Andy Griffith's bravura performance in "A Face In The Crowd" very much. Friend Carl Reiner directed him in the overlooked gem, "The Comic" in 1968. Van Dyke and the script were perfect, but the movie bombed, thus threatening to pigeonhole him more than ever in Disney-ish tripe. Mind you, I'm just extrapolating from the facts I know, but it sure seems that Van Dyke was a desperate man when he agreed to star in this uneven amalgamation of nihilist farce, cultural satire, and moralistic claptrap. And Van Dyke seemed determined to force the darkest side of his unreasonably unlikable and self-destructive character down the audience's throat. I found it very hard to take in the theaters as an adolescent, but recently watched it on tape to see if I felt the same way as an adult. Not quite. As an adult, I found it a fascinating time capsule but otherwise, an all-too-annoying and impossible attempt to capture the essence of theater d'absurd with American TV actors, then compounding its own futility by eventually copping out on its only reason to exist.
Avoid this mess unless you are doing a film studies paper.
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